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15/5(ページ1/1)の商品
Oun C
 カートに入れる
 in stock $7.90
Oun C (12")
Cat: PMAWS 003. Rel: 17 Aug 15
Bass
  1. Oun C (6:10)
  2. Call Me, Let's Do Lunch (5:41)
Review: First spotted online and in the boxes of some very lucky selectors last summer, then released digitally at the start of the year, Chunky's "Oun C" finally gets the vinyl justice it deserves. Rolling with deep space dynamics, there's a classic electro feel to the drums and a weirded out Crosstown flavour to the bubbling, mildly acidic bass. The result of this fusion is a foggy trap that allures the listeners and holds them captive in their own imagination. Flip for "Call Me, Let's Do Lunch". Here the beats are straight-up 4/4 and the nagging, heavily processed hook scream techno. Imagine a Drumcode release being played at -10 and you're on the right track. We're unsure what lunch Chunky has in mind; his name suggests an all-you-can-eat buffet but the sounds suggest something much leaner and chewy.
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Ruff Draft
 カートに入れる
 in stock $7.90
Ruff Draft (12")
Cat: PMAWS 008. Rel: 22 Feb 16
Bass
  1. Ruff Draft (5:27)
  2. 4Got (5:32)
Review: Cousin is a hyped duo Sarf London duo aka Mia Mouse & Mani Festo. Aside from their own projects doing art and design and stuff, they also make some bass music with an urban edge. Here they drop a two-track banger on 81 (a spin-off of Swamp81), which is all about the atmospherics. The title track sees distant vocal snippets riddled with steppy, anxious beats. Digital B-side "4got" however is perkier with moody vibes giving way to some swingy ghetto bounce.
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Titanic
 カートに入れる
 in stock $7.90
Titanic (12")
Cat: PMAWS 009. Rel: 25 Jul 16
Bass
  1. Titanic (5:50)
  2. Eyes Closed (4:09)
Review: The latest stop on Lamont's concurrent ascendency in the world of leftfield bass prodigies is none other than 81 UK. Here the label enables him to deliver a searing two-track reminder of why he's boss in bass. "Titanic" is an apocalyptically doom-ridden ghetto joint, all sparse beats and creep FX. "Eyes Closed" on the other hand, is an intense sonic melodrama set to some seriously serpentine trap rhythms and taut orchestral flourishes.
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Beezeldub
 カートに入れる
 in stock $8.45
Beezeldub (12")
Cat: PMAWS 002. Rel: 24 Nov 14
Bass
  1. Beezeldub
  2. Newun
Review: t's been a rapid rise for Paleman, conquering Swamp 81 in a short space of time and getting snapped up for remixes by all manner of respected entities, and here Calum Lee kicks up the dust on 81 with the anthemic parp of "Beezeldub". With those plastic horn blasts calling out, any dance worth its salt is going to lose its proverbials, and that's before the stripped and weighty core of the track kicks in. It's a cut perfectly toned and buffed for maximum club response, and it sits in a neat contrast to the more esoteric fare of "Newun". Where the lead track demands attention from the off, this second jam snakes in with a tricky rhythm and plenty of oddball, dubby effects for a more subtle and largely percussive effect.
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Wam Barzz
 カートに入れる
 in stock $8.71
Wam Barzz (12")
Cat: PMAWS 005. Rel: 06 Jul 15
Bass
  1. Wam Barzz (4:24)
  2. Loop W (3:13)
  3. Sticky Fingerprints (7:40)
  4. Loop X (1:11)
Review: London bass house specialist Mickey Pearce returns to Loefah's Swamp 81 with a new collection of floor pulverisers; the sort of tunes that make trends and break necks. "Warm Barzz" itself is on the docile side, but "Loop W" rapidly enters the abyss in what is surely one of the oddest drum loops we've heard from the man. "Sticky Fingerprints" is a lo-fi kinda number with eerie background sonics but still a prime cut for the dancefloor, while "Loop X" is completely broken, a mass of percussion held together by the darkness below it. Large.
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15/5(ページ1/1)の商品
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