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128/28(ページ1/1)の商品
Presonus ACP88 Eight Channel Rackmount Compressor Limiter Gate
 カートに入れる
 1 in stock $807.15
Cat: 525499 Rel: 17 Mar 14
 
Rackmountable 8 channel dynamics processor unit with full featured analog compressor/limiter
Notes: One of our all-time most popular products, the ACP88 delivers the classic analog compression that helped establish PreSonus as a leading signal-processor manufacturer. With eight independent, full-featured compressor/limiters and gates, the ACP88 can solve a host of thorny studio and live-sound problems. A switchable power transformer enables international use.

Each channel provides a fully variable compressor with a sidechain send and return to enable spectral processing and ducking. In addition to the usual attack, release, ratio, threshold, and makeup gain controls, each compressor offers selectable soft- or hard-knee compression and an Auto Attack feature. A six-segment LED meter displays the amount of gain reduction, and pair of LEDs indicate gate position (open/closed) and compression threshold (above/below).

At the heart of the ACP88 is the highly respected THAT 4301s VCA. This VCA has unsurpassed dynamic range, extremely low distortion characteristics, and virtually no noise. With its top-shelf components and classic analog design, it's no surprise that the ACP88 delivers best-in-class audio quality.

The compressor/limiter is followed by a full-featured gate with attack, release, and threshold controls; a gate-range switch, which determines the amount of level reduction that occurs when the gate closes; and a sidechain/key insert loop that enables the gate to be opened, or "keyed," in response to a modified version of the program signal or some other external source.

Each channel of the ACP88 includes a sidechain send and return for the gate.

With eight independent dynamics processors in one unit, you can employ tricks that aren't possible with lesser processors. The Channel Link feature lets you lock together as many channels as you wish, so that all processors follow the setting of the master processor. Since you can create multiple simultaneous link groups, you could link a stereo pair of channels plus a group of four processors and still have two unlinked channels for other applications.

Each ACP88 channel can be independently bypassed so you can audition signals with and without processing. Activating Bypass effectively removes all processing and returns the signal to unity gain. Bypass affects both the gate and the compressor. When bypassed, the Link function is interrupted for that channel.

The ACP88 is designed to work smoothly with a variety of professional and semipro gear. You can select +4 dBu or -10 dBV operating levels independently for each channel.

Some people say they don't make signal processors the way they used to. Nonsense. The ACP88 is a superb old-skool processor, with physical knobs and switches for every parameter, shoehorned into two rackspaces, and it delivers a pure analog sound that will always be in style.

So if you want a professional analog dynamics processor that is every bit as powerful and sonically pleasing as the famous vintage processors were "back when," try the ACP88. Because great sound never gets old.
Read more
Presonus ACP88 Eight Channel Rackmount Compressor Limiter Gate (B-STOCK)
 カートに入れる
 1 in stock $602.96
Cat: 576608 Rel: 08 Jun 15
 
***B-STOCK: Box opened, product unused***
Notes: One of our all-time most popular products, the ACP88 delivers the classic analog compression that helped establish PreSonus as a leading signal-processor manufacturer. With eight independent, full-featured compressor/limiters and gates, the ACP88 can solve a host of thorny studio and live-sound problems. A switchable power transformer enables international use.

Each channel provides a fully variable compressor with a sidechain send and return to enable spectral processing and ducking. In addition to the usual attack, release, ratio, threshold, and makeup gain controls, each compressor offers selectable soft- or hard-knee compression and an Auto Attack feature. A six-segment LED meter displays the amount of gain reduction, and pair of LEDs indicate gate position (open/closed) and compression threshold (above/below).

At the heart of the ACP88 is the highly respected THAT 4301s VCA. This VCA has unsurpassed dynamic range, extremely low distortion characteristics, and virtually no noise. With its top-shelf components and classic analog design, it's no surprise that the ACP88 delivers best-in-class audio quality.

The compressor/limiter is followed by a full-featured gate with attack, release, and threshold controls; a gate-range switch, which determines the amount of level reduction that occurs when the gate closes; and a sidechain/key insert loop that enables the gate to be opened, or "keyed," in response to a modified version of the program signal or some other external source.

Each channel of the ACP88 includes a sidechain send and return for the gate.

With eight independent dynamics processors in one unit, you can employ tricks that aren't possible with lesser processors. The Channel Link feature lets you lock together as many channels as you wish, so that all processors follow the setting of the master processor. Since you can create multiple simultaneous link groups, you could link a stereo pair of channels plus a group of four processors and still have two unlinked channels for other applications.

Each ACP88 channel can be independently bypassed so you can audition signals with and without processing. Activating Bypass effectively removes all processing and returns the signal to unity gain. Bypass affects both the gate and the compressor. When bypassed, the Link function is interrupted for that channel.

The ACP88 is designed to work smoothly with a variety of professional and semipro gear. You can select +4 dBu or -10 dBV operating levels independently for each channel.

Some people say they don't make signal processors the way they used to. Nonsense. The ACP88 is a superb old-skool processor, with physical knobs and switches for every parameter, shoehorned into two rackspaces, and it delivers a pure analog sound that will always be in style.

So if you want a professional analog dynamics processor that is every bit as powerful and sonically pleasing as the famous vintage processors were "back when," try the ACP88. Because great sound never gets old.
Read more
Presonus AudioBox 1818VSL Audio/MIDI Interface + Studio One Artist Audio Production Software **SPECIAL PROMO PRICE - WHILE STOCKS LAST**
 カートに入れる
 1 in stock $361.29
Cat: 431936 Rel: 12 Aug 13
 
Advanced 18x18 USB 2.0 recording system, audiobox VSL interface with class A mic preamps
Notes: The flagship in PreSonus' new generation of USB 2.0 audio/MIDI interfaces, the AudioBox 1818VSL takes hardware/software integration to the next level and delivers a combination of features, audio quality, and value that is unprecedented in this product category.

Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox VSL series interfaces provide reverb and delay effects and the same Fat Channel compression, limiting, semi parametric EQ, and high pass filter, as the PreSonus StudioLive 16.0.2 digital mixer - all with inaudible latency.
It's a great choice for project studios, performing bands, school music labs, and a wide variety of corporate installations and other contractor applications.
This is a pro product all the way, with high end 24 bit, 96 kHz converters; Class A XMAX preamps; ADAT optical I/O; S/PDIF coaxial I/O; word clock output; and MIDI I/O, housed in a heavy duty, rack mount metal chassis.
Furthermore, thanks to the power of VSL, the AudioBox 1818VSL includes a 26x8 software mixer. As a result, with just an AudioBox 1818VSL and your laptop or other computer, you can mix a studio session or live show featuring a full band - all while monitoring and recording with or without real time effects!

The Presonus engineering wizards have dramatically reduced processing delay in the AudioBox VSL series. The result: dynamics processing, EQ, reverb, and effects that feel real, with no audible delay.
If you like what you hear, you can record with AudioBox VSL series effects, too!

Versatile and portable, the AudioBox 1818VSL offers 2 convenient front panel mic/instrument combo inputs and 6 front panel mic/line combo inputs, true 48V phantom power (switchable in 2 banks), and 8 line level outputs.
ADAT Optical I/O provides 8 more channels of input and output (at 44.1 or 48KHz; 4 channels at 88.1 or 96KHz). S/PDIF coaxial digital I/O adds 2 more channels, bringing the total to 18 audio input channels and 18 output channels.

Read more
Presonus AudioBox 1818VSL Audio/MIDI Interface With Studio One Artist Software + FREE 8 Way 1/4" Mono Jack Wiring Loom (3m)
 カートに入れる
 1 in stock $426.54
Cat: 539011 Rel: 16 Jun 14
 
Advanced 18x18 USB 2.0 recording system, audiobox VSL interface with class A mic preamps - bundled with a FREE 1/4" jack wiring loom
Notes: The flagship in PreSonus' new generation of USB 2.0 audio/MIDI interfaces, the AudioBox 1818VSL takes hardware/software integration to the next level and delivers a combination of features, audio quality, and value that is unprecedented in this product category.

Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox VSL series interfaces provide reverb and delay effects and the same Fat Channel compression, limiting, semi parametric EQ, and high pass filter, as the PreSonus StudioLive 16.0.2 digital mixer - all with inaudible latency.
It's a great choice for project studios, performing bands, school music labs, and a wide variety of corporate installations and other contractor applications.
This is a pro product all the way, with high end 24 bit, 96 kHz converters; Class A XMAX preamps; ADAT optical I/O; S/PDIF coaxial I/O; word clock output; and MIDI I/O, housed in a heavy duty, rack mount metal chassis.
Furthermore, thanks to the power of VSL, the AudioBox 1818VSL includes a 26x8 software mixer. As a result, with just an AudioBox 1818VSL and your laptop or other computer, you can mix a studio session or live show featuring a full band - all while monitoring and recording with or without real time effects!

The Presonus engineering wizards have dramatically reduced processing delay in the AudioBox VSL series. The result: dynamics processing, EQ, reverb, and effects that feel real, with no audible delay.
If you like what you hear, you can record with AudioBox VSL series effects, too!

Versatile and portable, the AudioBox 1818VSL offers 2 convenient front panel mic/instrument combo inputs and 6 front panel mic/line combo inputs, true 48V phantom power (switchable in 2 banks), and 8 line level outputs.
ADAT Optical I/O provides 8 more channels of input and output (at 44.1 or 48KHz; 4 channels at 88.1 or 96KHz). S/PDIF coaxial digital I/O adds 2 more channels, bringing the total to 18 audio input channels and 18 output channels.

Read more
Presonus AudioBox iOne Audio Interface for PC Mac & iPad With Studio One Artist Software **SPECIAL PROMO PRICE - WHILE STOCKS LAST**
 カートに入れる
 1 in stock $80.66
Cat: 542614 Rel: 27 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
Read more
Presonus AudioBox iTwo Audio & MIDI Interface for PC Mac & iPad With Studio One Artist Software **SPECIAL PROMO PRICE - WHILE STOCKS LAST**
 カートに入れる
 1 in stock $105.11
Cat: 542615 Rel: 27 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers and MIDI compatibility
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
Read more
Presonus AudioBox iTwo Studio Recording Kit **SPECIAL PROMO PRICE - WHILE STOCKS LAST**
 カートに入れる
 4 in stock $167.96
Cat: 543643 Rel: 20 Oct 14
 
Complete recording kit including audio interface, recording software, studio condenser microphone, headphones and more!
Notes: Start recording today with this complete, all-PreSonus mobile-recording package for Mac, Windows, and iPad! It's a great choice for multitrack song production, demos and musical inspirations, live performances, podcasts, field recording for video or sound design, and much more

An excellent choice for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iTwo provides two channels of high-quality audio I/O for Macr, PC, and Apple iPadr.

No other entry-level recording and production software is as easy to use, yet as capable of creating studio-quality output, as Studio One Artist.

PreSonusr Capture Duo brings professional-quality recording to the Apple iPad yet is lean, fast, and easy to use. When you finish recording, transfer your tracks wirelessly to Studio One for editing and mixing!

The studio quality M7 large-diaphragm condenser mic is a great companion for the AudioBox iTwo, providing a warm, deep sound.

Whether you're monitoring, tracking or mixing, you can expect impressive sonic performance from your HD7 headphones.

When you've finished mixing your masterpiece, it's time to get it out to the world and promote itieasily done with your included Nimbit Free account!
Read more
Presonus Eris E44 Active MTM Nearfield Monitor (single)
 カートに入れる
 1 in stock $216.29
Cat: 590926 Rel: 28 Dec 15
 
Monitor with dual 4.5" custom-woven Kevlar LF/midrange drivers for dynamic, size-defying bass output
Notes: The Eris E44 and E66 deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional 2-way designs can cause significant early reflections from their surrounding environment. The E44 and E66 overcome this by positioning a 1.25", silk dome high-frequency driver between two 4.5" (E44) or 6.5" (E66) midrange drivers. The two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

Both the E44 and the E66 feature two midrange drivers that cover the same frequency range. The drivers are placed so that their acoustic centers are less than one wavelength apart for any of the frequencies they reproduce; as a result, the combined signal of both drivers propagates forward like a single waveform. This makes the comparatively small midrange drivers in the E44 and E66 behave like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM configuration, component interference, and the sonic inconsistencies that go with it, are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

The E44 and E66 utilize custom-woven Kevlar low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener's ear. In conjunction with the MTM configuration, this works to create a transparent, cohesive sound.

Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.

Today's music producers deal with a wide variety of musical genres and often work in more than one location. That's why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E44 and E66 provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source.

Like all PreSonus studio monitors, the Eris E44 and E66 offer consistent, accurate listening. The ultra-wide stereo image afforded by their MTM design, makes them an ideal solution for any one who requires best-in-class spatial resolution. Like the rest of the Eris studio monitors, the E44 and E66 set a new standard for affordable studio monitors.
Read more
Presonus Eris E5 Studio Monitor (single)
 カートに入れる
 8 in stock $119.63
Presonus Eris E5 Studio Monitor (single) (studio monitor (single))
Cat: 480960 Rel: 15 Jul 13
 
Front ported studio monitor with 5.25" driver and 1" tweeter
Notes: The Eris E5 2 way active 5.25" studio monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.

The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, the Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.

The Eris E5 provides a balanced XLR, a balanced 14" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the input gain and you're ready to go.

The Eris provides 3-EQ controls in its acoustic tuning section: high, mid, and low cutoff. These controls enable you to fine-tune the monitors to your space. The low control also is useful when using the E5 with a subwoofer.

The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The low cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.

A 3-position acoustic space switch controls a second-order, low shelving filter that cuts frequencies below 800Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.

The RF shielding protects against radio frequencies that could be introduced to the signal and become audible. The Eris monitors also provide overheat protection, current-output limiting and subsonic protection. The Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
Read more
Presonus Eris E5 Studio Monitor (single) (B-STOCK)
 カートに入れる
 2 in stock $102.70
Cat: 610235 Rel: 15 Jul 13
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

The Eris E5 2 way active 5.25" studio monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.

The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, the Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.

The Eris E5 provides a balanced XLR, a balanced 14" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the input gain and you're ready to go.

The Eris provides 3-EQ controls in its acoustic tuning section: high, mid, and low cutoff. These controls enable you to fine-tune the monitors to your space. The low control also is useful when using the E5 with a subwoofer.

The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The low cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.

A 3-position acoustic space switch controls a second-order, low shelving filter that cuts frequencies below 800Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.

The RF shielding protects against radio frequencies that could be introduced to the signal and become audible. The Eris monitors also provide overheat protection, current-output limiting and subsonic protection. The Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
Read more
Presonus Eris E5 Studio Monitors (pair)
 カートに入れる
 1 in stock $230.79
Presonus Eris E5 Studio Monitors (pair) (studio monitors (pair))
Cat: 499570 Rel: 15 Jul 13
Notes: *** Buy a pair of Eris E5 studio monitors before 31st December 2013 and get a free download of Presonus Studio One Artist software worth L93.99 RRP. Info on how to obtain the software is available from the link below***

http://www.sourcedistribution.co.uk/news/article.php?aid=687

The Eris E5 2 way active 5.25" studio monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.

The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, the Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.

The Eris E5 provides a balanced XLR, a balanced 14" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the input gain and you're ready to go.

The Eris provides 3-EQ controls in its acoustic tuning section: high, mid, and low cutoff. These controls enable you to fine-tune the monitors to your space. The low control also is useful when using the E5 with a subwoofer.

The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The low cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.

A 3-position acoustic space switch controls a second-order, low shelving filter that cuts frequencies below 800Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.

The RF shielding protects against radio frequencies that could be introduced to the signal and become audible. The Eris monitors also provide overheat protection, current-output limiting and subsonic protection. The Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
Read more
Presonus Eris E66 Active MTM Nearfield Monitor (single)
 カートに入れる
 2 in stock $337.13
Cat: 590927 Rel: 14 Dec 15
 
Dual 6.5" custom-woven Kevlar LF/midrange drivers for dynamic, size-defying bass output
Notes: The Eris E66's deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional 2-way designs can cause significant early reflections from their surrounding environment. The E44 and E66 overcome this by positioning a 1.25", silk dome high-frequency driver between two 4.5" (E44) or 6.5" (E66) midrange drivers. The two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

The E66 features two midrange drivers that cover the same frequency range. The drivers are placed so that their acoustic centers are less than one wavelength apart for any of the frequencies they reproduce; as a result, the combined signal of both drivers propagates forward like a single waveform. This makes the comparatively small midrange drivers in the E66 behave like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM configuration, component interference, and the sonic inconsistencies that go with it, are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

The E66 utilises custom-woven Kevlar low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener's ear. In conjunction with the MTM configuration, this works to create a transparent, cohesive sound.

Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E66 is able to perform optimally in both orientations. So, like all Eris speakers, the E66 let you position your speaker the way that works best for you.

Today's music producers deal with a wide variety of musical genres and often work in more than one location. That's why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E66 provides balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source.

Like all PreSonus studio monitors, the Eris E66 offers consistent, accurate listening. The ultra-wide stereo image afforded by their MTM design, makes them an ideal solution for any one who requires best-in-class spatial resolution. Like the rest of the Eris studio monitors, the E66 sets a new standard for affordable studio monitors.
Read more
Presonus Eris E66 Active MTM Nearfield Monitors (pair)
 カートに入れる
 1 in stock $653.71
Cat: 596195 Rel: 14 Dec 15
 
Pair of monitors with dual 6.5" custom-woven Kevlar LF/midrange drivers for dynamic, size-defying bass output
Notes: The Eris E66's deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional 2-way designs can cause significant early reflections from their surrounding environment. The E44 and E66 overcome this by positioning a 1.25", silk dome high-frequency driver between two 4.5" (E44) or 6.5" (E66) midrange drivers. The two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

The E66 features two midrange drivers that cover the same frequency range. The drivers are placed so that their acoustic centers are less than one wavelength apart for any of the frequencies they reproduce; as a result, the combined signal of both drivers propagates forward like a single waveform. This makes the comparatively small midrange drivers in the E66 behave like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM configuration, component interference, and the sonic inconsistencies that go with it, are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

The E66 utilises custom-woven Kevlar low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener's ear. In conjunction with the MTM configuration, this works to create a transparent, cohesive sound.

Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E66 is able to perform optimally in both orientations. So, like all Eris speakers, the E66 let you position your speaker the way that works best for you.

Today's music producers deal with a wide variety of musical genres and often work in more than one location. That's why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E66 provides balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source.

Like all PreSonus studio monitors, the Eris E66 offers consistent, accurate listening. The ultra-wide stereo image afforded by their MTM design, makes them an ideal solution for any one who requires best-in-class spatial resolution. Like the rest of the Eris studio monitors, the E66 sets a new standard for affordable studio monitors.
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PreSonus FaderPort Music Production USB MIDI Controller For All Music Production Software
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 5 in stock $155.88
Cat: 464845 Rel: 08 Oct 12
 
USB automation & transport controller for record, play, stop, location, pan, mute, solo, fades & more
Notes: The Presonus FaderPort puts the feel, vibe, and efficiency back into music recording and production, no more clicking through menus and drawing automation edits with a mouse.

The easy-to-use presonus FaderPort delivers complete transport control for fast and efficient recording along with motorized fader for writing fades and automation. The high-quality ultra-smooth motorized long throw fader on the FaderPort has the feel needed for recording perfect fades and writing automation in real-time.

Pan, mute, solo, and record enable can also be easily controlled with the FaderPort along with window selection, play, stop, record, and managing markers (locate points) for fast and easy recording. A foot switch jack is also included on the FaderPort for hands free punch-in/out recording. The FaderPort works with all Mac or Windows-based recording software including Pro Tools, Cubase, Nuendo, Sonar and more.

Feel is crucial when you're spending countless hours recording and mixing. So the ultra-affordable FaderPort features the same high-quality, touch-sensitive, long-throw, motorized Alps fader that is found in expensive control surfaces and digital mixing consoles. With its 1024 step resolution and dual-servo drive-belt motor, the response will be smooth and seamless.

Compatible with virtually all major DAW programs, the FaderPort enables you to record perfect fades and write single-channel or grouped-channel volume, mute, and pan automation in real-time.

Control your DAW's solo, record-enable, window selection, play, stop, and record functions. Manage markers and punch in and out with a footswitch (not included). The FaderPort makes it fast and easy.

You can even create your own custom key mappings. And if you use PreSonus Studio One DAW software, your FaderPort will be automatically recognized and can be used to tweak virtually any plug-in parameter.

So put down that mouse and get back in touch with your music. Get the PreSonus FaderPort.

Product video:
http://www.youtube.com/watch?v=Wev3t5Cgxj8
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PreSonus Monitor Station V2 Desktop Studio Control Centre
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 2 in stock $300.88
Cat: 534000 Rel: 01 Sep 14
 
Studio control console with multiple source management, built-in headphone amps and talk-back
Notes: Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer - all from your desktop

Switch quickly and easily between up to four audio sources with a selection of input types.

Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control - and four screaming-loud headphone outs.

With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.

The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work.
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Presonus R65 AMT Studio Monitor (single)
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 2 in stock $361.29
Cat: 590929 Rel: 22 Feb 16
 
2 way active studio monitor with 6.5" woven kevlar driver and a choice of XLR, 1/4" jack & RCA inputs
Notes: Superior transient response:
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R65 uses an incredibly thin, folded Kapton membrane (< 0.01 mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.

Wide, consistent stereo image:
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1-inch dome tweeter, enabling R65 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R65 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it's less subject to room-anomaly interference, the R65 reacts predictably and sounds consistent from room to room.

Transparent sound:
The R65 utilizes a 6.5-inch, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency rtesponse range. Biamped and driven by a 150W Class D amplifierimaking the R series some of the most powerful monitors in their categoryithese monitors deliver an open, clear, and less fatiguing listening experience.

Have it your way:
You can customize the R65 in several ways. It's available with black or blue faceplates to fit your studio decor. With balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs, it's easy to feed audio to your R65 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.

Accuracy defined:
The R65's AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. Hear the R65 at your favorite PreSonus dealer.
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Presonus R65 AMT Studio Monitors (pair)
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 1 in stock $718.96
Cat: 597621 Rel: 22 Feb 16
 
Pair of 2 way active studio monitors with 6.5" woven kevlar drivers and a choice of XLR, 1/4" jack & RCA inputs
Notes: Superior transient response:
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R65 uses an incredibly thin, folded Kapton membrane (< 0.01 mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.

Wide, consistent stereo image:
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1-inch dome tweeter, enabling R65 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R65 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it's less subject to room-anomaly interference, the R65 reacts predictably and sounds consistent from room to room.

Transparent sound:
The R65 utilizes a 6.5-inch, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency rtesponse range. Biamped and driven by a 150W Class D amplifierimaking the R series some of the most powerful monitors in their categoryithese monitors deliver an open, clear, and less fatiguing listening experience.

Have it your way:
You can customize the R65 in several ways. It's available with black or blue faceplates to fit your studio decor. With balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs, it's easy to feed audio to your R65 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.

Accuracy defined:
The R65's AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. Hear the R65 at your favorite PreSonus dealer.
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Presonus R80 AMT Studio Monitor (single)
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 2 in stock $457.96
Cat: 590930 Rel: 22 Feb 16
 
2 way active studio monitor with 8" woven kevlar driver and a choice of XLR, 1/4" jack & RCA inputs
Notes: Superior transient response:
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R80 uses an incredibly thin, folded Kapton membrane (< 0.01 mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.

Wide, consistent stereo image:
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1-inch dome tweeter, enabling R80 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R80 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it's less subject to room-anomaly interference, the R80 reacts predictably and sounds consistent from room to room.

Transparent sound:
The R80 utilizes an 8-inch, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency response range. Biamped and driven by a 150W Class D amplifierimaking the R series some of the most powerful monitors in their categoryithese monitors deliver an open, clear, and less fatiguing listening experience.

Have it your way:
You can customize the R80 in several ways. It's available with black or blue faceplates to fit your studio decor. With balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs, it's easy to feed audio to your R80 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.

Accuracy defined:
The R80's AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. Hear the R80 at your favorite PreSonus dealer.
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Presonus R80 AMT Studio Monitors (pair)
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 1 in stock $892.96
Cat: 597622 Rel: 22 Feb 16
 
Pair of 2 way active studio monitors with 8" woven kevlar drivers and a choice of XLR, 1/4" jack & RCA inputs
Notes: Superior transient response:
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R80 uses an incredibly thin, folded Kapton membrane (< 0.01 mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.

Wide, consistent stereo image:
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1-inch dome tweeter, enabling R80 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R80 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it's less subject to room-anomaly interference, the R80 reacts predictably and sounds consistent from room to room.

Transparent sound:
The R80 utilizes an 8-inch, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency response range. Biamped and driven by a 150W Class D amplifierimaking the R series some of the most powerful monitors in their categoryithese monitors deliver an open, clear, and less fatiguing listening experience.

Have it your way:
You can customize the R80 in several ways. It's available with black or blue faceplates to fit your studio decor. With balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs, it's easy to feed audio to your R80 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.

Accuracy defined:
The R80's AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. Hear the R80 at your favorite PreSonus dealer.
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Presonus Studio 192 Mobile USB 3.0 Audio Interface
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 1 in stock $602.96
Cat: 599859 Rel: 23 May 16
 
22x26, 24-bit, 192 kHz audio interface and studio command center
Notes: Built to create in the studio or on the go:
The PreSonus Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you're a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.

An integrated solution:
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.

Superior sound:
Connect a Studio 192 Mobile and you'll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192 Mobile:
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you'll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192's DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote control with UC Surface, too!
The Studio 192 Mobile's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great signal processors are a PreSonus tradition:
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable when you need more I/O:
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.

Get your hands on a Studio 192 Mobile:
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. Check it out at your favorite PreSonus dealer.
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Presonus Studio 192 USB 3.0 Audio Interface & Studio Command Centre With Studio One 3 Artist Software (B-STOCK)
 カートに入れる
 1 in stock $735.88
Cat: 611973 Rel: 19 Oct 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


***CUSTOMERS WHO PURCHASE A PRESONUS STUDIO 192 BETWEEN MAY 1ST & JULY 31ST 2016 ARE ELIGIBLE TO RECIEVE A FREE PRESONUS FADERPORT CONTROLLER UPON COMPLETION OF CLAIM FORM - CONTACT CUSTOMER SERVICE FOR FURTHER INFORMATION & TO RECIEVE CLAIM FORM***

The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.
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Presonus Studio 192 USB 3.0 Audio Interface & Studio Command Centre With Studio One 3 Artist Software *FREE FADERPORT PROMOTION - ENDS 31/07/2016*
 カートに入れる
 4 in stock $772.13
Cat: 572772 Rel: 19 Oct 15
 
26x32 audio interface & studio command center with zero latency monitoring & Studio One 3 Artist license included
Notes: ***CUSTOMERS WHO PURCHASE A PRESONUS STUDIO 192 BETWEEN MAY 1ST & JULY 31ST 2016 ARE ELIGIBLE TO RECIEVE A FREE PRESONUS FADERPORT CONTROLLER UPON COMPLETION OF CLAIM FORM - CONTACT CUSTOMER SERVICE FOR FURTHER INFORMATION & TO RECIEVE CLAIM FORM***

The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.
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Presonus Studio Channel Rackmount Vacuum Tube Channel Strip
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 2 in stock $337.13
Cat: 525509 Rel: 17 Mar 14
 
1U rackmountable signal processor unit providing tube preamps, dynamics processing and EQ
Notes: One of Presonus' newest signal processors, the versatile Studio Channel provides tube preamplification, dynamics processing, and EQ and takes the channel-strip concept in a bit different direction than does its older sibling, the Eureka.

The Studio Channel's Class A tube preamplifier is based on the original BlueTube DP preamp and features a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven.

Presonus' VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel's compressor allows you to record blazing-hot signals with total dynamics control. Its convenient Auto Attack/Release feature provides preset attack and release curves. The backlit VU meter can display gain reduction or output gain.

The custom-designed amplifiers in the Studio Channel's three-band EQ deliver sweet-sounding gain and cut for smooth highs; deep, solid lows; and clear midrange. The midrange band is fully parametric, with variable Q. The high- and low-frequency bands have Frequency and Gain controls, but fixed Q, and can be either shelving or peak bands. The EQ can be pre- or post-compressor, and you can bypass each stage independently.

With both XLR and 1/4" line outputs, you can connect the Studio Channel to almost any recording interface, amp, or P.A. system.

With one multipurpose processor, you can elicit a huge variety of tones. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars, cracking snare, and huge MPC tracks.
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Presonus Studio One Artist v3 Software (boxed software)
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 1 in stock $80.96
Cat: 605831 Rel: 11 Apr 16
 
Latest version of PreSonus Studio One Artist software - Mac & PC compatible
Notes: - USB Flash Drive in box that contains all included content for Studio One 3 Artist

- Elegant single-window work environment with powerful drag-and-drop functionality and multi-touch support

- Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels

- NEW Presence XT expandable sampler with essential sound library

- NEW Mai Tai polyphonic, analog modeling synth with character morphing, modulation matrix, and zero-delay feedback filters

- Native Fat Channel plug-in from StudioLive AI mixers includes low-pass filter, gate, compressor, parametric EQ, and limiter
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Presonus Studio One Professional v3 Software (boxed software)
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 1 in stock $312.96
Cat: 605830 Rel: 11 Apr 16
 
Latest version of PreSonus Studio One Professional software - Mac & PC compatible
Notes: - USB Flash Drive in box that contains all included content for Studio One 3 Professional

- Elegant single-window work environment with powerful drag-and-drop functionality and multi-touch support

- Unlimited audio and instrument tracks, virtual instruments, buses, and FX channels

- Pristine sound quality, with a critically acclaimed mix engine, new synthesis engine, native 64-bit resolution, and support for up to 384 kHz audio

- NEW Arranger Track with innovative Scratch Pads

- NEW Build unique sounds with Multi Instrument and Extended FX Chains

- NEW Presence XT sampler with 15+ GB sound library and EXS, Kontakt, and Giga support

- NEW Mai Tai polyphonic, analog modeling synth with character morphing, modulation matrix, and zero-delay feedback filters

- Integrated Melodyne Essentials pitch and timing editor (a $99 value)

- Native Fat Channel plug-in from StudioLive AI mixers includes low-pass filter, gate, compressor, parametric EQ, and limiter

- NEW Note FX (Arpeggiator, Chorder, Repeater, Input Filter) to assist composition and add dynamism to virtual instrument tracks
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Presonus Temblor T10 Active Studio Subwoofer
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 2 in stock $361.29
Cat: 538678 Rel: 23 Jun 14
 
10 inch glass composite powered subwoofer with built in crossover and resonance suppressing enclosure technology
Notes: To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.
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FORTHCOMING
Presonus ULT12 Active PA Speaker (single)
e-mail me when released
coming soon $TBA
Cat: 599856 Rel: 30 May 16
 
2-way active sound-reinforcement loudspeakers with 12" custom woofer with 2.5" voice coil
Notes: ULT: Ultra Long Throw:
PreSonus ULT12 active loudspeakers combine the widest horizontal dispersion of any loudspeaker in their class with a focused vertical dispersion for an ultra-long throw. The result is even coverage throughout the space, enabling the audience to hear clearly wherever they are. Featuring PreSonus' proprietary Pivot X110 horn, a custom 12-inch low-frequency driver, and plenty of biamped Class D power in a lightweight design with the performance characteristics that only wood can offer, ULT12 loudspeakers deliver first-rate speech intelligibility and natural music reproduction. This makes them a great choice for both mobile use and permanent installations.

Wide horizontal coverage, narrow vertical dispersion, and superior throw:
The ULT12's custom-designed Pivot X110 rotatable horn combines ultra-wide horizontal coverage (110-) for broad coverage with focused vertical dispersion (50-) for superior throw. The result is a loudspeaker that can fill the room without introducing early reflections that muddy the sound. In addition, the Pivot X110 horn's large size enables it to control the dispersion pattern lower in the frequency range than smaller conventional horns, so it maintains more consistent gain on- and off-axis, ensuring that the audience at the sides has the same listening experience as those in front. The result is sound reproduction that fills the entire room, evenly providing optimal audio.

Mounts horizontally or vertically for a variety of applications:
The Pivot X110 horn can be rotated 90-, so the ULT12 can be mounted in a horizontal configuration while still maintaining its 110- x 50- coverage pattern. Along with its compact size, this makes the ULT12 an ideal center-channel speaker for an LCR system or an under-balcony fill. Rotating the Pivot X110 horn can also help fix FOH issues in tall, narrow venues by minimizing early reflections and providing more directed coverage. Add the ULT12's multi-angle enclosure and presets for live performance, floor monitor use, and music playback, and you have an extremely versatile loudspeaker that is equally at home at front-of-house and as a stage monitor.

Plenty of power and I/O:
The ULT12 is supplied with more than enough power and I/O to handle a wide variety of applications and environments. Its 12-inch woofer is driven by a 500W (continuous), Class D power amp, while the 1.75-inch Pivot X110 horn receives 150W. (Peak power is rated at 1,000W and 300W, respectively.) You get two combo XLR and 1/4" TRS inputs: a mic/line input with PreSonus' acclaimed XMAX mic preamp and a line-level-only input. The inputs have independent level control, allowing up to two audio sources to be mixed internally and summed to a balanced XLR output for "daisy-chaining" multiple units. A separate direct output for the line input channel provides additional flexibility.

Designed by WorxAudio:
ULT12 loudspeakers were designed by WorxAudio, the commercial loudspeaker division of PreSonus. Headquartered in Greensboro, North Carolina, WorxAudio has been at the forefront of loudspeaker development for the pro touring and contractor markets for the over 30 years. WorxAudio continues to embrace the latest technology, delivering innovative products and installation designs for professional clients, and their products can be found in prestigious facilities worldwide. So you can rely on ULT loudspeakers to deliver the top-quality professional performance and features that touring engineers and systems integrators need.

Hearing is believing:
With extra-wide horizontal and focused vertical dispersion, a rotatable horn, ultra-long throw, a wood enclosure, and ample Class D power, the ULT12 is an excellent solution for permanent installations. Yet it's also portable, making it a top choice for tours and other mobile use. Best of all, it sounds great, delivering outstanding speech intelligibility and natural music reproduction, with even coverage throughout the space. Hear ULT-series loudspeakers for yourself at your favorite PreSonus dealer.
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FORTHCOMING
Presonus ULT18 Active PA Subwoofer
e-mail me when released
coming soon $TBA
Cat: 599858 Rel: 30 May 16
 
Active sound-reinforcement subwoofer with 18" custom Kevlar woofer with 4" voice coil
Notes: Low-end punch you can hear and feel:
Designed to complement any full-range PA loudspeaker and a perfect companion for the PreSonus ULT12 and ULT15, the ULT18 subwoofer delivers a powerful, clear, and accurate low-end punch. With 2,000 watts (peak) of Class D power and a direct radiating, ported enclosure, it has all the muscle needed for the detailed low-frequency performance audio pros demand. Its custom 18-inch Kevlarr low-frequency transducer with 4-inch voice coil provides 7 mm of driver travel before over-excursion to push more air and bring more thump.

Extensive controls enable customized performance:
To provide maximum versatility, the ULT18 offers several important user controls. Unlike most subwoofers in this class, the ULT18 features a variable lowpass filter that enables you to accurately dial in the crossover transition between the subwoofer and your full-range system. Two DSP presets provide extended low-frequency performance or a more natural response to suit a variety of applications, and of course you get polarity reverse. A Mono Mode function is also provided to simplify cabling multiple mono subs in a stereo system.

Equally at home in mobile and installed systems.
Like the full-range ULT12 and ULT15 loudspeakers, the ULT18 has a rugged, tour-grade birch enclosure for the distinctive performance characteristics that only wood can offer. A locking IEC power connector, M10 rigging points, integrated castor provisions, and ground-stacking provisions, making it a great choice for a wide variety of mobile and install applications. Two combo XLR and 1/4" TRS line-level inputs with level control and throughputs are provided to connect full-range systems or multiple subwoofers in larger systems. As with the ULT12 and ULT15, you can defeat the front power-indicator LED for low-visibility installs.

Designed by WorxAudio:
ULT18 loudspeakers were designed by WorxAudio, the commercial loudspeaker division of PreSonus. Headquartered in Greensboro, North Carolina, WorxAudio has been at the forefront of loudspeaker development for the pro touring and contractor markets for the over 30 years. WorxAudio continues to embrace the latest technology, delivering innovative products and installation designs for professional clients, and their products can be found in prestigious facilities worldwide. So you can rely on ULT loudspeakers to deliver the top-quality professional performance and features that touring engineers and systems integrators need.

Hearing is believing:
With flexible connectivity; a rugged, tour-grade enclosure; and generous Class D power, the ULT18 delivers the versatility and punch expected from today's professional sound systems and is an excellent solution for permanent installations. Yet it's also portable, making it a top choice for tours and other mobile use. Although designed to complement ULT-series full-range loudspeakers, the ULT18 is also an excellent companion for third-party loudspeakers. Most important, it sounds great, delivering outstanding low-end clarity and natural music reproduction. Hear ULT-series loudspeakers for yourself at your favorite PreSonus dealer.
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