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Drumcode Sweden レコード& CD
Browse the latest Vinyl & CD releases on Drumcode SwedenSimilar labels:
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in stock $15.31
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Review: Fresh from the runaway success of his all-star collaboration with Adam Beyer and Green Velvet, "Space Date", Layton Giordani returns to Drumcode with his first fresh solo material since 2017. All four tracks are formidably floor-friendly in the "big room techno" style that has turned the Drumcode crew into global stars in recent years. Giordani begins with the tribal drums, atmospheric chords, acid stabs and bleeping synth melodies of "New York City To Amsterdam", before doffing a cap to Italo-disco on the electro-techno chug of "Enter The Stratosphere". Over on side B, "Body Language" is an angular, acid-fired peak-time thumper, while closing cut "Black Mirror" sees him fix gated, trance style riffs to a typically throbbing, bass-heavy techno groove.
… Read morePlayed by: Juno Recommends Techno
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Review: Drumcode's first big release of 2019 comes courtesy of Julian Jeweil, a relative newcomer to the Swedish label who originally built his reputation via years of releases on M_Nus, Plus 8 and Cocoon Recordings. "Transmission" is not only his long-awaited debut album, but also a far more spacey and intergalactic proposition than much of Drumcode's output. Of course, the majority of the tracks are still underpinned by relentless techno rhythms and gnarly electronic stabs, with plenty of darkness amongst the stargazing grooves. Intriguingly, there's also a little more variety than you might expect, with the deep and woozy "Planet X", acid-fired heaviness of "Astral" and glassy-eyed early morning ambient of "Final" catching the ear.
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Review: Italian producer Enrico Sangiuliano may have been serving up dark and intoxicating techno twelves for the best part of a decade, but never before has he turned his hand to the full-length format. Biomorph is not just any old debut album, either, but rather a concept album described by Drumcode as "a journey of evolution". In practice, that means an album that ebbs and flows throughout, opening with a dash of spacey ambient, before charging off on a trip marked out by pulsating techno rhythms (crafted from both straight 4/4 beats and breakbeats), spiraling electronic motifs, booming, elongated basslines, experimental electronic interludes and more future big room techno anthems than the contents of Adam Beyer's USB stick. In other words, if you love Drumcode's particular brand of bombastic techno, you'll love Biomorph.
… Read morePlayed by: Juno Recommends Techno, Juno Records Staff Picks
in stock $30.61
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Review: For his first outing of 2019, Adam Beyer has turned over the parts to his 2014 single "Teach Me" to Belgium's first lady of banging, acid-fuelled techno, Amelie Lens. She subsequently serves up two throbbing, peak-time ready revisions, with the A-side "Main Mix" offering a near perfect blend of booming, kick-drum driven beats, military snare fills, cut-up late night vocal samples and distorted, mind-altering riffs. As the title suggests, the flipside "Acid Remix" sees Lens indulge her love of mind-altering TB-303 acid lines, brilliantly wrapping them around a springier drum track, EBM-influenced melodic motifs and more pulsating, manipulated vocal loops.
… Read morePlayed by: Emika
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Review: Two right legends of techno unite here for the latest release on Drumcode. Label chief Adam Beyer presents 'Restore My Soul' featuring Chicago hard techno veteran DJ Rush, their relationship stretching back nearly three decades from when they both started out in the' 90s. The title track is aimed squarely at the main room dancefloor; a seething, mental groove featuring Rush's stern vocal delivery atop, before taking the energy levels into the peak time on the adrenalised thrasher 'Control'. Over on the flip, you are treated to a rework of the title track by DJ Rush himself in his typically stomping and orotund style.
… Read morePlayed by: Juno Recommends Techno
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Review: Ever the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
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Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.
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Review: Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
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Review: Glasgow based DJ and producer Harvey McKay is up next for Drumcode, with a bit of help from his brother Ryan here as Alias. This will be his fourth release for Drumcode since making his debut for the label back in 2013 with the terrific Lost EP. A staple of such esteemed imprints as Soma, Suara and Bedrock in recent times, the Visions EP is packed full of perfect big room bangers: much like you'd expect from the guy. Kicking off with the industrial strength stomp of "Pentatonic" which is stripped right down to the bone and full of "Spastik" style snare rolls, "The Truth" then gets some Robert Hood style adrenalised cyclicity going on. Finally on the flip, we've got dark and slamming tool techno of "Dream Taker" that goes straight for the jugular. A grinding, hypnotic and downright riveting thriller for the peak time.
… Read morePlayed by: DJ 3000
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Review: Up next for Adam Beyer's esteemed Drumcode imprint is Enrico Sangiuliano, a Milan based DJ/producer originally from Reggio Emilia who has been been active on the Italian scene since the early noughties, playing everywhere from clubs to illegal raves. His work of late has been released on sister label Truesoul, Alleanza, Gem Records, Octopus Recordings and Rhythm Converted. On "Moon Rocks", Sangiuliano provides a euphoric, hands in the air anthem with soaring synth leads and seriously humming Reese bassline over a high octane beat. Also on the A side is the mad diva vocal breakdown on "Ghettoblaster" which soon gives way to a dark and tunnelling epic. Finally on the flip, we have two versions of "Dutch Kiss" but for our money it's all about the sombre and emotive IDM vibe of the Inner remix.
… Read morePlayed by: Resident Advisor
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Review: The mighty Drumcode has retained its position at the top table of main room techno again this year. That's through a mix of big parties, big sets from theirs Adam Beyer alongside his associates, and big tunes. The last of 2022 comes from Layton Giordani and is another one that doesn't muck about. 'Digital Age' is a steam train with powerful and immovable drums and frosted synths before a breakdown brings melodic drama. On the flip, 'UFOs & LFOs' brings some big trance energy with bright, flash synths that will get hands in the air. Two more winners, then.
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Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".
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Review: For big-room techno, there are few finer labels out there right now - or ever - than Adam Beyer's monstrous Drumcode. The boss himself dropped a huge EP not so long ago and now turns to Space 92 for the latest aural assault. The artist serves up just two tracks but both are hugely weaponised affairs, starting with 'Time.' It is lacerated by gurgling synth lines that fire across its face like lasers, while the rolling beats and edgy stabs all build the tension. On the flip is 'Voyager' which is an acid-laced pumper with non-stop drum funk and flat-footed kicks to make huge club rooms march as one.
… Read morePlayed by: Juno Recommends Techno
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Review: Following a standout contribution to the 'Elevate' compilation, Mha Iri steps up for her Drumcode EP debut. Continuing Scotland's grand techno tradition, the Edinburgh-based DJ/producer is one of 2023 breakout artists; her debut EP on the label is a tantalising prospect, with 'The Unexpected' playing with trademark light-and-dark motifs, mixing up sharp percussive elements with ethereal melodies, before a ripping bass drop takes the energy up a notch. 'Let The Good Times Roll', meanwhile, is a slick accompaniment, as atmospheric techno gets supercharged via a punchy rap vocal and laser-kissed chords.
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Review: It is a testament to Adam Beyer's enduring love for techno that he continues to serve up choice cuts from his long-running and influential Drumcode label on vinyl. He looks to the talents of Victor Ruiz and Modea for this new two-track 12". Firstly the pair hook up for 'Bloom', a cavernous techno sound that sweeps dancefloors off its feet and floats them amongst subtly uplifting chords while the drums toll on. There are epic melodic overtones to the flip side track 'Contrast,' too. This one will get heads held high, hands in the air and crowds fully taken in with its celebratory atmosphere - until the monstrous drums and acid arrive, that is.
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Review: Adam Beyer seems to be in a superb run of late and this is his second vinyl outing in as many months. Desert Queen is pure Beyer, and pure Drumocde - drum-led techno for the main room with sweeping synths and grand vocals that are designed to impact crowds of thousands. The A-side actually brings a touch of trance energy and hard techno funk with its slamming, flat-footed drums, coarse synths and brightly lit arrangements. 'Soulful' then flips the script with a more funky groove that rocks back and forth and has funky basslines and a pitched up r&b vocal that works strangely well in the unusual context.
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Review: Main room techno doesn't come any more authentic and impactful than when served up by Drumcode, which is a label that has long been dealing in exactly that. For this new dancefloor weapon, label boss Adam Beyer has called upon Oscar L for two of his finest. First up is the fizzing, texturally rich and overwhelming sound of 'Again' which is always on the rise and powered by slamming great big kicks. 'Driving Into Techno' is another purely physical and functional workout with some nice saw tooth synths bringing a little funk.
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Review: HI LO has had some huge collabs with Filth On Acid boss Reinier Zonneveld and now makes a step up to Adam Beyer's mighty Drumcode with more of his maximal techno sounds. 'Crescendo' is a raw slammer with hard edge and raw drums hitting hard beneath incendiary hi-hats and flashes of bright synth and twisted acid. It's a main room weapon of the highest order. 'Open Your Mind' is more ragged and unhinged, it's stark hits and bulky broken techno drums beneath a raucous mix of percussion and saw-tooth synths. No messing with these two.
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Review: Returning to Drumcode for the umpteenth time comes Marco Faraone, offering up two tracks, 'Dangerous' and 'Pressure', both of which evoke gargantuan factory rooms and processing plants. The first track is a clean and pulsatory loomer, with essences of tech house and big room sprinkled in, as we're continually reminded that whatever awaits us round the corner, "it's dangerous". 'Pressure', meanwhile, is a surreal judderer, with giant metallic girders sounding to grind against each other as a ghostly voice speaks of diversity, of "different kinds of people", coming together as one.
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Review: 'Don't Stop' is not only the title of this new EP from Charles D, but so too something of a mantra Drumcode label head Adam Beyer seems to live by. Its output has never really slowed despite 20 odd years of business and still it is up there with the best of the best when it comes to potent main room techno. This latest trio of tricks kick off with 'Don't Stop' which is a hard edged banger with buzzing and serrated synths. 'No Escape' is another raw cacophony of sound with dark vocals lost in the synth storms and 'Choir's Palace' sets down with some slightly trance-like energy that will get hands in the air.
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Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Cat: DC 173. Rel: 01 Jan 90
Techno
Review: ***B-STOCK: Slight surface marks ***
Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
… Read moreAlan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
in stock $12.44
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Review: Adam Beyer's Drumcode label is very nearly at its 300th release, which is a fine achievement by anyone's standards. Here he taps up Veerus for more of the Swedish imprints signature main room techno tackle and he doesn't fall short. 'Cycle' is full of the sort of drama you expect from this label - flat, driving drums, synths fired from a machine gun, strobe lit pads and frazzled textures to make for exciting and impactful experiences. 'It's Funky' on the flip is another big one with thunderous clasp and drums all sweeping dancers off their feet.
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Review: Adam Beyer's Drumcode is one of techno's most iconic outlets and it deals only in big room tackle for blowing minds. This sub-series no hits volume seven and welcomes new schoolers Marco Faraone, Eli Brown and Layton Giordani for a pair of punchy new cuts. 'Emergency' is a blast from the off with brain-frying synths and big, boisterous drums. On the flip, 'When I Push' is just as driving and driven, with rising synth tension and rolling snares over the solid kicks. Another winning slab from Drumcode, then.
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Review: The big room techno don that is Adam Beyer is back with more potent techno weaponry on his own Drumcode label, this time with part two of the 12th volume of his A-Sides series. His 'Take Me There' is first up in remix form and Carl Cox flips it into a surging peak time roller. Matt Guy's 'Give Me What I Want' is an emotive banger with big synth energy and reverberating vocals while ADHS's '2STEP' hits hard with its flaming drums and trance-y synths. Kaiserdisco then brings dark, stomping warehouse energy to their raved-ready 'Get On The Dancefloor.'
… Read morePlayed by: Juno Recommends Techno
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Review: Mighty European powerhouse Drumcode rolls out more of its techno tsunamis here with part one of the 12th volume of its A Sides collection. The boss himself, Adam Beyer, offers up one of the biggest cuts - 'Heading South' is a surging, straight-up techno weapon rippled with deft synths that ever forever on the move. Danny Avila's 'My Crew' (feat Flowdan) is built on a foundation of earth-shattering kicks and rolling bass with hellish stabs and vocal fragments making for an intense atmosphere, and Simina Grigoriu's 'Flight Tracker' is the sort of quick-moving techno sound to lock you into a trance. Add in LAAT's 'The Age Of Juno' (oi oi!) and you have a very useful and high impact EP of contemporary techno.
… Read morePlayed by: Juno Recommends Techno
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Review: Adam Beyer's all conquering Drumcode label has kept big rooms banging for decades now. The latest artists to step up to tweak the hugely successful formula are Alex Lentini and Stomp Boxx. hey pair up on four fresh cuts that right from the off show some nice invention, with fizzing textures and wooden, block beats defining 'Solstice.' 'Split The Noise' is all about those big, panel beaten techno drum loops and 'Azimuth' surges forwards on waves of static electricity with some neat synth bubbles hidden within. 'Equimulate' closes out one of the better Drumcode EPs for some time.
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Review: Julian Jeweil returns to Drumcode with his first EP in two years, nailing the label's buildup-drop ethos with dreamworld textures, deep thumping kicks and delayed stabs. Jeweil refreshingly brings new experimentation to the format: 'Time' has an especially resonant kick, perhaps ousting the top spot for most rumbly techno bass drum we've heard in recent years. Meanwhile, farty electro clashy techno is scaled on the B-side track 3 'Reverse', which with badman precision and a delicate hand, throws us straight back in time.
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Cat: DCX 004. Rel: 24 Jan 23
Techno
Review: Here's a big old belter on that biggest of techno fortresses, Drumcode. On this two-track slammer, Adam Beyer and Bart Skils' monster track 'Your Mind' gets revisited by New York up and comer Charles D. After releases on Say What? and Pryda, D is able to show off his skills twice over, on the A-side living up to the billing of the 'Epic mix' of 'Your Mind' by bringing in the big, swelling pads that can fill a stadium and get hands raised aloft. On the flip, the 'Acid Line' version unsurprisingly brings a little 303 action into the mix, and makes sure the undercarriage is a thunderous juggernaut of supersized techno.
… Read morePlayed by: Juno Recommends Techno
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Review: Here comes Eli Brown, a Bristol-based techno and tech house producer who knows how to make his tracks sound absolutely massive. He's dropped on Toolroom, Of Unsound Mind, Moon Harbour, Relief and Repopulate Mars amongst many others, and now he's hit the big one, Drumcode. Brown's more than ready for Adam Beyer's label, bringing the high-pressure goods on the likes of 'Deep Down' and 'Nazareth', using that essential low-end boom and plenty of nervy acid up top, keeping the drums piling on hard and teasing the drama in his gargantuan productions. If you like it big, which you should do if you're checking Drumcode, then this EP has everything you need.
… Read morePlayed by: Juno Recommends Techno
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Review: Pretty much all Drumcode releases are colossal and anthem-like - it's the imprint's niche, after all - but this two-tracker from Stockholm stalwart Tiger Stripes is particularly sizeable. A-side 'Nocturne', for example, is as driving, mind-altering and breathless as they come, with Hardfloor style acid motifs, twinkling piano breakdowns, trancey riffs and enveloping aural textures rising above a blisteringly tough and intense beat. The pulsating tech-trance vibe is further explored on 'Renegade', a track whose elongated, slowly rising breakdown - which comes complete with glassy-eyed vocal samples, does a brilliant job in stirring the senses and raising the pressure out on the dancefloor.
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