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Latest reviews

Let's Dance Vol 2Funkyjaws Music
Funkyjaws Music is back with more music to make your jaw go funky, this time in the form of a second volume of its Let's Dance series. It features a quartet of esteemed tune makers starting with Frank Booker's 'Yes No Maybe' which is a horn laced and loose-limbed delight, while go-slow master Eddie C brings his classy touch to the funky licks of 'Love Dancing Theme.' There are plenty of cosmic synth waves to Black Truffle's 'Dancing Through The Night' while the LTJ Xperience close down with a super laid back and summery vibe on 'Sunny Groove.'
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Jar Of Flies (remastered)Sony
Alice in Chains' Jar of Flies from 1994 is a masterful album that showcases the band's versatility and songwriting prowess across an acoustic-driven collection of tracks. They deliver plenty of haunting melodies and introspective lyrics that make for a deeply immersive listen. There is a real melancholic beauty to 'Nutshell' while a gritty intensity pervades 'No Excuses.' Each song offers a glimpse into the band's emotional depth and musical complexity, always with raw emotion and captivating performances that make this one a standout release in Alice in Chains' discography.
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Chicane - Far From The Maddening Crowds (Symphonic Rehearsals)
CD
Far From The Maddening Crowds (Symphonic Rehearsals)Modena
Complementing the main LP release of this career-bookending Chicane release comes the CD edition of the new symphonic edition of Far From The Maddening Crowds. The original trance uplifter LP blew us all away at its initial ‘90s moment, proving producer Nicholas Bracegirdle’s fine talents to the world. Now, however, comes the full orchestral version, sating our tireless retroactive desire for symphonies after trance; every track on the original album hears a full-blown symphonic orchestral rerub, utilising the collective talents of members of the The Hallé and the Royal Liverpool Philharmonic Orchestra, and combining them with glistening SFX and studio embellishments to lend an epic neoclassical vibe to an all-out classic.
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Fake Is ForeverGusstaff Poland
Returning with their first full-length since 1988's Laying Down Law, Australian art-rock auteurs The Wreckery (made up of former members of Nick Cave & The Bad Seeds, The Birthday Party, Plays With Marionettes) appear set to make up for their near four-decade absence with a macabre, city-lit jaunt through dingy clubs, bleak narratives, and the type of film noir soundtrack-indebted avant-garde post-punk quintessential to the 80s scene. While their original demise came from creative differences from certain members desiring a more mainstream direction and the others dully devoted to challenging art-rock experimentalism, this dichotomy and rift ultimately led to what made The Wreckery such a sonically uncertain and musically dangerous outfit. Fake Is Forever serves as a return to form, victory lap and dark new chapter for the band all at once, complete with scathing lyrics, fuzzed out atonal bedlam, bombastic baritone sax and minute flourishes of delicacy.
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Brotherhood (40th Anniversary Edition)Bridge Nine US
The long-gestating follow up to 1992's initial instalment, Black Aria II would finally arrive in 2006 after years of discussion from Misfits/Samhain horror-punk visionary Glenn Danzig, and further his exploration into the cavernous realms of modern classical dark ambience. Conceptually based around Lillith, the first wife of Adam, the material here is far more minimalist and starker than its gothic predecessor, while utilising a more varied array of instruments on top of the pre-established organ and strings, with more Eastern sonic influences to conjure a mercurial vision independent of the preceding volume. Complete with eerie chimes, chants and esoteric lamentations, the project marks one of Danzig's most intriguing works when compared to, say, his Elvis covers compilations, and offers a transportive, biblical, haunting narrative delivered almost exclusively via instrumental atmospherics and insidious gloom.
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Black Aria II (reissue)Cleopatra US
The long-gestating follow up to 1992's initial instalment, Black Aria II would finally arrive in 2006 after years of discussion from Misfits/Samhain horror-punk visionary Glenn Danzig, and further his exploration into the cavernous realms of modern classical dark ambience. Conceptually based around Lillith, the first wife of Adam, the material here is far more minimalist and starker than its gothic predecessor, while utilising a more varied array of instruments on top of the pre-established organ and strings, with more Eastern sonic influences to conjure a mercurial vision independent of the preceding volume. Complete with eerie chimes, chants and esoteric lamentations, the project marks one of Danzig's most intriguing works when compared to, say, his Elvis covers compilations, and offers a transportive, biblical, haunting narrative delivered almost exclusively via instrumental atmospherics and insidious gloom.
...Read more
Sinister OathRelapse
Returning a half-decade on from their despicable 2019 statement of hubris Beyond The Circular Demise, Japanese brutal death metal legends Coffins deliver their Sinister Oath. Recorded ahead of the band's 25th anniversary celebration in Tokyo, their latest offering retreads the gore-laden psychosphere of 90's brutal death metal, yet with an increased obsession on heaving tonal bedlam of the most cavernous doom. Packed with grinding, angular, buzzsaw riffage and overwhelming barrages of blast beats and utterly grotesque guttural vocals, Coffins reclaim a genre they entered during its most formative years and redefine its alienating heaviness and impenetrable compositions for both lifers who require a rejuvenated creative kick and newcomers who likely aren't in any way prepared for the brutality that awaits.
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Piano Violin Viola CelloGod? US
Morton Feldman's Piano, Violin, Viola, Cello from 2023 finally drops on vinyl double album and offers a deep dive into the avant-garde world of contemporary classical music. Feldman's minimalist compositions unfold gradually, inviting you into a grand realm of spaciousness and tranquility. The interplay between piano, violin, viola, and cello is masterfully executed and creates ethereal textures and delicate harmonies. Each piece unfolds with a sense of patience and introspection, captivating as it goes, and always with a sense of understated beauty. This album is a testament to Feldman's genius as a composer and is a must-have for enthusiasts of experimental music and modern classical composition.
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