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FORTHCOMING
4ms Stereo Triggered Sampler Recorder & Playback Module
e-mail me when released
coming soon $460.10
Cat: 655465 Rel: 01 Aug 17
 
High fidelity, two-channel stereo sample recorder & playback module
Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!
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FORTHCOMING
4ms SWN Spherical Wavetable Navigator Oscillator Module
e-mail me when released
coming soon $TBA
FORTHCOMING
4ms Wav Recorder Module
e-mail me when released
coming soon $460.10
Cat: 648950 Rel: 01 Jun 17
FORTHCOMING
AKG K175 Foldable Studio Headphones
e-mail me when released
coming soon $118.28
AKG
Cat: 647251 Rel: 05 Jun 17
 
On-ear, closed-back, foldable studio headphones
Notes: You can't take the studio out of these headphones - perfect for live monitoring and mixing.

The AKG Foldable Studio Headphones Line is built on a legacy of 70 years of quality, and features our latest transducer and acoustic technologies. As a result, the family delivers unparalleled audio performance for musicians, engineers, and producers who need superior accuracy from reliable headphones that stand up to today's mobile lifestyle.

The on-ear, closed-back AKG K175 are perfect for live monitoring and mix applications. Just pick them up and you'll immediately find the roadworthy design takes away the worry of damage while traveling. Try them on and you'll realize they still provide the superior studio quality sound you expect from AKG. And you'll never get tired of wearing AKG Foldable Studio Headphones because their ergonomic design provides a comfortable fit - even during long sessions.

As the gold standard of professional-quality sound with over one million studio headphones sold, AKG knows what it takes to build world-class headphones - high-quality, durable parts working together to match amazing sonic performance with optimal fit and comfort.
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FORTHCOMING
AKG K245 Foldable Studio Headphones
e-mail me when released
coming soon $139.99
AKG
Cat: 647250 Rel: 05 Jun 17
 
Over-ear, open-back, foldable studio headphones
Notes: You can't take the studio out of these headphones - perfect for mixing and editing on the go.

The AKG Foldable Studio Headphones Line is built on a legacy of 70 years of quality, and features our latest transducer and acoustic technologies. As a result, the family delivers unparalleled audio performance for musicians, engineers, and producers who need superior accuracy from reliable headphones that stand up to today's mobile lifestyle.

The over-ear, open-back AKG K245 feature a transparent, yet spacious sound, and you'll find them perfect for mixing and editing on the go. Just pick them up and you'll immediately find the roadworthy design takes away the worry of damage while traveling. Try them on and you'll realize they still provide the superior studio-quality sound you expect from AKG. And you'll never get tired of wearing AKG Foldable Studio Headphones because their ergonomic design provides a comfortable fit - even during long sessions.

As the gold standard of professional-quality sound with over one million studio headphones sold, AKG knows what it takes to build world-class headphones - high-quality, durable parts working together to provide amazing sonic performance matched with optimal fit and comfort.
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FORTHCOMING
AKG K275 Foldable Studio Headphones
e-mail me when released
coming soon $161.69
AKG
Cat: 647249 Rel: 05 Jun 17
 
Over-ear, closed-back, foldable studio headphones
Notes: You can't take the studio out of these headphones - perfect for critical listening applications such as studio recording or live mixing.

The AKG Foldable Studio Headphones Line is built on a legacy of 70 years of quality, and features our latest transducer and acoustic technologies. As a result, the family delivers unparalleled audio performance for musicians, engineers, and producers who need superb accuracy from reliable headphones that stand up to today's mobile lifestyle.

With large 50 mm transducers and a closed-back, over-ear design, the K275 are perfect for professional critical listening applications such as studio recording or live mixing. Just pick them up and you'll immediately find the roadworthy design takes away the worry of damage while traveling. Try them on and you'll realize they still provide the superior studio-quality sound you expect from AKG. And you'll never get tired of wearing AKG Foldable Studio Headphones because their ergonomic design provides a comfortable fit - even during long sessions.

As the gold standard of professional-quality sound with over one million studio headphones sold, AKG knows what it takes to build world-class headphones - high-quality, durable parts working together to provide amazing sound matched with optimal fit and comfort.
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FORTHCOMING
Arturia Keylab Essential 49 Controller Keyboard With Analog Lab 2 Software
e-mail me when released
coming soon $183.39
Cat: 646986 Rel: 03 Jul 17
 
Professional-grade 49 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

Geared for maximum compatibility, KeyLab Essential gives you unadulterated control of your digital world, seamlessly integrating with virtual instruments and DAW software.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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FORTHCOMING
Arturia Keylab Essential 61 Controller Keyboard With Analog Lab 2 Software
e-mail me when released
coming soon $226.80
Cat: 646987 Rel: 03 Jul 17
 
Professional-grade 61 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

KeyLab Essential helps you keep your eye on the target. Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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FORTHCOMING
Audio Damage ADM19 Acid Horse Module
e-mail me when released
coming soon $TBA
Cat: 642563 Rel: 01 May 17
FORTHCOMING
Bastl Instruments SoftPop Semi Modular Light & Sound Synthesizer
e-mail me when released
coming soon $TBA
Cat: 648907 Rel: 01 Jun 17
 
Semi-modular light & sound synthesizer with fully analog core & signal path
Notes: SoftPop is a playfully organic, semi-modular light and sound synthesizer with wide variety of sounds: from random dripping water pops to heavy subtractive basslines. Its fully analog core consisting of a heavily feedbacked system of dual triangle-core oscillators, state variable filter and sample and hold is played through an intuitive interface of 6 faders that provide countless combinations which can be explored by anyone. It can also process external audio thru the filter while using the envelope follower to intuitively synchronise to the incoming signal. Extensive mini patchbay offers lots of reconfigurability and 3 jacks A,B,C can be used to send signals in or out of the patch bay. Battery operation, built in speaker and carrying handle make it the ultimate picnic boombox! The analog soul is enhanced by a quantize feature (auto-tune) and pattern generator with two memories A and B. For adventurous and courageous souls there is a secret chamber in the back for hacking & modding.
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FORTHCOMING
Bastl Instruments Thyme Effects Processor
e-mail me when released
coming soon $TBA
Cat: 648908 Rel: 01 Jun 17
 
Digital tape effects unit
Notes: The Thyme is an effects processor that is best described as a sequenceable robot operated digital tape machine. With a lot of parameters at hand it enables the exploration of all the time based effects and the vast space in between their classical multi-effects categories (delay, phaser, reverb, chorus, pitch shifter, multi-tap delay, tape delay, tremolo, vibrato, compressor) and in stereo! Each of the 9 different parameters (Tape Speed, Delay Coarse & Fine, Feedback, Filter, extra heads Spacing and Levels, Dry Wet Mix and Volume) has a dedicated, very flexible modulation source - called the Robot - which can be phased out differently for left and right channel to create psychedelic new sound effects. The Robot can either be an LFO with many different waveshapes, external CV source or an envelope follower to enable effects reacting to dynamics. On top of everything there are 8 buttons to select a preset and those presets can be sequenced by a built in meta sequencer. The Sequencer, the Robots and the Delay can be synchronised to external or internal clock. Thyme interfaces with MIDI, analog clock and CV, it has a switchable stereo/mono input, stereo output, headphone output with level and foot switch jack.
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FORTHCOMING
Behringer DeepMind 12 Desktop Analogue Synthesizer
e-mail me when released
coming soon $TBA
Cat: 648964 Rel: 01 Aug 17
 
True analog 12-voice polyphonic desktop synthesizer
FORTHCOMING
Behringer DeepMind 6 Keyboard Analogue Synthesizer
e-mail me when released
coming soon $TBA
Cat: 648967 Rel: 01 Aug 17
 
True analog 6 voice polyphonic synthesizer
FORTHCOMING
Behringer Model D Desktop Analogue Synthesizer
e-mail me when released
coming soon $TBA
Cat: 648986 Rel: 01 Aug 17
FORTHCOMING
Citronic ECM2 Pencil Condenser Microphones (stereo pair)
e-mail me when released
coming soon $47.74
Cat: 647266 Rel: 25 Apr 17
 
Stereo pair of pencil condenser microphones
Notes: A pair of miniature cardioid condenser microphones with compact dimensions and ultra-high sensitivity. Applications include recording in stereo, overheads for drums and drop mics for chorus sections.
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FORTHCOMING
Digitech SDRUM Strummable Drums Pedal
e-mail me when released
coming soon $205.10
Digitech SDRUM Strummable Drums Pedal (drum machine/effects pedal)
Cat: 658045 Rel: 01 Aug 17
 
Guitar-controlled drum machine featuring BeatScratch technology - create drum patterns by strumming your strings
Notes: SDRUM is the world's first intelligent drum machine for guitarists and bassists. By simply scratching across your guitar strings, you teach the SDRUM a kick and snare pattern that forms the foundation of the beat you want to hear. Based on this pattern, the SDRUM supplies a professional sounding drum beat with different embellishments and variations to perfectly complement your beat. Gone are the days of having your creative flow disrupted by searching through lists in a frustrating attempt to find the beat you want.

The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.

SDRUM is the fastest way to go from a beat idea to a working drum track.
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FORTHCOMING
Electro Harmonix Dual Expression Pedal
e-mail me when released
coming soon $68.35
Cat: 658044 Rel: 01 Aug 17
 
Performance Series expression pedal with dual-output design
Notes: Dual-output expression pedal featuring the Electro Harmonix advanced polymer construction that yields roadworthy pedals with a significant weight savings.

The Dual Expression Pedal's dual-output design gives hands-free control of two devices from a single source. Each expression output has independent range and reverse plus a polarity switch for maximum compatibility with a wide range of gear. Two six foot TRS cables are included.
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FORTHCOMING
Electro Harmonix Expression Pedal
e-mail me when released
coming soon $48.82
Cat: 657310 Rel: 01 Aug 17
 
Expression pedal to control expression or CV features in effects pedals & synths
Notes: The EHX Expression Pedal is part of the innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep expression-enabled controls. The result is a responsive expression pedal that provides precise control over your expression or control- voltage capable effects and instruments.
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FORTHCOMING
Electro Harmonix Platform Stereo Compressor & Limiter Pedal
e-mail me when released
coming soon $151.91
Cat: 655789 Rel: 14 Jul 17
 
Studio-quality compressor/limiter effects pedal with foot-switchable overdrive section
Notes: The Platform is a sophisticated, professional stereo compressor limiter that includes volume swell and tape reverse, plus overdrive. It's powerful for studio or post production work, yet compact enough to take to a gig!

The Platform's compressor/limiter enables the user to precisely tune their instrument's dynamics and provides controls for Volume, Attack, Release and Sustain plus pushbuttons for Hard or Soft Knee and the Limiter. Its foot-switchable overdrive section adds to the pedal's versatility with dedicated controls for Volume, Tone and Drive. (Volume) swell is controlled by a dedicated knob. As it's turned clockwise swell increases from zero and notes fade in more gradually.

The Platform is equipped for true stereo operation and can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out. The pedal includes a three color, bar graph, LED array with eight LEDs that display the compressor's actual gain reduction in real-time; they act in opposite to a VU meter. The Platform Stereo Compressor/Limiter comes with an EHX9.6-200mA power supply.
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FORTHCOMING
Elektron Analog Four MKII Synthesizer
e-mail me when released
coming soon $1,387.93
Cat: 655894 Rel: 01 Sep 17
FORTHCOMING
Elektron Analog Rytm MKII Drum Machine
e-mail me when released
coming soon $1,626.66
Cat: 655895 Rel: 01 Sep 17
FORTHCOMING
Elektron Octatrack DPS1 MKII Dynamic Performance Sampler
e-mail me when released
coming soon $1,387.93
FORTHCOMING
Eowave Quantrid Swarm Synthesizer
e-mail me when released
coming soon $TBA
Cat: 648957 Rel: 01 Jun 17
Notes: The Quandrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analog filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8 step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to to fully explore the potential of this instrument.
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FORTHCOMING
Future Retro Transient Eurorack Drum Module
e-mail me when released
coming soon $202.92
Cat: 652851 Rel: 03 Jul 17
 
Percussion module in Eurorack format, featuring 250 preset instruments & over 400 audio samples
Notes: The Transient is a percussion module for the Eurorack format. The Transient can recreate individual drum voices or sound like an entire drum machine or loop is playing, morphing from rhythm to rhythm, or at times sound more like a synthesizer when retriggering samples at audio rates, and creating other special effects. It's easy to use, introduces new ways to quickly sculpt your beats with endless possibilities, and did we mention... it sounds great too!

More than 250 preset instruments are built into the Transient to get you going right out of the box, and to help you learn how to achieve certain results. There are also 40 User locations to store your own custom Instrument settings.

Over 400 audio samples provide the foundation of sound in the Transient. These samples focus on classic drum machines and modern analog percussive sounds. There are two voices to play these samples, and sample selection for each voice can be modulated with things like knobs, CV's, or random values. While internal processing of these sounds is all 16 bit resolution, a 12 bit DAC is used to add more vintage character.

A unique architecture in the Transient allows these digital samples to have similar sound characteristics to what you would expect from analog drum machines or synthesizers, and natural sounds. Natural sounds never repeat in exactly the same way, and the Transient achieves similar results by altering the phase and amplitude of samples.

Percussion instruments typically have a very limited, if any, ability to change their pitch. So instead of changing the playback speed of samples (as most sound modules do), Ring modulation can be applied to alter the perceived pitch and harmonics of a sound.

The sample Mod selection allows different combinations for samples to be Amplitude or Ring modulated, by periodic waveforms, envelope shapes, or other sample waveforms. It is also possible to apply two of these processes simultaneously to a single sample.

Modulation oscillators provide both typical waveforms and new envelope waveforms. That means all envelopes in the Transient are looping. Envelopes do not have adjustable ADSR times like most synthesizers. Instead the total time or frequency of the envelope is adjustable, and so is the phase the envelope or waveform starts at. The modulation oscillator can cover both the LFO and audio range for some really nice results.

Amplitude modulation can be used to apply Fades, Tremolo, Envelopes and Audio-rate modulations to samples.

Ring modulation can be used to change the phase of waveforms, creating subtle changes in repeating samples. It can also be used to change the perceived pitch, and harmonic content of a sample. It can even rectify a sample when ring modulated with itself, or allow two samples to share their "sonic DNA" with each other creating all sorts of new combinations in harmonic content.

The Mixer allows control over the mix of two voices, and the multi-mode filter allows you the sculpt the tones. By applying CV control to these, the voices come alive and begin dancing to the dynamics.

The Digital section can be used to add a little more character to sounds by Companding, Distorting, or Bit Crushing the audio, along with changing the Bit Depth and Sample Rate for each effect.

The Dynamics section provides control of the final output sound level. This can be used as a simple set-and-forget level control, assign a knob to act as volume control, allow external CV's to control the dynamics, or combinations of these can be applied simultaneously.

Making beats has never been easier!

The Trig In jack accepts a wide range of trigger sources (gates, oscillators, LFO's, even audio), to play sounds in the Transient. Two CV inputs allow external control voltages to modulate or modify parameters. And of course the Audio Out provides the final audio output.

There are two CV attenuator knobs to scale each CV input source, and two more knobs K1 and K2 that can be assigned to control multiple parameters simultaneously. These K1 and K2 knobs allow you to basically morph between different modulation amounts for various parameters. And finally, a Parameter control is used to navigate through the parameters, and adjust parameter values.

In addition to the CV or K1 or K2 modulation sources, a Random generator is also provided as a possible modulation source.
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FORTHCOMING
Hexinverter Galilean Moons Dual Amplitute Transmutator Function Generator & VCA Module
e-mail me when released
coming soon $320.11
Cat: 655340 Rel: 05 Jul 17
 
Dual amplitude transmutator/Jupiter Storm expansion module
Notes: Galilean Moons is a dual amplitude transmutator. It transmutates the amplitude of incoming signals through the use of voltage controlled envelopes and VCAs. It is designed primarily to create voltage controlled percussive sounds when fed with a sound source (in particular, its sister module, Jupiter Storm), but can be used for all sorts of other tasks in your modular system as well as to generate typical synth sounds.

Galilean Moons features two "Moons". Each Moon is composed of a voltage controlled attack/decay envelope with its own dedicated low-distortion linear VCA. Each envelope can also act as attack/sustain/release or can go into LFO/automatic looping mode with the flick of a switch.

Galilean Moons will normalise its VCA inputs to a Jupiter Storm cosmic noise oscillator through a simple expansion cable at the back, but it can also function standalone in any modular system. Of course, the new Jupiter Storm noise output, "XOR", which is activated by connecting a Galilean Moons to your Jupiter Storm, will not function without a Jupiter Storm. This is the only feature which requires a Jupiter Storm to be connected.

The XOR noise output sounds similar to (but not exactly like) Jupiter Storm with the Noise Core Disruptor is engaged. This allows you to get more flavours of noise from Jupiter Storm, expanding its versatility.

The VCAs and voltage controlled envelopes can each be used on their own in your system when you don't want to use them the way they are internally linked together. Plugging a signal into any of the respective jacks will break the internal connections and let you use the components on their own. You can use the linear, DC-coupled VCAs to control DC signals in your system when not using the module for its intended use, for example.
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FORTHCOMING
Hexinverter Jupiter Storm Experimental Voltage Controlled Noise Oscillator Module
e-mail me when released
coming soon $265.85
Cat: 655339 Rel: 05 Jul 17
 
Voltage controlled oscillator module - 14HP
Notes: Jupiter Storm is a cosmic noise oscillator. It creates sounds that can only be described as out of this world! Where it differs entirely from other pure white noise generators (such as vcNOIZ) is in the algorithm used to produce the sound. Jupiter Storm has a tonal character very much of its own.

Jupiter Storm generates its sound from three square wave oscillators, interacting with one another in a unique algorithm. Some of the sounds possible are reminiscent of the sound of an AM radio being blasted with noise from the cosmos. This creates noise with significant harmonic content and unique timbres!

With the Noise Core Disruptor engaged, part of the noise core is creatively abused in order to generate insane sonic textures.

Voltage control inputs for all three square waves which energize the noise core are available as well as a CV input that addresses all three oscillators at once. In this way, very dynamic sounds can be achieved with complex modulation routing. For example, you can apply a taste of LFO modulation to all three oscillators, while modulating a select oscillator simultaneously on its own with something more drastic.

No microcontrollers are present in the design of this analog module.
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FORTHCOMING
Hexinverter Mutant Bassdrum & Distortion Analog Synthesis Module
e-mail me when released
coming soon $245.24
Cat: 655336 Rel: 05 Jul 17
 
Analog bassdrum & distortion module - 13HP
Notes: Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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FORTHCOMING
Hexinverter Mutant BD9 Analog Bassdrum Synthesis & Sub Oscillator Module
e-mail me when released
coming soon $265.85
Cat: 655315 Rel: 05 Jul 17
 
Analog bassdrum synthesis with sub-oscillator - 13HP
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
Read more
FORTHCOMING
Hexinverter Mutant Clap Analog Handclap & Noise Oscillator Module
e-mail me when released
coming soon $265.85
Cat: 655334 Rel: 05 Jul 17
 
Feature-rich, analog handclap percussion synthesis reminiscent of the 909
Notes: Just like the other Mutant Drums, the Clap is a highly versatile module. It is actually a voltage controlled LFSR noise oscillator as well as a powerful percussion synthesis engine!

- Pitch control of noise generator means you can create everything from vanilla 909 claps to broken, chiptune-like alien sounds
- Doubles as a voltage controlled, Commodore64-sounding noise VCO via the NOISE output and PITCH CV input
- SUSTAIN control lets you crank up the clap's sustain and use the module as an abstract synth voice with external inputs!
- External input allows you to synthesise claps from virtually any sound source you plug in
- Built in internal reverb effect derived from clap tone
- Reverb decay forms the decay of the clap sound, and is fully voltage controllable from short reverb "snaps" to long, whooshing tails!
- You can select between internal and external noise sources as the source for the reverb sound generation, opening up really interesting sounds
- DRIVE control lets you dial in anything from clean to extremely overdriven sounds
Read more
FORTHCOMING
Hexinverter Mutant Hihats Dual Analog Hihat Module
e-mail me when released
coming soon $245.24
Cat: 655335 Rel: 05 Jul 17
 
Powerful dual hi-hat generator module - 13HP
Notes: A classic electro percussion synthesis design reborn as something completely different. Hexinverter wanted to recreate a classic hihat synthesis design as something new and exciting, so they took the super electro 808 circuit and transformed it into a powerful creative tool for modular synthesis!

Featuring:

- Analogue hihat circuitry capable of synthesising vanilla TR-808 open and closed hihat sounds (simultaneously)
- External audio input lets you synthesise hihats from virtually any sound source (Jupiter Storm, vcNOIZ, etc.)
- Lo-fidelity original VCAs replaced by OTA-based modern VCAs
- VCA DRIVE control for each hihat allows you to dial in anything from soft metallic hihats to extremely overdriven, crunchy hihats
- Exclusive switch lets you select how the two hihats (open/closed) interact with each other when triggered at the same time
- Cutoff frequency control for internal resonant bandpass filter
- Resonant filter can be switched on/off
- Modular level mutual accent input (0-5V CV)
- Trigger input accepts almost anything as a trigger signal
- Non-invasive analogue optocouplers used for voltage control, thus, completely vintage sounds can still be had if that's what you're after!
- Completely redesigned, hi-fi signal chain spares no expense by replacing cheap transistor amplifiers with low noise op-amp and OTA equivalents
- You can dial in super hot, modular level output levels (up to 20Vp-p!)
Read more
FORTHCOMING
Hexinverter Mutant Hot Glue Analog Bus Mixer Effects Send Compressor & Distortion Module
e-mail me when released
coming soon $426.46
Cat: 655331 Rel: 05 Jul 17
 
Analog bus mixer with effects - 24HP
Notes: The Mutant Hot Glue is a powerful bus mixer for analog effects chain design. The included high quality analog compressor offers series or parallel compression, and a sidechain input, making it well suited for drum processing. The voltage controlled distortion is based on the batteryACID: IDOW Edition design, but improved for better signal fidelity and performance. It can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to easily use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the Eurorack modular domain.
Read more
FORTHCOMING
Hexinverter Mutant Machine Dynamic Analog Percussion Synthesis Engine Module
e-mail me when released
coming soon $640.24
Cat: 655333 Rel: 05 Jul 17
 
Dynamic & versatile analog percussion engine - 29HP
Notes: The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.

The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.

The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.

Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
Read more
FORTHCOMING
Hexinverter Mutant Rimshot & Clave Analog Percussion Synthesis Module
e-mail me when released
coming soon $212.68
Cat: 655314 Rel: 05 Jul 17
 
Analog rimshot & clave generator with built-in filter - 8HP
Notes: The Mutant Rimshot is an analog rimshot and clave percussion synthesis module inspired by analog drum machines of the past. Like the other Mutant Drums, the Rimshot is capable of going above and beyond vanilla sounds. Expressive CV options, an external input and a multi-mode analog filter let you create unique percussion sounds in your modular synthesizer.

Rimshot or clave - take your pick:
- Triple-oscillator analog rimshot core inspired by the legendary 909
- Three modes of percussion synthesis: rimshot HI (classic), rimshot LO and clave (CLV)
- Voltage control of one of the oscillators' pitch
- External input to the filter lets you blend in other signal sources - wavetables and noise make for interesting percussion!
- Rimshot DRIVE control acts as a volume and overdrive control for the rimshot generator

Coupled to an analog multi-mode filter:
- Bandpass, highpass and lowpass modes
- Self-oscillation of the filter plays nicely when mixed in with the rimshot generator
- Resonance clipping enabled by default. Feature can be disabled with a switch on the back of the module
- Voltage controlled cutoff
- Adjustable resonance

Modulation options sculpt the shape of your percussion:
- Eurorack-compatible control voltage inputs (0 to 5V for full modulation) with bipolar attenuverters
- A practical analog trigger circuit allows activation of the Rimshot from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant Rimshot.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
Read more
FORTHCOMING
Hexinverter Mutant Snare Drum With External Input Analog Synthesis Module
e-mail me when released
coming soon $265.85
Cat: 655329 Rel: 05 Jul 17
 
Analog snare drum synthesis with external input - 13HP
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

MIX and DRIVE:
- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
Read more
FORTHCOMING
Hexinverter Red Dragon Soviet Topology Four Pole Morphing Low Pass Filter Module
e-mail me when released
coming soon $265.85
Cat: 655338 Rel: 05 Jul 17
 
4-pole morphing low-pass filter module with unique Soviet-era filter core design - 12HP
Notes: The Red Dragon is a 24dB/oct 4-pole low-pass filter realised with a unique Soviet-era filter core. The curious filter structure of the Red Dragon favours character over precision; sure to impart colourful tone in your source material.

During the 1980's, a Russian electronics designer realised that one could build a musical filter using a fairly unconventional method. Unlike most other filter topologies, this method did not use capacitors to employ an RC time constant in its core filter stages. Instead, the internal properties of a programmable amplifier chip are modulated by a special "programming" input found on these devices. One of the modified properties is bandwidth of the amplifier. Changing this particular attribute over time effectively limits the frequencies that can pass through the amplifier, resulting in filtering! Because attributes other than bandwidth are also changing at the same time, this filter stage has instabilities at certain frequencies along the audible spectrum, resulting in colourful distortions and a character all of its own. The resonance's character is especially profound, resulting in bubbly and sometimes screeching sci-fi tones. The Red Dragon achieves a 24dB/oct resonant low-pass response by cascading four of these stages. What's more, you can morph between the two pole extremes (6dB and 24dB) to change the slope of the filter on the fly, either manually or through voltage control.
Read more
FORTHCOMING
Hexinverter VCNO Discrete Voltage Controlled Multiple Output Noise Oscillator Module
e-mail me when released
coming soon $TBA
Cat: 655341 Rel: 05 Jul 17
 
Discrete voltage controlled noise oscillator with multiple outputs
Notes: VCNO is a noise oscillator, capable of producing full spectrum white noise. But that's where its similarity to other noise generators stops. VCNO can be used like a VCO - you can modulate the pitch over CV and use its multiple outputs simultaneously, each with a distinct sonic character. Its method of generating noise is similar to that used in early computer sound chips, except it has been implemented here using discrete logic, without the use of software or microcontrollers.

Featuring:

Discrete Noise Algorithm:
- LFSR (Linear Feedback Shift Register) algorithm implemented using discrete analog parts and logic ICs - no software or microcontrollers
- PITCH generator capable of frequencies up to half a megahertz. This results in a spectrum of noise which reaches far beyond that of human-hearing
- NOISE is the main LFSR output. With the pitch knob turned fully clockwise this will output pure white noise. As you turn the pitch down, the noise evolves into crunchy noise, reminiscent of vintage video game sounds
- GATE is a DC-coupled output. This is perfect for supplying random triggers in your system

Three Unique Alternative Outputs:
- Each of the three alternative outputs are completely different circuits - SCREECH, SIZZLE AND TEAR have their own unique sonic characteristics
- SCREECH features a dark, howling overtone to the main NOISE output
- SIZZLE features a related control, which takes the output from pure white noise when turned fully clockwise to a vinyl-like crackle when turned anti-clockwise
- TEAR sounds like the noise generator is broken and tearing itself apart
- All outputs work simultaneously, and are simultaneously affected by the pitch knob or CV

PITCH Input:
- The frequency of VCNO can be modulated via CV - just patch any CV signal into this jack
- A bipolar attenuverter lets you find the right level and polarity for your CV signal
- A switch on the back lets you select either logarithmic or linear response at the CV input jack

CLOCK Input:
- Applying a clock signal here bypasses the internal PITCH frequency generator. You can apply a clock from a trigger sequencer to create a pseudorandom drum trigger pattern synced to the rest of your drums
Read more
FORTHCOMING
IK Multimedia 2.5mm TRS To 5 Pin DIN MIDI Cable For iRig Pro iRig Pro DUO & iRig MIDI
e-mail me when released
coming soon $21.69
Notes: High quality 2.5mm / 3/32" TRS to 5-pin DIN MIDI cable for iRig Pro, iRig Pro Duo, Rig MIDI.

- 150cm / 59"
Read more
FORTHCOMING
IK Multimedia 3.5mm TRRS To TRRS Audio Cable For iLoud iRig MIX iRig STOMP & iKlip A/V
e-mail me when released
coming soon $21.69
Notes: High quality 3.5mm / 1/8" TRRS audio cable for iLoud, iRig MIX, iRig Stomp, iKlip A/V.

- 200cm / 78.7"
Read more
FORTHCOMING
IK Multimedia 30 Pin To Micro USB Cable For iRig Mic Studio iRig Mic HD & iRig Keys MINI
e-mail me when released
coming soon $32.54
Cat: 654067 Rel: 30 Jun 17
 
30-pin to Micro-USB cable
Notes: High quality 30-pin to Micro-USB cable for iRig Mic Studio, iRig Mic HD and iRig Keys Mini.

- 150cm / 59"
Read more
FORTHCOMING
IK Multimedia 30 Pin To Mini DIN Cable For iRig MIDI 2 iRig Pro iRig Pro DUO iRig HD iRig Keys iRig Keys PRO & iRig Pads
e-mail me when released
coming soon $32.54
Notes: High quality 30-pin to Mini-DIN cable for iRig MIDI 2, iRig Pro, iRig Pro Duo, iRig HD, iRig Keys, iRig Keys Pro and iRig Pads.

- 60cm / 23.6"
Read more
FORTHCOMING
IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone
e-mail me when released
coming soon $217.02
Cat: 655445 Rel: 07 Jul 17
 
DAW-based acoustic room correction plug-in with measurement microphone & software
Notes: Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
Read more
FORTHCOMING
IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone  (crossgrade from any previously purchased IK product priced at €99.99+VAT or more)
e-mail me when released
coming soon $162.76
Cat: 655447 Rel: 07 Jul 17
 
DAW-based acoustic room correction plug-in with measurement microphone & software
Notes: CROSSGRADE from any previously purchased IK product of value €99.99+VAT or more - includes MEMS Measurement Microphone.

Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
Read more
FORTHCOMING
IK Multimedia iLoud Micro Monitor Speaker Link Cable
e-mail me when released
coming soon $32.54
Cat: 654075 Rel: 30 Jun 17
 
iLoud Micro Monitor link cable
Notes: High quality 4-pin cable for iLoud Micro Monitor.

- 150cm / 59"
Read more
FORTHCOMING
IK Multimedia Lightning To Micro USB Cable For iRig Mic Studio iRig Mic HD & iRig Keys Mini
e-mail me when released
coming soon $32.54
Cat: 654063 Rel: 30 Jun 17
 
Lightning to Micro-USB cable
Notes: Lightning to Micro-USB cable for iRig Mic Studio, iRig Mic HD, iRig HD 2 and iRig Keys Mini.

- 150cm / 59"
Read more
FORTHCOMING
IK Multimedia Lightning To Mini DIN Cable For iRig MIDI 2 iRig Pro iRig Pro DUO iRig HD iRig Keys iRig Keys PRO & iRig Pads
e-mail me when released
coming soon $32.54
Notes: Lightning to Mini-DIN cable for iRig MIDI 2, iRig Pro, iRig Pro Duo, iRig HD, iRig Keys, iRig Keys Pro and iRig Pads.

- 60cm / 23.6"
Read more
FORTHCOMING
IK Multimedia MEMS Measurement Microphone For ARC System 2.5 (software NOT included)
e-mail me when released
coming soon $83.55
Cat: 655449 Rel: 07 Jul 17
 
Ultra-light & durable measurement microphone for ARC System Version 2.5
Notes: Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
Read more
FORTHCOMING
IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System
e-mail me when released
coming soon $43.40
Cat: 654055 Rel: 01 Aug 17
 
iRig Acoustic Stage MEMS microphone
Notes: Spare MEMS microphone for iRig Acoustic Stage. Works only in association with the iRig Acoustic Stage DSP unit.

iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all of your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.
Read more
FORTHCOMING
IK Multimedia Micro USB OTG To Micro USB Cable For iRig UA iRig Mic Studio iRig Mic HD iRig Mic HD-A iRig Pads & Entire iRig Keys Range
e-mail me when released
coming soon $32.54
Notes: Android Micro-USB-OTG to Micro-USB cable for iRig Mic Studio, iRig Mic HD-A, iRig Mic HD, iRig Keys, iRig Keys Pro, iRig Keys Mini, iRig Keys 25, iRig Keys 37, iRig Keys 37 Pro, iRig Pads, iRig UA.

- 60cm / 23.6"
Read more
FORTHCOMING
IK Multimedia Micro USB OTG To Mini DIN Cable For iRig HD-A iRig HD iRig Pro iRig Pro DUO & iRig MIDI 2
e-mail me when released
coming soon $32.54
Cat: 654073 Rel: 30 Jun 17
 
Micro-USB-OTG to Mini-DIN cable
Notes: Android Micro-USB-OTG to Mini-DIN cable for iRig HD-A, iRig HD, iRig Pro, iRig Pro Duo, iRig MIDI 2.

- 60cm / 23.6"
Read more
FORTHCOMING
IK Multimedia Mini DIN To Mini DIN Cable For iRig PowerBridge
e-mail me when released
coming soon $32.54
Cat: 654074 Rel: 30 Jun 17
 
Mini-DIN to Mini-DIN cable
Notes: Mini-DIN to Mini-DIN cable for iRig PowerBridge.

- 60cm / 23.6"
Read more
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