2000 Black レコード& CD

Review: Blacks & Blues is a new name to 2000 Black, but the people behind the project are label stalwarts: Dego, Kaidi Tatham, Matt Lord (AKA Lordamercy) and vocalist Obenewa Aboah. With such talent on show, it's unsurprising that opener "Spin" - a cracking slab of broken-beat/soul fusion rich in military style drums, jazz-funk keys and summery vocals - is rather good. While dancefloor-friendly, the track feels loose, languid and tailor-made for outdoor parties. "Don't Know Why (Chant For Love)" is an even more lo-fi broken soul excursion (very Fatima), while "You Know The Feeling" recalls the jazz-funk-fired soulful club cuts of early 2000s broken beat heroes Bugz In The Attic.

Review: Over his long and illustrious career, Dennis 'Dego' McFarlane has made music in many complimentary styles, but it's been broken beat with which he's been associated with for the least two decades. Alongside his friend and regular studio partner Kaidi Tatham, he's developed a particular strain of "bruk" that incorporates elements of jazz, electrofunk, soul, boogie, jazz-funk and, more occasionally, hip-hop. It's this fluid, attractive, synth-heavy sound that's at the heart of The Negative Positive, his first solo full-length for two years. It's as well-made, soulful, slick and musically rich as you'd expect, with a series of stellar vocal numbers joining a swathe of similarly impressive instrumentals.

Review: Dego's latest album is a focused, strip down affair that benefits greatly from extensive lead vocals courtesy of his latest collaborator, rising star Samii. As you'd expect, a few other 2000 Black regulars (Matt Lord, Mr Mensah and Kaidi Tatham) also lend a hand here and there, adding extra layers of warming, jazz-funk influenced musicality to a set rooted in broken beat, modern soul and the jazzier end of the dancefloor spectrum. Highlights come thick and fast, with our picks of an inspired bunch including acid-flecked, deep broken soul number 'En Route', the classic Kaidi and Dego style jazz-funk business 'Proxima Centauri', the sun-soaked brilliance of 'Warp 7' and the neo-boogie excellence of 'Don't Stall'.

Review: Less than 10 months have passed since the release of Matt Lord and Dennis 'Dego' McFarland's first collaborative album, but the long-serving duo have already readied album number two. The pair have been working together on-and-off for years and are clearly kindred spirits, at least musically. There's a warmth, looseness and pleasingly effortless feel about much of the material on show, which - like much 2000 Black crew material of recent years - adds luscious synthesizer and electric piano motifs to rubbery bass guitar parts and crunchy beats. It's naturally rooted in broken beat, but rhythmically also pays homage to jazz-funk, hip-hop, Azymuth-esque jazz fusion and boogie. It also includes an excellent, acid-flecked collaboration with mutual friend (and fellow bruk stalwart) Domu.

Review: 18 year-old Marvin Jupiter son of Phil Asher makes his bow on 2000 Black, serving up a track that effortlessly joins the dots between the bass-heavy weight of trap, indigenous South African rhythms, bustling West London broken beat and the synth-fired jazz-funk goodness of Herbie Hancock. The fact that such a young debutant is able to distill these influences into a brilliant, futurist house cut is, quite frankly, incredible. Dego and Lord's flipside revision is equally as tasty, too. Drawing on the track's bruk and jazz-funk inspirations while adding funky new Clavinet and guitar motifs, the West London stalwarts serve up a loose and groovy peak-time interpretation that should excite all those who like their beats broken and their basslines chunky.

Review: Starting 2020 like they mean to go on, West London's 2000 Black crew serves up an essential four-tracker created during jam sessions between regular collaborators Kaidi Tatham, Akwasi Mensah, Matt Lord and Dennis "Dego" McFarlane (Ranks). As with their previous collaborative releases, its' four tracks variously join the dots between deep house, bruk, jazz-funk and mellower flavours. As usual, the beats are tight and weighty, the musicianship exceptional (Kaidi's keys-playing being a particular highlight), the chords deep and the lead lines memorable. While all four tracks are excellent, our picks are the rubbery bruk-up bliss of "Return of Pastor Shadrach" and the sun-kissed broken house warmth of "Life After Subway".

Review: It would seem we're back on the Christmas card list... 2000 Black supergroup comprising the likes of Dego, Mensah and original Bugz members Lord and Tatham have been slowly ramping up their releases again and this year has seen their largest output yet. Following "Two Way Here One Way Go", "Simmering" proffers three more sublime and silky instrumentals from deeply decorated foursome. "Simmering" is a tight jazz funk jam with a sprung guitar groove spine and a blissful switch into soothing flutes midway, "Private Life" flips for a sunnyside digidub, all spacious and rippling with its breezy keys while "Climb The Sun" brings us back to the funk root note but with rising synth insistency that's bruk to the bone. Simmering now, boiling tomorrow...