Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well - mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.
Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.
You can dial in the right amount of compression using the dedicated Attack and Sustain dials. The Level control allows you to set the output to subtle, or engage a monster volume boost. Tone lets you add exactly the right level of highs. From clean, snappy country leads to rock solos that scream for eons, the CS400 is built to make your sound the center of attention.
Its LED tells you when it's on, and the top quality on/off switch maintains outstanding signal integrity in bypass mode.
You can power this scene stealer with either a 9V battery or Behringer's PSU-SB DC power supply (not included).
Delay is a synthetic echo that, in adjustable increments, repeats the notes you play on guitar. Each repeated tone becomes quieter than the previous one, until the repeats are no longer heard. This results in a thick, robust sound that can take on everything from the quick "slap" echo of classic rockabilly to the long, dreamy echoes found in psychedelic rock.
The Echo Machine is essentially 11 delays in one pedal: Ping Pong, Reverse, two different multi delays, Tracking, Sweep, Swirl, Slap and three different tap modes. Behringer Real Sound Modeling technology gives this pedal the ability to emulate the acoustics of a variety of environments. Produce realistic cathedral like echo in your bedroom or cave like echo at the corner bar. Real Sound Modeling makes it possible!
You can choose to give the effect a digital, analog or tape delay feel via a dedicated switch. You can also choose to put lush, psychedelic tails behind every note you play, or a more abrupt delay that fades quickly. Sculpt it into a truly unique delay by twisting the dedicated Mix, Time, Repeat and Modulation dials. There's even a Tap function that allows you to dial in the delay tempo by rhythmically tapping the footswitch.
You can power this stompbox with a 9V battery or Behringer's PSU-SB DC Power Supply (not included).
The problem's not your guitar - you need an equalizer! The Graphic Equalizer EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the Behringer EQ700.
With 15dB of available boost or cut per band (that's a lot!), the EQ700's seven frequency bands have been carefully optimised to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700's capabilities, it helps to first understand some basics about the frequency range of your axe.
The EQ700 covers the audio spectrum from below 100Hz to over 6.4KHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone.
With its ultra high gain circuitry, the HM300 gives you rude and rowdy distortion for the fiercest rhythm chops and searing leads, with virtually endless sustain.
Its dedicated Distortion, low, high and level controls allow you to sculpt your own trademark metal tone, from deep and brooding to crisp and furious. A status LED tells you when this beast is activated, and a top quality on/off switch maintains incredible signal integrity in bypass mode.
You can power the HM300 with either a 9 V battery or a PSU-SB DC power supply (not included).
With its dedicated overdrive/distortion blend dial, you can turn all the way to the left for pure overdrive, or all the way to the right for straight ahead distortion. In between, you get an infinite amount of options for creating the perfect overdrive/distortion cocktail. And with the dedicated tone, level and drive dials, everything you need to create a signature sound is at your fingertips.
The LED tells you when this pedal is working its magic, and the top quality on/off switch maintains excellent signal integrity in bypass mode.
You can power the OD300 with either a 9V battery, or the optional PSU-SB DC power supply (not included).
With the SF300's three unique sound modes you can: channel the grittiest tones of underground punk legends; update your sound into a crunchy industrial cacophony; or opt for a pure gain boost that will make your amp spew white hot lava.
Dedicated level, gain, treble and bass dials provide tons of tone shaping options. A blue LED tells you when this wild thing is activated, and a top quality on/off switch maintains optimum signal integrity in bypass mode.
You can power it with a Behringer PSU-SB DC power supply (not included) or a 9V battery.
The UD300's two mode switch lets you choose between warm, rhythm ready overdrive and volcanic, screaming distortion that will send your leads into the stratosphere.
Just twist the dedicated level, tone and distortion dials to create a tasty new flavor of distortion that's distinctively yours. The status LED tells you when the UD300 is activated, and the superior on-off switch maintains excellent signal integrity in bypass mode.
You can power the UD300 with either a 9V battery or the Behringer PSU-SB DC power supply (not included)
Tremolo bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modelling (RSM) technology, with its sophisticated algorithms, delivers the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions.
The US600 stomp box offers 5 totally different sounding modes: tremolo bar, flutter, detune, harmonist and pitch shifter. pitch shift and tremolo bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There's a separate 10 step key select control as well as delay/speed control and balance to dial in how much effect you want to mix with a dry signal.
A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain.
The US600 pedal is designed to give you the utmost flexibility, running on the Behringer PSU-SB DC power supply or a typical 9V battery.
Select from Unlatch, Bypass or Latch modes and twist the dedicated Rise, Rate and Depth dials to create your ideal vibrato. In Latch mode, the effect is constantly on once you step on it. Unlatch mode only applies the effect while you press down on the pedal, so you can add vibrato to a single note if you like. Your guitar will be playing mind-games with everyone in earshot as familiar, but hardly ordinary, tones of the 1960s and '70s ooze out of your amp.
The blue LED tells you when the pedal is activated, and the first-class on/off switch maintains peerless signal integrity in bypass mode. The UV300 can be powered with either a 9 V battery or the Behringer PSU-SB DC power supply (not included).
A key feature of the EV-30 is an innovative internal mechanism that provides ultra-smooth feel and precise parameter control, delivering performance that rivals full-size pedals. And with two expression outputs, you can save further space by controlling two different devices from a single pedal. The outputs are electronically isolated, eliminating the possibility of noise issues from ground loops.
The EV-30 brings powerful real-time parameter control to the many BOSS compact pedals equipped with expression pedal inputs. It’s also ideal for use with BOSS multi-effects processors and effects switching systems. A handy polarity switch provides compatibility with a wide range of music gear, allowing you to use the EV-30 with most devices that support expression control.
These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.
This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.
Under the hood of the GT-001's stylish, streamlined body is a full-featured BOSS multi-effects processor with premium tone. Its COSM amps and effects are equivalent to the GT-100 with Version 2.0 software - BOSS' top-of-the-line processor for stage performers - and patch data can be shared between the two units. Dual effects chains allow you to create sophisticated tones with two amps and series/parallel effects routings, providing pro-level performance for all your music productions. Advanced parameters include a channel divide function that lets you switch effects chains manually or according to frequency or playing dynamics, and adjustable left/right mixing for flexible audio capture in your DAW.
Via a single USB cable, the GT-001 functions as a high-quality audio interface for your Mac or Windows computer. It's easy to capture great amp and effects tones directly into your DAW, and four audio channels provide lots of flexibility for recording, re-amping, and mixing. For example, you can listen to the GT-001's amps and effects while capturing an unprocessed signal in your DAW, simultaneously record processed and dry tones on separate tracks, and listen to your mix while re-amping and adjusting guitar tones through the GT-001. In addition, the ability to power the GT-001 with either the included AC adapter or a computer's USB bus offers great convenience for home setups, studio sessions, and mobile recording with a laptop PC.
The GT-001 is not just a guitar processor - you can also connect a mic to capture vocal and acoustic instrument performances into your DAW. The XLR mic input is equipped with phantom power, allowing you to use a condenser mic for top recording quality. Specially designed patches for vocals and acoustic guitars are included, providing great sound for monitoring and tracking. The GT-001 also has a stereo aux input, perfect for connecting a smart phone or drum machine for jamming when you're not connected to your computer.
The GT-001 includes a monophonic guitar-to-MIDI function that allows you to play soft synths and other MIDI instruments in your computer from your normal axe, with no special pickup required. Powered by newly developed BOSS technology, this cool and convenient function is great fun when working with Roland's free Guitar Friend Jam software, and also lets you experiment with using your guitar to create MIDI sequences in music production software.
Available as a free download for Mac or Windows, BOSS TONE STUDIO gives you an intuitive graphical interface for creating and editing GT-001 effects patches from your computer via USB. The software also makes it easy to organize and archive patches, and to load them as needed for different songs and styles. If your computer has Internet access, BOSS TONE STUDIO provides an integrated connection to the BOSS TONE CENTRAL website, where you can preview and download free patches created by top guitar pros directly into the GT-001. These premium patches also work with the GT-100 Version 2.0, and can be easily customized with the editing tools available in BOSS TONE STUDIO.
BOSS TONE CENTRAL is the ultimate destination for all players that use BOSS products. Evolving to include a growing selection of BOSS gear, this newly launched site gives you access to lots of premium content, including demo videos and free patches created by famous guitarists, touring pros, and session players. Check back often for new patches, how-to videos, artist interviews, and much more. If you love BOSS effects, BOSS TONE CENTRAL is the place to be!
Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS Tone Central, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.
Thanks to its flagship-class GT sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.
Portable Tone Partner:
The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.
Easy Patch Selection and Sound Creation:
With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.
BOSS Tone Central and BOSS Tone Studio:
At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialed-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.
Maximum Control in a Small Space:
The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record and re-amp tones with your favourite DAW.
The ML-2's ferocious and biting tone will complement and cut through any blast beats your rhythm section can create.
Ahead of its time when it debuted in 1982, the VB-2 Vibrato has been rediscovered by modern players looking to create unique guitar textures with stompbox effects. Thanks to its expressive, one-of-a-kind sound, this rare pedal has gone on to become one of the most valuable BOSS effects in the vintage market. Now, the progressive spirit of the VB-2 has been reborn as the Waza Craft VB-2W. Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
Waza Craft: The Art of Superior Tone.
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. Continuing this enthusiastic spirit, we are pleased to introduce the Waza Craft series. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. With final sound approval carried out by BOSS in Japan, the Waza Craft series brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail.
The CabDryVR features dual inputs and outputs, one of which has an optional dry path that can run to your on stage amp. The CabDryVR Cabinet Tuning Size control was developed for the venerated GNX Series and morphs the resonant peak of the cabinet to create custom cab sizes and tones. Individual output level controls let you balance each cabinet's volume in the mix.
The CabDryVR uses a 9VDC power supply to easily integrate into your existing pedalboard.
- CabDryVR Dual Cabinet Emulator Pedal.
- StompLock - This unique new device fits snugly over the Nautila's control knobs to protect your finely-tuned settings from drops, bumps and kicks that inevitably take place when you perform.
- Die cut Hook-and-loop Pedalboard Pad - This is a high-density mounting pad for stick and stay, semi-permanent mounting of the CabDryVR on pedalboards. It is also easily unmounted for pedalboard reconfiguration.
- Online Warranty Registration Information Card.
Cab 1 - Vintage American 2x12"
Cab 2 - Vintage British 2x12"
Cab 3 - British Green Slant 4x12"
Cab 4 - British Straight 4x12"
Cab 5 - Heavy American 4x12"
Cab 6 - Smooth Custom 4x12"
Cab 7 - Small Combo 1x8"
Cab 1 - Flexy 1x15"
Cab 2 - Basic 1x15"
Cab 3 - Big Blue 1x18"
Cab 4 - AmeriTweed 4x10"
Cab 5 - Gold Diamond 4x10"
Cab 6 - Vintage Fridge 8x10"
Cab 7 - Blonde Basement 2x12"
The Dirty Robot's effects are complimented by stereo 1/4" jack inputs and outputs for routing flexibility, constant high voltage rails, a bi-color status LED indicator and true bypass circuitry. With its compact size, vacuum-style footswitch and striking graphics the Dirty Robot furthers DigiTech's evolution in pedal design.
The Dirty Robot uses a 9VDC power supply to easily integrate into your existing pedalboard.
*For audio demos, please visit - http://digitech.com/en/products/dirtyrobot
The FreqOut has adjustable feedback Onset (delay before feedback begins), Gain (feedback level to balance with your dry signal), Dry On/Off, latching or momentary operation, true bypass, and a rugged road-tough steel chassis.
The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.
Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.
LEVEL - Adjusts the intensity of the 12-string effect
TONE - Adjusts the amount of high frequency enhancement being applied to your signal
DigiTech Mosaic 12-String Polyphonic Effect Pedal
PS0913DC Power Supply
Online Owner's Manual and Warranty Registration Information Card
Separate Speed, Depth, Emphasis, Voices and Mix controls shape your waves into clean curls or soupy foam. True Bypass, stereo inputs and outputs, silent switching, and rugged construction, make the Nautila as practical as it is creative.
The Nautila uses a 9VDC power supply to easily integrate into your existing pedalboard.
- Nautila Chorus/Flange Pedal
- StompLock; This unique new device fits snugly over the Nautila's control knobs to protect your finely-tuned settings from drops, bumps and kicks that inevitably take place when you perform.
- Die cut Hook-and-loop Pedalboard Pad - This is a high-density mounting pad for stick and stay, semi-permanent mounting of the Nautila on pedalboards. It is also easily unmounted for pedalboard reconfiguration.
- Online Warranty Registration Information Card
*For audio demos, please visit - http://digitech.com/en-US/products/nautila
The RP55 uses DigiTech's AudioDNA DSP chip to produce studio-class effects and amps. 24-bit A/D/A conversion ensures that no frequency response is lost between inputs and outputs. A drum machine with 30 patterns and an easy-to-use 13-LED chromatic tuner are also included.
Whether you're just starting in your quest for tone or need many choices, the DigiTech RP55 is the multi-effects pedal to fit your needs.
The TRIO provides seven music genres to choose from including: Blues, Pop, Alternative Rock, Rock, Country, R&B, and Jazz. Up to twelve song styles are available for each genre and you can select between 3/4 and 4/4 time signatures.
The TRIO can learn up to 3 different song parts which can then be recalled on-the-fly as the song plays back. An optional DigiTech FS3X Footswitch can be connected to the TRIO for easier, hands-free selection of song parts and styles.
The TRIO offers independent Genre, Style, Tempo, Bass and Drums controls; Guitar and Control Inputs; Amplifier, Mixer and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.
*UK 3-pin power supply included
Pushing the Band Creator paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks.
The TRIO+ provides 12 music genres to choose from including: Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-coloured LEDs around the TRIO+'s Style encoder indicate which styles best match your song.
The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from.
Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windows and Mac.
The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs;Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.
The Ventura Vibe's stellar rotary and vibrato effects are complimented by stereo 1/4" inputs and outputs for routing flexibility, constant high voltage rails, a bicolor status LED indicator and true bypass circuitry. With its compact size, vacuum-style footswitch and striking graphics the Ventura Vibe furthers DigiTech's evolution in pedal design. We've put years of experience into every detail of its mechanical and sonic blueprint.
The Ventura Vibe uses a 9V DC power supply to easily integrate into your existing pedalboard.
Ventura Vibe Rotary/Vibrato Pedal
StompLock - This unique new device fits snugly over the Ventura Vibe's control knobs to protect your finely-tuned settings from drops, bumps and kicks that inevitably take place when you perform.
Die cut Hook-and-loop Pedalboard Pad - This is a high-density mounting pad for stick and stay, semi-permanent mounting of the Ventura Vibe on pedalboards. It is also easily unmounted for pedalboard reconfiguration.
Online Warranty Registration Information Card
Whammy artists have won over 60 Grammys using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Famer and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists' pedalboards.
The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal.
Don't be the last guitarist without a Whammy!
Notable Whammy players:
The Edge, Tom Morello, Matt Bellamy, Ed O'Brien, Joe Satriani, Jimmy Page, Steve Vai, Jack White, Munky and Head, Josh Homme, David Gilmour, Matthew Followill, Jonny Greenwood, Noel Gallagher, Dimebag Darrell, Kirk Hammett, Nels Cline, Buckethead, Billy Corgan, James Iha, Tommy Kessler, Trey Anastasio, John Scofield, Jeff Ament, Phil X, Herman Li, Page Hamilton, David Torn, Bryan Baker, Joe Perry.
Seven pitch selections: 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch.
The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.
*For audio demos, please visit - http://digitech.com/en-US/products/whammy-ricochet
The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.
Dial in the ideal reflection of your sound with a set of powerful, yet simple controls. You can keep things simple and use the Looking Glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. Featuring a new hybrid of Class-A discrete FET design, the Looking Glass' asymmetrical clipping is so responsive that it can go from one end of the spectrum to the other with not only a flick of a switch, but with pick attack alone.
The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic.
Built for maximum versatility, the Looking Glass' unique Input Filter feature allows the player to tame overly bright guitars and interacts with your guitar's pickups to help you cut through the mix without shredding the audience's ears. The versatile, intuitive pre-drive Bass Cut and post-drive Treble controls allow you to retain clarity in the mix or dial in any raunchy raw tone you desire. And, there's enough output and gain on tap to make even the Red Queen lose her head.
The Looking Glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly.
Built-in Compressor - The option to add compression make possible to keep the note differentiation clearly audible even at heavily distorted sounds. There are three modes for the built-in compressor, High, Mid and Off. For the Mid setting, there's an additional trim pot inside to set the ratio. There's also a trim pot to set the Threshold for the compressor (affect both settings).
Clean Loop, Drive Loop - Endless possibilities! The Billy Sheehan Signature Drive offers unlimited pre-post mix tone shaping, made possible by including a clean loop and a drive loop. It lets the user insert any other effect they wish within each loop to 'pimp' the effect into your own signature effect! For example, connect an external EQ to the Drive Loop and shape the character of the distortion any way you want. Or, turn off the built-in compressor if you prefer to use a different type of compressor and put in the Clean Loop. To use the loop function, you need an additional insert cable (a stereo 1/4" plug that split in a tip and ring female or male 1/4" mono plug).
Controls - With the new extended size box from EBS, there are controls for Drive (gain for the overdrive engine), Tone (sets the frequency scoop for the drive), Level (sets level for drive channel post Drive Loop and pre final compressor) and Clean (sets level for the clean channel, post Clean Loop and pre final compressor). The concept works similar to when you blend the two channels on the preamp of a Fafner II amp.
The Black Haze is developed by EBS with input from several Swedish top session guitarists. It is a beautiful drive with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation.
Full control. The pedal feature controls for Drive, Tone and Volume and a switch for Thin, Normal or Deep character.
Brand new design. A new compact housing design include recessed jacks to reduce space between pedals on a pedal board and a comfortable angle that makes switching smoother.
Can I use it with bass? The Black Haze offers a rich and creamy drive sound for your bass with solid bottom-end. Use the Drive, Tone and Volume controls to tweak your sound, and pick your favourite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal makes it stand out more. It adds a new flavour of distortion to EBS existing product portfolio of bass effects.
1 in stock $96.07
Distortion with full bottom! EBS MetalDrive delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handle drop tuned guitars, 7-, and 8-string guitars without choking.
Easy to operate. The pedal works in Standard, Flat and Tubeism mode with controls for Distortion and Output - simple but effective! The MetalDrive uses True Bypass.
The Black Label Pedals provide great tone for bass, keyboard and other instruments as well. They are smooth working effects with very little or no noise and a fat tone that keep the bottom solid.
The 2015 Studio Edition comes with a complete new design, optimized signal path, a new signal relay switch, protection against over voltage use up to 18V and can be powered with anything from 9-12V DC.
*For audio samples, please visit - http://www.ebssweden.com/content/metaldrive.php
- Similar to the Billy Sheehan Signature Drive, you can blend the fuzz tone with a clean signal. Fire up the distortion engine gain as much as you like with the 'Gain' control, set the 'Volume' for the distortion and then blend in the clean unaffected tone by turning up the 'Blend' control. Instead of a tone control, the EBS FuzzMo features a 'Shape' control that changes the shape of the gain engine, from triangle to square wave through the passive tone stack.
- If the controls does not offer enough flexibility, this pedal also feature a 'Character' filter. This goes in three steps from Flat, to subtle mid-scoop, to maximum mid-scoop (or cut).
- The EBS FuzzMo uses a True Bypass footswitch. The pedal runs on 9V DC battery or Power Supply.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!
Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.
The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.
An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.
Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.
The EBS MicroBassII delivers that big, burning EBS sound wherever you go.
Track your note. The pedal recognizes two or three-note chords and trigger the lowest note. Control the level of the original tone and mix in the octave effect. Choose between High, Mid or Low Range - which relates to the character of the sound of the sub-note.
Hints. Sub-notes are perhaps most effective when playing on the higher frets, and could add a nice touch just slightly blended into the original tone, especially on a solo on bass or guitar. The OctaBass works really good together with distortion as well, but remember to keep the OctaBass before the drive in the signal chain, so it get's as clean as possible tone to trigger. If you are after a synth-bass type of sound, a great way to achieve that is to run an OctaBass, combined with an EBS BassIQ envelope filter, and use the 'Down' mode on the IQ. That makes the impression of hitting a key on a keyboard, and adds that sub-bass as well as synth sound to the tone.
The original EBS effect! The OctaBass was the very first stompbox effect from EBS. This classic effect was introduced in 1992, and based on an onboard effect featured in the legacy EBS Taurus combo. It has become 'classic' after being a trusted companion to legendary bassists like Tony Levin, Roger Glover, Marcus Miller, Tal Wilkenfeld & many many more...
The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique.
The 2015 Studio Edition comes with optimized signal path, new design, new signal relay switching technique, protection against over voltage use up to 18V and the possibility to power the pedal with anything from 9-12V DC.
*For audio samples, please visit - http://www.ebssweden.com/content/octabass.php
1 in stock $132.72
Get the Groove! The EBS WahOne is a truly versatile wah-wah pedal designed specifically to enhance your bass groove. This unique pedal is based on the classic wah-wah concept but with extended features. With an easy dial-in design the choice is yours - use it as a wah-wah filter or volume pedal.
Extra goodies. The WahOne offers several cool options like the built-in tube simulator circuit, reversed action of the footboard let you choose between 'whooa' or 'aoowh' type of effect, Low-pass filter and Hi-Q setting that narrows the midrange span that the effect work within. All these features are activated by switches on the front panel. There's also a Range control that decides where in the frequency range the pedal will create the effect.
Volume pedal. Turn the WahOne into a Volume pedal by simply pressing a little switch on the front panel.
*UK 3-piin power supply included
Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!
*UK 230V power adapter included*
This is the pedal that bass players who loved the Big Muff sound have been waiting for.
Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Bass Clone's Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch, they provide precise sound shaping that lets the player achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.
The Bass Clone features a compact footprint plus true bypass switching for maximum signal path integrity when in bypass mode. It runs on a 9V battery or an optional EHX 9.6DC/200mA AC adapter.
Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.
EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"
Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package. Bass Soul Food runs on a 9V battery and ships with a EHX9.6DC-200 power supply.
*UK 3-pin power supply included
The pedal's four-band EQ section includes Bass (below 200Hz), Lo Mid (boost/cut at 280Hz), Hi Mid (Boost/cut at 750Hz) and Treble (boost/cut above 2kHz) controls. Its Distortion section is equipped with Level, Blend, Drive and Tone controls plus a dedicated footswitch. Three signal flow modes determine where the distortion is applied within the signal chain and each delivers unique tonal variations. They are: Pre EQ, where the distortion comes before the EQ. Post EQ, where the distortion comes after the EQ and Dry EQ where only the dry signal mixed in with the Blend control is affected by the EQ.
The Battalion's compressor is engaged via pushbutton and includes a level control and blue LED. The pedal's Gate knob sets the threshold for the noise gate while the -10dB Pad Button lets the pedal accommodate basses with both active and passive pickups.
The Battalion includes a 1/4" input jack , a 1/4" output jack that is headphone ready, 1/4" dry output and a balanced XLR output for use as a DI. The DI features dedicated level, bypass and ground lift controls.
The Battalion features all-analog circuitry and comes with an EHX9.6DC-200mA AC adapter.
Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!
Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.
Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.
It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.
The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!