The iLok is a special USB device that holds your licenses for iLok-enabled software. Software publishers use the iLok to provide secure protection for their software. When you run their iLok-enabled software, it looks for the software license on your attached iLok.
The Third Generation iLok:
Smaller, faster, and with even greater capacity, the new iLok is here! The Third Generation iLok is fully compatible with software created for the second generation iLok. With its smaller form factor and metal body, it is more robust and less prone to casual damage.
- It's portable - you can authorize your software anywhere it is installed. At home, work, or at a remote location, you can keep your software licenses with you, not on your computer.
- It's convenient and cross-platform - Store your Mac and Windows iLok-enabled software licenses all on a single iLok. A Third Generation iLok can hold over 1500 licenses.
- Worry Free - Your licenses are on the safest, most secure solution: the iLok. With Zero Downtime protection available, you've got 24/7 peace of mind.
Managing your licenses has never been so easy. Using the iLok License Manager application, you can:
- View what is on your iLok(s)
- Download new licenses from participating software publishers
- Manage your licenses, including moving them between iLoks within your account and from your iLoks back to your account
- Transfer licenses to other iLok.com accounts
What do I need in order to use my iLok?
In order to use an iLok, you'll need at least 3 things:
- Your iLok
- A license for the iLok-protected software you want to run (you'll need to have the publisher place this license in your account or send you an Activation code)
- The software that is iLok protected (usually a download from the Publisher's or retailer's website, we do not host those on this site)
Your iLok will need special License Support software in order to talk to the protected software. Your protected software most likely installed this special software, but you can always get the latest version of this software by installing the iLok License Manager.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
MPK mini includes all the essentials for quickly laying down and expanding upon your musical ideas. Dedicated Octave Up and Down buttons increase the keyboard to the full melodic range, and a sustain pedal input is built in for expressive playing and recording. An onboard arpeggiator with adjustable resolution, range, and modes makes it easy to create intricate melodic lines with little effort. Plus, MPC Note Repeat and Full Level allow users to access genuine technologies from Akai Professional's line of MPC workstations.
For maximum portability, MPK mini requires no software drivers or external power adapter for operation. It supports plug-and-play connectivity, features USB-MIDI, and powers up with a single USB connection to your Mac or PC. Four memory banks enable you to store hardware/software presets for quick and easy setting up of your computer and MPK mini.
MPK mini comes bundled with professional production software and virtual instruments for immediate music creation. Hybrid 3, by AIR Music Tech, is a high-definition synthesizer that can create anything from fat, retro synth sounds to edgy modern leads and everything in between. SONiVOX's Wobble is an electronic music grime synthesizer that features two independent channels of spectral morphing synthesis with harmonic controls, individual filtering, and discrete LFO controls. MPC Essentials, a groove/beat production and sample-triggering software, lets producers and musicians incorporate genuine MPC workflow into their DAW of choice and extends the power of MPK mini by adding up to 8 pad banks and 4 samples and insert effects per pad. MPC Essentials also runs in standalone mode, so you can start making music without a DAW.
Unlock the true potential of your MPK mini with the MPK mini MIDI Editor software. This MIDI editor is a powerful preset management software that lets MPK Mini users customize their hardware and software setup on their Mac or PC. Create and tweak presets for your favorite virtual instruments, plugins, and DAWs, then store them on your MPK mini. You'll spend less time setting up your gear and more time doing what you love - making great music.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
At the heart of the Organelle's sound engine is a robust computer that runs patches. A patch allows the instrument to take on different forms. Onboard hardware for sound input and output and mappable knobs, keys and buttons enable patches to synthesize, sample, effect, and anything in between!
The Organelle ships with a set of common default patches, and new patches may be loaded from a USB drive. Simply select patches from a continually-growing list, transfer them to a USB drive, reinsert it in the Organelle, and play!
Don't see the exact patch you need? You can create it yourself! Patches may be created and/or edited directly on the device as well as on a personal computer. Plug in a keyboard, mouse and monitor and begin customizing. The Organelle runs patches created in the powerful computer music programming environment Pure Data (and may also be written in lower level languages too!)
As you create patches or tweak existing ones you can share them with others! The Organelle is built with community interaction in mind. The entire system runs open source software and may be customised at every level.
PLEASE NOTE: COMES WITH 2 PIN TYPE A PLUG ADAPTER
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.
The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.
Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.
The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.
16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.
There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.
In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.
Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
The TM-50 tuner/metronome, which allows musicians to practice both pitch and rhythm in a single unit, has now taken a major evolutionary leap to become the new TM-50TR.
In addition to the existing high-precision tuner functionality, the TM-50TR adds a new Tone Trainer function which analyses your playing sound in more detail. It detects not only the pitch, but also the volume and brightness of your tone, as well as the stability of these aspects, making it much easier to evaluate your own playing and practice more efficiently. Of course the TM-50TR also provides Sound Out and Sound Back functions that are great for improving your sense of pitch. Additionally, its metronome capabilities feature a new "periodic" metronome function that can help you practice keeping the rhythm. The display newly features a large color LCD for excellent visibility. The TM-50TR is available in your choice of two colors: silver or black.
With its ability to give you more detailed feedback on your playing, the TM-50TR will take your daily practice routine to the next level.
A tuner that detects not only the pitch but also the volume and tone - Tone Trainer function analyzes your sound as you play:
In addition to its high precision as a tuner, the TM-50TR features a new "Tone Trainer" function (*1, 2) that can evaluate your sound in even greater detail. When you play a sustained note on your instrument, the TM-50TR will detect not only the pitch, but also the dynamics (volume) and brightness (tonal character). These three elements are displayed in the TM-50TR's meter in real time. When you finish playing the note, the stability of each of these three elements is shown in a graph, allowing you to see at a glance whether your sound is stable.
By analyzing these three basic elements of sound, including tuning, the TM-50TR can identify which aspects of your playing need improvement, thus helping you practice more efficiently.
The Tone Trainer function is based on KORG's new ARTISTRY (*3) technology. This is proprietary technology for analyzing and evaluating sound that was developed through cooperative research under the supervision of Xavier Serra, Director of the Music Technology Group at the Pompeu Fabra University in Barcelona, Spain.
The Sound Out function produces a reference tone from the built-in speaker:
In addition to visual tuning using the meter, you can use the Sound Out function to produce a reference tone from the internal speaker or headphones, and tune by ear. You can specify the reference tone in a three-octave range from C3 (130.81 Hz) to C6 (1046.50 Hz), which covers a wide variety of instruments.
The Sound Back function generates the reference tone that's closest to the input sound:
In addition to the Sound Out function, the TM-50TR provides a Sound Back function (*) that's ideal for further training your sense of pitch. The reference tone that's closest to the note you play into the tuner is played back to you through the speaker, and the pitch of your input is simultaneously shown in the meter; this lets you check the pitch simultaneously by eye and ear, enabling you to tune accurately and also helping you develop an accurate sense of pitch.
A metronome that further develops your sense of rhythm:
Usable simultaneously with the tuner:
The TM-50TR lets you use the tuner function and metronome function simultaneously. For example, if you're doing rhythm training along with the sound of the metronome, and feel that the tuning of your instrument might have drifted, you can turn on the tuner function while letting the metronome continue running. This lets you simultaneously train two elements that are indispensable for any instrumental performance: your sense of pitch and your sense of rhythm.
Fifteen rhythm variations:
You can choose fifteen types of metronome rhythms. It contains standard time signature from 0 through 9, and sophisticated rhythms such as duplets, triplets, triplets without the center beat, quadruplets, quadruplets without the center beats. It allows training a diverse variety of styles including classical, rock, and jazz.
Periodic metronome function is ideal for training:
The TM-50TR features a new Periodic Metronome function that further develops your sense of rhythm. This function repeatedly alternates between sounding and silencing the metronome for the specified number of measures, so that you can keep playing during the silent measures to see how well your own performance has kept time with the metronome when it resumes sounding. The cycle between sound and silence can be adjusted in a range of 0--4 measures (with a setting of 0 the function is off). This is a great way to test whether you are accurately keeping the rhythm during your performance.
It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.
Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.
The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.
The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.
A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.
What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
The DR-40 recorder captures up to 4 tracks from built-in, high-quality condenser microphones, XLR mic or line inputs. The internal mics are adjustable from XY to AB position, helping you to tailor your recording to the sound of the room. A pair of great-sounding Tascam microphone preamps welcome condenser microphones with phantom power, recording at up to 96 kHz/24bit resolution. It accommodates balanced XLR or 1/4" line inputs using locking Neutrik Combo jacks. The DR-40 accepts SD or SDHC cards up to 32GB, and a 2GB card is included.
Once recorded, play back your takes with EQ and the optional level align feature to avoid volume jumps. A stereo reverb effect is also built-in, as well as a speaker and chromatic tuner. Transfer recordings to computer using the USB 2.0 jack. Other features include overdub mode, variable speed playback, limiting and low cut filter and much more, all with Tascam's simple-to-use interface. No other recorder makes home or live recording as simple as the Tascam DR-40.
Sound source... like an oscillator? Not really.
Most of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators - that's why we call it a macro-oscillator - intricate digital synthesis algorithms wrapped in oscillator's clothes.
Each algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.
Three families of vibrating structures are simulated by the module, with CV control over their parameters:
- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.
Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.
*For audio demo, please visit - http://mutable-instruments.net/modules/rings
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
Can be assembled at any one of 5 possible height settings and has high density foam pads on the support arms and lower skids to avoid damage and slipping.
When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
You might be creating professional multimedia one minute and streaming video the next. With Creative Reference Multimedia Monitors, you get the best of both worlds. Studio-quality design and performance in an extremely compact design with smart features perfect for creatives of any level.
Creative Reference monitors deliver a combination of high-quality components and professional build quality that is typically only found on more expensive studio monitors. From the studio-quality sound of the premium drivers to the rich, natural sound enhanced by the all-wood cabinet design, these monitors are professional in every way.
After all, when creating media, it's critical that your audio translate accurately across the myriad of speakers people will use to listen. Even if you don't create media, you want to hear exactly what the product intended. Hear every nuance and detail in a complete full-range experience that only studio monitors can provide.
Let's face it... a lot of workspaces are cramped. Maybe you work at home, maybe you like to work remotely or maybe you sit for hours a day in a tiny editing suite. Either way, great-sounding monitors that don't eat up a ton of desk space would be ideal. The extremely small footprint of Creative Reference monitors is perfect for the modern workspace. They are very compact, but they don't sacrifice a bit on performance.
There's nothing worse than getting some cool new gear only to realize you have to head back to the store to get the cables you need to make it all work. That's why Creative Reference monitors come with absolutely everything you need to get started working or playing right out of the box... and then some. Here's what's included:
- 1/8" to stereo RCA cable for connecting your computer's audio output directly to the monitors
- 1/8" to 1/8" cable for connecting your smartphone right into the front of the monitors
- 6' speaker-to-speaker cable to connect the left/right speakers together
- (2) Professional-grade isolation pads that minimize unwanted bass buildup and allow you to tilt the monitors up or down a bit for more focused listening
Unique to the line is a left/right speaker placement switch that lets you decide which side of your workspace has the volume control. Sometimes you just feel more comfortable reaching up to change the volume with a specific hand. Mackie is the first to solve this issue. Maybe it's because there are so many ambidextrous people here...something in the Seattle water.
It's also fantastic for home studios, where you can be forced to put the powered monitor on a particular side due to where the power outlet is. Either way, you don't want to sacrifice proper stereo imaging due to personal preferences or space limitations.
There are also some great front-panel features that make Creative Reference monitors ideal for creative professionals and media junkies.
The front panel volume knob also allows you to turn the monitors off, which is better than reaching around back each time you use them. There's even a lit power ring around the knob to let you know when the monitors are ready to rock (or jazz, or whatever it is you're into).
An auxiliary input is perfect for connecting your smartphone or other media device to audition previous mixes or other comparison media. Plus, if you want to quickly watch the latest video your friend shared on Twitter, you can just plug in and enjoy.
A dedicated headphone out provides the opportunity to quickly listen to a different source, which is great for any professional. Plugging in phones defeats the speakers for truly silent work and you can quickly adjust levels with the main volume knob.
The proprietary bi-amped, class A/B amplifier grants SPL up to 102dB. The ROKIT waveguide is designed to ensure detailed imaging in the listening position. The front-firing bass port reduces boundary coupling to allow flexible positioning in the room while the engineered surface reduces diffraction distortion.
Multiple input connections ensure the ROKIT 4 G3 will easily integrate in any system configuration.
The ROKIT 4 is the most compact solution of the KRK ROKIT series, perfect to fit smaller rooms and any desktop application.
The stand can be folded away making it ideal for musicians and DJ's on the go looking to maximise space.
USB fans help to keep the laptop cool in order to ensure optimised operation, the stand comes complete with a mouse holder.
This is our compact yet versatile 2-in, 2-out USB audio interface. It gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range. Take it anywhere, connect by USB, plug your mics and guitars straight in, and simply start recording.
Focusrite interfaces are the perfect partner for Pro Tools, so Scarlett 2i2 comes with Pro Tools | First recording software in the box, as well as Ableton Live Lite and a suite of software and samples so you can start recording straight away. As you'd expect, it works flawlessly with all major DAWs on Mac and PC
Sound Like You:
Easily make studio quality recordings that sound just the way you intended. Connect your microphones, guitars and line level equipment to two newly designed instrument inputs, both with natural-sounding Scarlett preamps and 48V phantom power.
Effects In Real Time:
Don't let latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).
Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works flawlessly with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.
Record Absolutely Anywhere:
Never miss another moment of inspiration. Lay down some ideas at a friend's house, or record your next open mic night. Scarlett 2i2 is compact, lightweight and sturdy enough to take with you anywhere. You don't need a power supply, either - just connect with a USB cable and start recording.
Designed for Guitarists:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.
New Generation - Better In Every Way:
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.
We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.
Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class.
You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.
Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.
Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.
Moreover you can program up to 16 different Flam algorithm. Step length is individually selectable for each instrument - polyrhythms are easy to achieve. 32 steps, 16th or 16th/8th triplets are the basic metrics and 15 different shuffles can be set globally.
Four different accents are available. Five independent LFOs can be used to modulate the pitch of Bass drum, Claps, Tom, Sample 1 and Sample 2. They offer four waveforms and can be programmed independently for each step. All Sound parameters can be recorded in step - or real-time mode. The sequencer sends MIDI notes and can trigger other sound sources.
Tanzmaus sends and receives MIDI Clock. Beside Master Volume each instrument has its own volume pot and mute function. You have five individual outs and one stereo out, Claps are in stereo. The compact chassis is built from steel plate. MFB offer a selection of exchangeable samples from their website (http://mfberlin.de/en/home).
Bassdrum : Attack Level, Decay Time, Noise Level, Noise Decay Time, Pitch, Tune, Attack Type, Distortion, LFO
Snare: Tune, Noise Level, Noise Decay Time, Tone Decay Time, Attack Type
Claps: Filter, Reverb Decay Time, Intensity, Number and Patterns of Attacks, LFO
Tom: Decay Time, Tune, Pitch, Attack Level, Attack Type, Panning, LFO
Sample 1 (Alt) and 2 (Alt): Decay Time, Attack Time, Tune, LFO
*2-pin EU power supply included
9 in stock $524.39
Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.
The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.
An ARP ODYSSEY module that emanates synthesis power from your tabletop:
The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.
By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.
Lineup includes the historical Rev1 and Rev3 designs:
The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.
The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
The SE425 utilizes dual, balanced armature drivers for an incredibly accurate and balanced listening experience. It also includes an integrated passive crossover that ensures high and low frequencies remain distinct and defined. The SE425 sounds very natural and is the perfect choice for audiophiles - whether on-stage or on the go.
Sound Isolating Earphones were originally developed as Personal Monitor Systems to allow musicians to hear their own performances in loud onstage environments.
They work by using soft, flexible sleeves to block up to 90 % of the background noise. You can concentrate on your music, whether you are on-stage, in a train, on the street or working out. At the same time you can reduce the audio level to conserve your hearing.
The SE425 features a durable Kevlar reinforced cable that allows easy replacement or customisation. The formable wire ensures secure placement, and over the ear configuration keeps cables out of the way. The gold plated MMCX connector has a lock-snap mechanism allowing 360 degree rotation for comfortable fit.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
Offering outstanding performance and value, the Special Edition SE215m+SPE Sound Isolating Earphones with Remote + Mic takes performance, connectivity and durability to a new level. Single dynamic Micro-Drivers provide detailed audio and enhanced bass in a stylish and distinctive white finish.
An integrated three-button remote and microphone offers convenient device and playback controls from the detachable, replaceable cable. Each pair is made to exacting, industry-renowned Shure quality standards and built to withstand the rigors and abuses of everyday life.
- Single dynamic Micro-Driver earphones with detailed sound feature an acoustical network tuned for extended bass performance.
- Detachable, replaceable, 50" Kevlarr-reinforced cable with MMCX connectors extends product life.
- Soft-touch integrated remote and microphone controls device playback, volume, and sound for calls and voice control apps.
- Apple-certified Made for iPhone features: Controls playback, volume and calls, and use with SIRI; Play Music, Pause Music, Volume Up/Down, Skip to Next Track, Skip to Previous Track, Restart Current Track, Fast-forward, Send/End Call, SIRI, Take Photo; 1/8" Stereo connectors compatible with Apple-certified protective cases; Some features work with iOS devices only; Android compatibility is device-dependent.
- Comfortable, Sound Isolating sleeves block up to 37 dB of outside noise; Passive sound isolation for uncoloured, artefact-free sound.
- Ergonomic earphone housing sits comfortably in the ear for hours of listening.
- Wireform cable moulds to wearer's ears for secure, customized fit, even during high-intensity activity.
- Included universal fit kit for personalized sizing ensures a perfect seal for maximum isolation and bass response.
- Zippered pouch protects earphones and cable when not in use.
- Performance-proven, road-tested Shure durability to withstand the abuse and rigors of daily use.
- Made for iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPhone 4, iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad mini, iPad (4th generation), iPad (3rd generation), iPad 2, iPad, iPod touch (5th generation), iPod touch (4th generation).
- iPhone, iPod and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. iPad Air, iPad mini and Lightning are trademarks of Apple Inc.
SE215m+SPE Android Compatibility:
The 3-button inline remote + microphone is designed for use with Apple devices. Depending on manufacturer, model and operating system installed, some models of phones may cease to function, have limited functionality and/or cross compatibility. Some devices may work as intended or with restrictions on remote/voice functions.
- Anti-tangle nylon braid
- Retro-style colour options
- Anti-tangle nylon braid
- Retro-style colour options
The integral mechanisms in the clamp allow for easy installation with no tools required.
The holder is fully adjustable allowing the tablet to be used in any orientation.
A great accessory to assist hands-free auto-cue for narrators, music scores for live performance and practice, and lyric display for singers.
*Photgraphed tablet is not included
The 2.0m cable is fitted with a 6.3mm standard jack plug.