Get even more mind expanding power for your keyboard, bass, guitar or vocals with the Virtualizer 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio grade stereo and 3D effects that will add a head spinning new dimension to your sound, both live and in the studio. The FX2000 employs Behringer RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user addressable high and low EQ and wave adaptive virtual room reverb algorithms.
Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
Reverbs include: Cathedral, gold plate, small hall, room concert, stage, spring reverb, ambience and early reflections.
Specialty reverbs: Gated reverb and reverse reverb
Delays include: Stereo delay, tape echo and ping pong
The Behringer FX2000 has some of the best sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.
Modulation and Pitch Shifter FX: Stereo flanger, vintage flanger, jet stream flanger, stereo chorus, analog chorus, vintage chorus, ultra chorus, stereo phaser, vintage phaser, dual phaser, leslie, pitch shifter, vibrato, tremolo and auto panning.
Dynamic FX: Compressor, expander, gate, analog compressor/limiter, ultramizer, denoiser, de-esser and wave designer.
Psychoacoustic FX: Exciter, enhancer, ultra bass, stereo imager, ultra wide and binauralizer.
Filter/EQ FX: Auto filter, LFO filter, parametric EQ and graphic EQ
The FX2000 is also equipped with distortion, amplifier and speaker simulation including: Vocal distortion, tube distortion, guitar amp,tri fuzz, speaker simulation, ring modulator, and lo-fi.
Special FX: Vinylizer, sampler, vocoder, voice canceler and resonator.
Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
FX Combinations include: Chorus & reverb, flanger & reverb, leslie & reverb, pitch & reverb, delay & reverb, tremolo & reverb, phaser & reverb, chorus & delay, flanger & delay, pitch & delay and tremolo & delay
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
It includes all of the features you would expect from a reference class compressor - plus a voice adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.
Two's a Party:
Thanks to its integrated 24-bit/40 kHz digital echo/reverb processor, the MIX800 ensures ultimate vocal enhancement. We've included 2 independent mic channels with Level controls and Clip indicators for perfect level adjustment. A dedicated 2-band EQ provides for awesome vocal enhancement and sound shaping, plus there's an accurate 6-digit LED output meter for precise level indication. And to sweeten everything, we've included your choice of state-of-the-art digital Reverb or Echo to add that professional finishing touch to your legendary performance.
Built for a Lifetime of Enjoyment:
Long-term reliability and outstanding sound performance is guaranteed, thanks to our use of ultra-low-noise audio operational amplifiers, high-quality potentiometers and premium-grade illuminated switches. As an added bonus, all MINI Series models can be stacked one atop the other, creating an ultra-compact signal processing solution. We saved the best part for last; you can record your performance to your favourite device via the MIX800 convenient output connectors - and share it with your friends who couldn't make it to the party!
When the party just can't go on without you, the MIX800 is always there to make any occasion an event - and it's so very, very affordable! Check out the sensational MINIMIX MIX800 at your local BEHRINGER dealer, or get yours online today!
Thanks to onboard, multiband Interactive Gain Control (IGC) and Interactive Knee Adaptation (IKA) compression, the SPL3220 allows you to apply processing with surgical precision for maximum punch and intelligibility without the audible artifacts associated with traditional, broadband dynamics processors. Additionally, the SPL3220 can be used for mix leveling and maximizing signal density at low volumes, where perceived loudness becomes even more important. Add to this the ability to enhance speech intelligibility and provide exceptional loudspeaker protection, while preserving dynamic range and the Eurocom SPL3220 becomes an essential part of any audio engineer's toolkit.
Professional XLR/TRS combination and Euroblock connectors provide ultimate versatility, allowing the SPL3220 to be inserted in-line prior to house amplification, no matter the configuration. Built in hard bypass relays ensure system protection and signal continuity in the event of a power failure or accidental disconnect. High accuracy I/O Level and Gain Reduction meters plus an elegant, intuitive control panel make optimal system setup fast and easy. SPL3220's control panel access cover can even be sealed to prevent unauthorised access, providing total system security.
The SU9920 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated low contour and process controls for each channel enable fast and easy setup. Once you experience what the SU9920 can do, it will become your go to sound enhancement tool.
The SU9920 is ideally suited for use in all live sound applications, providing noticeable improvement to signal quality and bringing out the very best in your sound system, whether you're mixing a duo in a coffee house, or dialing a massive outdoor concert.
In a studio environment, the Sonic Ultramizer is ideal for enhancing the sound of your mastering recordings. The SU9920 can give your music the professional polish of high quality productions in just a few simple steps. Even if you primarily work with a digital audio workstation, you can perform final mastering with the SU9920 and an external recorder.
In addition to being great for use with stereo signals, the Sonic Ultramizer is also ideal for use with individual signals, such as guitar, keyboards or bass. Just connect the SU9920 into the signal path, or use your amp's effects loop, for sound with more presence, fullness and punch. Since the SU9920 can be run in stereo or dual mono, you can even use one side for the bass, the other for a keyboard or guitar.
All inputs and outputs accept balanced XLR as well as balanced and unbalanced 1/4" connections. Both the 1/4" and XLR outputs can be used in parallel, when two outputs are required.
The SU9920 boasts stellar frequency response from 25Hz to 50KHz. The Process control provides a boost of up to +12 dBu at 5 kHz. The Low Contour filter is capable of +12 dBu at 50 Hz.
Electric guitarists looking for the perfect way to mike up for live or for recording now have one of the simplest and most workable solutions available - which also sets new standards in sound quality. Brought together in a compact, lightweight metal box are 16 legendary speaker cabinets. Recorded with the best microphones and digitally converted using today's cutting-edge Convolution Technologie, every detail is locked down. But why conserve the sounds digitally? Simply because analogue equipment cannot capture all the acoustic complexities and nuances the speakers produce. Convolution Technologie on the other hand is able to reproduce the complete array of tones and the uniqueness of each cabinet down to the last detail.
Virtual Speaker-Cabinet Collection:
Just pick your favourite cab, fine-tune the sound with the Mic-Position controller and away you go! 16 classic, world-renowned cabs are available in the BluBox: 5 legendary Marshall cabs with vintages from 1965 and 1980 but also the glorious, cult cabinets from Vox, Mesa-Boogie and Fender. Of course, Also included are the BluGuitar NANOCAB and FATCAB which have been rapturously received in music world for their huge sound.
BluBOX is the ideal partner for all eventualities. Whether on stage or in the studio - wherever you need striking sounds of the highest quality miked up or recorded. All this works with the BluBOX directly and even without a speaker cabinet!
BluBOX - The new Speaker Emulation with the most legendary cabinet / microphone combinations of the past 50 years music history, captured for the discerning professional. Great sounds, simple use, small package! The Sound of Tone Innovation.
NANOCAB - BluGuitar 1x12"
FATCAB - BluGuitar 1x12"
STACK 1965 - Original Marshall 4x12" Celestion (Alnico 15Watts)
STACK 1967 - Original Park 4x12" Celestion (Greenback 25 watts)
STACK 1970 - Original Marshall 4x12" Celestion (Greenback 25 Watts 55 Hz)
STACK 1971 - Original Marshall 4x12" Celestion (G12h30)
STACK 1980 - Original Marshall 4x12" Celestion" (G12h75)
METAL V30 - Mesa/Boogie Rectifer Standard 4x12" Celestion V30
METAL CL80 - Celestion Classic Lead 80 in custom built 4x12" cabinet
JAZZ 120 - Roland Jazz Chorus 120
TWEED 1x12 - Vintage '57 Fender Tweed Deluxe
SILVER 1x12 - Fender Princeton Silverface 1x12"
BLACK 2x10 - Fender '64 Vibroverb 2x10"
BLACK 2x12 - Vintage Fender Twin Reverb 2x12" orange JBL mixed with Jensen C12K
BLACK 4x10 - Vintage 60s Fender Super Reverb 4x10"
BLUE 2x12 - Original Vox AC30 JMI 2x12" Celestion Blue Bulldog
Perfect for club performers, electronic musicians, and beatboxers, the RC-202 packs powerful BOSS looping and multi-effects in an amazingly compact tabletop unit. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the distinctive look and fingertip interface style of its big brother, plus a host of new features. Four Input FX and four Track FX are available at once, and loops can be saved to memories in real time for seamless creative expression while performing. Expanded foot control and MIDI capabilities are also included, ideal for looping musicians who have their hands occupied with guitar, keyboards, and other instruments.
Two Stereo Tracks and 64 Phrase Memories:
The RC-202 offers two stereo loops with dedicated fingertip controls and animated status indicators. You also have 64 phrase memories for storing and recalling your live loop creations, organized in eight different banks for easy access while performing. As you work, you can save your loops to the current phrase memory without ever stopping playback. This convenient feature lets you seamlessly save and switch memories to perform different song structures and ever-evolving arrangements.
Equipped with powerful multi-effects capabilities, the RC-202 offers more real-time processing than any other looper. Four Input FX and four Track FX are available simultaneously, with numerous effects types on tap for loop creation and playback. As you record, you can enhance the sound with Input FX like P. Shift, Lo-Fi, Ring Mod, and more. Track FX such as Beat, Filter, Slicer, and others provide DJ and sampler effects for high-impact processing during playback. The effects can be quickly adjusted with large, easy-to-grab knobs, and turned on/off as you go via dedicated panel buttons.
Powerful Performance Control:
The RC-202's panel is filled with hands-on buttons and knobs for maximum creative control while looping. There's also a jack for connecting up to two footswitches or an expression pedal. Via MIDI, extensive control is possible from a MIDI foot controller or keyboard. MIDI also allows for synchronization with an RC-505 or a second RC-202, as well as drum machines and other devices.
Audio Connections and USB:
The RC-202 is outfitted with an XLR mic input, mono/stereo instrument inputs, and a stereo aux input. All inputs can be used at once, letting you capture and mix multiple audio sources as you build loops. It's also possible to send a click track to headphones only, a great feature for monitoring while performing. Via USB, you can plug into your computer to archive WAV loops or load up RC-202 phrases with live backing tracks or sounds for sampler-style triggering. The RC-202 also functions as a USB audio/MIDI interface, making it easy integrate with music software for stage performing with a laptop, audio recording, MIDI sync, and more.
This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.
The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.
Take a sound, any sound. Send it through the Analog Heat, try out the eight different stereo analog distortion circuits, add stereo analog filtering and EQ, and hear beautiful things unfold. New life for your existing gear.
Overbridge essentially allows your Analog Heat to be used as a VST/AU effect plugin. Connect the Analog Heat to your computer and conveniently smooth out the edges of all digital sounds. Incredibly useful for bringing your mixes to life.
Sound card operation:
One of the most prominent Analog Heat features: it can function as a 2 in/2 out sound card, even while processing DAW audio. Perfect for the traveling musician. Create as you go and make stellar, high quality recordings wherever you may roam.
Fully integrate the Analog Heat with your DAW, stream audio over USB, edit parameters in a beautiful VST/AU plugin environment.
- 8x Stereo analog distortion circuits
- 1x Stereo analog multi-mode filter (7 filter types)
- 1x 2 band adaptable stereo analog EQ
- 1x Assignable envelope generator/envelope follower
- 1x Assignable LFO
- 128 user preset slots
- 122×32 pixel backlit LCD
- MIDI In/Out/Thru with DIN Sync out
- 2x 1/4" balanced audio out jacks
- 2x 1/4" balanced audio in jacks
- 1x 1/4" stereo headphones jack
- 2x 1/4" CV/Expression pedal input jacks
- 48 kHz, 24-bit D/A and A/D converters
- Flash-EEPROM upgradable OS
- Hi-speed USB 2.0 port
- Headphones out level: +22 dBu peak
- Headphones output impedance: 55 O
- Impedance balanced main outputs level: +22 dBu peak
- Main outputs impedance: 440 O unbalanced
- Sound card S/N Ratio: 111 dBFS (20-20,000 Hz)
- Balanced audio input level: +22 dBu peak
- Audio input impedance: 39 kO
- Sound card S/N Ratio: 112 dBFS (20-20,000 Hz)
- Input level: -5 V - +5 V
- Accepts CV, Expression pedals, Foot switches
- Sturdy steel casing
- Dimensions: W215×D184×H63 mm (8.5×7.2×2.5") (including audio outputs, knobs and rubber feet)
- Weight: approximately 1.5 kg (3.3 lbs)
- Overbridge enabled
- Ableton Live 9 Lite license included
- 3 year Elektron warranty
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.
The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)
The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.
The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.
The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
16 Award-Winning FX Presets:
An incredibly compact multi-effects processor, the M100 features 16 award winning TC electronic presets including studio-grade reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and a variety of stunning multi-effects. An intuitive FX selector allows you to choose from the 16 single or multi-effects that suit your music, while the versatile Parameter and Tap/Select functions give you the ultimate control over a wide range of parameters.
Your Connection to Amazing Sound:
The M100 has two modes of operation - mono or stereo. While the input connectors accept both, balanced and unbalanced 1/4 inch cables, the output features impedance-balanced 1/4 inch TRS connectors. M100's stereo input level control with LED level indication ensures precision adjustment for the optimal signal integrity.
Additional Features and Build Quality:
Dedicated Mix Balance and Output Level controls make it so very easy to quickly dial-in the perfect sound. And if you're using the M100 live, the footswitch connector provides easy on/off switching (footswitch not included). Highest-quality potentiometers, switches with clear status indication and high-resolution 24-bit AD/DA converters ensure exceptional sonic performance.
Small but Mighty:
The M100 is the simple, portable and affordable way to add an exciting new dimension to your sound, one that will instantly elevate your performance to the next level. Find out why musicians, home recording enthusiasts and sound technicians love the M100.
A Revolutionary Vocal Manipulator with Vocal Sample Synthesis and One-Button Drum Looper, PERFORM-VE lets you instantly create iconic vocal sounds from today's most popular EDM, Pop and Dance recordings. With everything from real-time pitch flattening and extreme sample manipulation to tried and true spatial effects, altering, and looping - PERFORM-VE turns every show into a captivating performance.
Do it again:
Record your vocal samples live, modify them, and then replay them via MIDI control to give a truly interactive and dynamic performance.
Do it weird:
You can easily use the PERFORM-VE to shift, modulate and mangle your vocals with the synth vocoder effect for a completely transformed sound that will mesmerize your audience.
Do it faster:
PERFORM-VE's innovative one-button looper with built-in drum samples lets you build impressive sounds on the fly.
Do it in sync:
Keep your gear in sync thanks to PERFORM-VE's ability to receive MIDI tempo data from a wide range of external devices - unlimited versatility.
Do it cleaner:
PERFORM-VE's Adaptive tone automatically applies EQ, compression, de-essing, and gating optimization, so vocals always sound clean and clear - letting you focus on the fun stuff.
Do it for keeps:
Multi-channel USB audio lets you easily send audio to and from PERFORM-VE, bringing the studio to the stage and back again.
In the box:
- Region specific power supply
- USB cable
- User guide
This is truly the first instrument for the voice. Mount it in front of you on a mic stand with its ingenious, easy-access design - or put it next to your keyboard or computer. Then, let your fingers glide over the touch interface. You'll soon be unleashing its FX and looping power. Just try to stop.
Complete vocal FX universe:
VoiceLive Touch is loaded with vocal effects from our best-selling VoiceLive series: reverb, doubling, HardTune, uMod, tap delay and transducer. Get inspired with incredible, natural sounding harmonies: there are 8 voicings to choose from - controlled by guitar, MIDI or USB/Aux input. There's also the Global Tone feature that adapts to your voice for an optimally produced tone every time you sing.
The powerful looper in VoiceLive Touch will multiply your musical persona, allowing you to create an entire composition by yourself. It's packed with lots of loop time and innovative options like Loops Mode to play back loops in any order and Shots Mode to create instant loop triggers. You'll find your one-person creations easy and incredible.
Personal sound engineer included:
VoiceLive Touch automatically takes care of vocal tone with adaptive EQ, compression, de-essing and gating. This frees you up to focus on your performance with a full suite of vocal effects, natural-sounding harmonies and looping power.
It fits everywhere:
Voicelive Touch goes where you need it. Put it right in front of you on your mic stand. If you play keyboard, just put it on top. When you go home to work on tracks with your computer, you can place it on the table beside it. If you're a guitar player, use the optional Switch-3 pedal so you can run it while you're playing.
Vocal design command centre:
1. Unique Touch Interface for addictive navigation.
2. Effortless access to all FX; use the Slider to open up a world of hundreds of presets.
3. Ingenious design for easy mic stand attachment or desktop use.
4. Studio quality Mic input, Guitar in/thru, MIDI, Aux ins for MP3 and Footswitch, headphone out with control level and USB for updates.
Find your FX - fast:
Navigate around the features and presets in VoiceLive Touch with an ease that becomes addictive. One touch and you're hooked. Swipe the slider to browse presets; press and hold buttons to edit, and store to "favourite" locations. Double clicking the slider always gets you home. Voicing buttons offer instant harmony arranging.
More mic, more control:
Now you can control your vocal effects from a mic engineered for the sonic realities of modern vocal performance. Add the TC-Helicon MP-75, the Sennheiser e835 FX, or use the main control button on the TC-Helicon MP-76.
More FX control with stompbox expansion:
Add a Switch-3 accessory pedal to your setup to extend your on-the-fly control the VoiceLive Touch features. Put Harmony on the first switch, your favourite Delay on the second, and a cool Megaphone effect on the third - or any custom combination of Vocal FX.
Guitar is yet another way that VoiceLive Touch can control your harmonies. But there's more: you can make your guitar sound awesome with on-board reverb and other effects. There's even an easy-to-use tuner. Not used to using a pedal for your guitar work? No problem: VoiceLive Touch brings control to your fingertips.
Control your harmonies and tempo effects with MIDI from a keyboard, audio workstation or MIDI sequencer. In fact, there are 16 midi channels available and a selection of dedicated presets for you to try...and tweak.
Custom gig bag:
Here's the perfect accompaniment for your next gig. Keep your VoiceLive Touch and essential gig items in the same, protected place. The VoiceLive Gig Bag is made of durable nylon construction with padded protection, has multiple inside pockets for microphone, cables & other gear and comes with a handy shoulder strap.
VoiceLive Touch is designed to evolve with you. VoiceSupport gives you new presets, firmware updates and maintains your personal database of presets. All you need is a USB equipped mac or windows computer.
Once again VERMONA presents a tube spring reverb of it's own class and once again the name is "ReTubeVerb". Some details have been improved and there are also strongly requested features like balanced in- and outputs as well as the possibility to get it in a rack system.
Uncompromising Tube Technology:
The ReTubeVerb is build upon classical tube circuitry - you will not find a single semi-conductor in its signal flow. This uncompromising realization needs some efforts but the result justifies the concept! What you'll get is the warm and slightly compressed tube sound without interferences and unpleasant coloration.
The deep and voluminously reverb effect comes out of a high quality six-spring reverb tank (three double-springs) made by the spring reverb pioneer ACCUTRONICS.
We've chosen three very usable frequencies which makes it easy to form the reverb effect as you like without much efforts.
Balanced In- and Output:
Beside the unbalanced instrumental- / line in- and outputs we've implemented a transformer-balanced input and output as well. It's not that kind of feature that's integrated just to have it, but with great attention towards sound quality. The audio transformers are made upon our specifications to perfectly fit for their purpose.
There's a true bypass as well as the EFFECT STOP function. The latter allows refining the input signal by the tube preamp without reverberation.
The ReTubeVerb relies on traditional technology but also makes spring reverberation a cutting edge topic.
*For audio samples, please visit - http://www.vermona.com/index.php/en_retubeverb.html
Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.
What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.
The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.
*UK 3-pin power adapter included.