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FORTHCOMING
Moog SUBsequent 37 CV Analog Synthesizer With CV & Gate Outputs (limited edition)
e-mail me when released
coming soon $1,833.33
Cat: 651467 Rel: 01 Sep 17
 
Limited-edition white version of the classic Sub 37 Tribute Edition synthesizer
Notes: The SUBSEQUENT 37 CV is a limited-edition redesign of the ultra-powerful Sub 37 Tribute Edition analog synthesizer. In addition to a custom-crafted aluminium and wood exterior, the SUBSEQUENT 37 CV features 4 assignable CV outputs and 2 assignable Gate outputs for interconnectivity with large format and Eurorack modular systems, an upgraded keybed for improved playability, high-powered headphone amplifier for live-monitoring and a newly modified analog signal path.

"We were really excited to bring CV interconnectivity to the Sub37, enabling musicians to use the Sub37's incredible control potential with their other electronic devices. This effort also gave us the opportunity to explore different voicings in the analog sound-engine. These new voicings give the SUBSEQUENT 37 an added depth of character and expanded sonic capability-an inspiring new personality." - Cyril Lance, Moog Chief Engineer

The SUBSEQUENT 37 CV's mixer has double the headroom of the Sub 37 Tribute Edition, which gives the oscillators more room to breathe--resulting in greater musicality, particularly when playing in duo-mode. Taking full advantage of the mixer's added flexibility, the gain-staging of the Ladder filter has been reshaped to boost harmonic saturation and analog compression for a deeper, more impactful low end. Completing the sonic evolution is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

SUBSEQUENT 37 CV production is limited to 2000 pieces worldwide. Each instrument is lovingly handcrafted by the employee owners at the Moog factory in Asheville, NC.
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FORTHCOMING
Elektron Analog Rytm MKII Drum Machine
e-mail me when released
coming soon $1,608.05
Cat: 655895 Rel: 01 Sep 17
FORTHCOMING
Elektron Octatrack DPS1 MKII Dynamic Performance Sampler
e-mail me when released
coming soon $1,372.05
FORTHCOMING
Elektron Analog Four MKII Synthesizer
e-mail me when released
coming soon $1,372.05
Cat: 655894 Rel: 01 Sep 17
FORTHCOMING
Riverside Recordings
e-mail me when released
coming soon $783.10
Cat: AAPJ 0018. Rel: 11 Aug 17
 
Jazz
FORTHCOMING
KRK V8S4 Active Studio Monitor (single, white noise)
e-mail me when released
coming soon $728.40
KRK
Cat: 654467 Rel: 27 Jun 17
 
Active studio monitor with KRK custom designed 8" Kevlar woofer & 1" Kevlar tweeter - white edition
Notes: KRK Systems V Series 8 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 8 as the go to monitor of choice.

V-Series 8 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.
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FORTHCOMING
Synthesis Technology E352 Cloud Terrarium VCO Module
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coming soon $687.62
Cat: 660479 Rel: 04 Sep 17
 
Cloud Generator x Morphing Terrarium module - 26HP
Notes: The digital oscillator E352 Cloud Terrarium combines the synthesis algorithms of E340 Cloud Generator and E350 Morphing Terrarium in one module. Compared to the classics, the new circuit features a multitude of improvements, for instance a more modern processor, waveforms with higher resolution, wavetable import options and a colour TFT display.

The Morphing Terrarium algorithms are specialized in wavetable synthesis. All in all, 192 basic waveforms are available. Via a microSD card slot, users can import their own wavetables. While working with its cloud algorithms, the E352 combines eight waveforms/wavetables to create sound. A LFO mode allows users to employ the module as a complex CV source.

The Cloud Terrarium's results range from soft to harsh, sometimes metallic sounds. Supersaw rave pads and gigantic walls of sound can be produced easily as well.
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FORTHCOMING
TC Helicon Perform VE Vocal Manipulator With Vocal Sample Synthesis & One Button Drum Looper
e-mail me when released
coming soon $640.42
Cat: 655786 Rel: 01 Aug 17
 
Vocal sound designer with MIDI-pitch-controlled sampling, vocal synth & easy one-button drum looper
Notes: Do it live:
A Revolutionary Vocal Manipulator with Vocal Sample Synthesis and One-Button Drum Looper, PERFORM-VE lets you instantly create iconic vocal sounds from today's most popular EDM, Pop and Dance recordings. With everything from real-time pitch flattening and extreme sample manipulation to tried and true spatial effects, altering, and looping - PERFORM-VE turns every show into a captivating performance.

Do it again:
Record your vocal samples live, modify them, and then replay them via MIDI control to give a truly interactive and dynamic performance.

Do it weird:
You can easily use the PERFORM-VE to shift, modulate and mangle your vocals with the synth vocoder effect for a completely transformed sound that will mesmerize your audience.

Do it faster:
PERFORM-VE's innovative one-button looper with built-in drum samples lets you build impressive sounds on the fly.

Do it in sync:
Keep your gear in sync thanks to PERFORM-VE's ability to receive MIDI tempo data from a wide range of external devices - unlimited versatility.

Do it cleaner:
PERFORM-VE's Adaptive tone automatically applies EQ, compression, de-essing, and gating optimization, so vocals always sound clean and clear - letting you focus on the fun stuff.

Do it for keeps:
Multi-channel USB audio lets you easily send audio to and from PERFORM-VE, bringing the studio to the stage and back again.

In the box:
- Region specific power supply
- USB cable
- User guide


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FORTHCOMING
Roland/Studio Electronics SE02 Analog Synthesizer
e-mail me when released
coming soon $546.03
Cat: 655194 Rel: 01 Sep 17
 
Powerful analog synthesizer module featuring 3 voltage controlled oscillators with 6 waveforms
Notes: A collaborative effort from Roland and Studio Electronics, the SE-02 is the debut product of the new Roland Boutique Designer Series. The SE-02 uses authentic discrete analog circuitry to create a synthesizer with a distinctly vintage sound and vast programming options. With an array of high-quality knobs and switches and a uniquely creative onboard sequencer, the SE-02 delivers massive tone and texture with expressive hands-on control.

Beyond Typical Analog:

The SE-02's monophonic synthesizer engine features three voltage-controlled oscillators, a voltage-controlled 24 dB low-pass filter, and a dual gain-stage amplifier. The oscillators have six different kinds of waveforms with the warmth and complex character associated with true analog VCOs. What's more, these VCOs are temperature stabilized with automatic tuning, so you get all the benefits and none of the downsides.

The SE-02 is big and bold, with thick, rich lows and clear, vibrant highs - exactly what you think of when you imagine classic vintage synth tone. And while the SE-02 can create astonishingly great vintage sounds, it can do so much more. It has three types of cross modulation (XMOD), a ripping filter feedback loop, a tempo-syncing LFO with nine waveforms, envelope sweeping and inverting, oscillator sync, a noise generator, and a tempo-syncing delay.

While it's a compact 'go-anywhere' device, the knobs, switches, and buttons are sturdy and plentiful, giving you a vast palette of sound-shaping capabilities at your fingertips. Everything is hands-on and knob-per-function, with deep control and a logical, intuitive layout. To get started, you can choose from 384 expertly programmed preset sounds that cover a wide range of classic and modern tones. Tweak and modify these sounds or create something completely new, storing your own custom creations in the 128 available user locations.

A More Musical Sequencer:

The SE-02 includes a powerful 16-step sequencer to add motion and dimension to your sounds. It can sync to external tempo via MIDI, USB, or trigger input, and per-step gate time, adjustable glide, tempo, and patch number are stored with each sequence. Creative performance features allow you to set shuffle, scale, direction, and first/last steps on the fly. Even synth parameters can be automated by sequencing changes - just press a step and move a control. And despite the SE-02s compact size, the sequencer is fun and intuitive, lending itself to both studio and live usage. You can store 128 sequence patterns and construct 16 songs, each with up to 16 parts.

Modern Flexibility:

The SE-02 is built solidly with a rugged metal top and quality knobs and switches. And despite having a control for just about everything, it's small enough to take just about anywhere. Due to its Roland Boutique format, it fits in our K-25m or DK-01 accessory docks, so you can add an integrated 25-key mini keyboard or have various tilt options for easy access in a variety of live and studio situations.

The SE-02 also features convenient 1/8-inch stereo jacks that reduce cable clutter, plus full-sized, standard MIDI jacks for connecting any kind of keyboard you want or controlling the SE-02 remotely. And as with other Roland Boutique synths, Chain Mode lets you increase the polyphony by connecting two or more SE-02 units together via MIDI.

There are CV inputs for both pitch and filter frequency, as well as trigger in and out, so the SE-02 works great with modular setups and other vintage gear. You can route external audio signals through the filter section, and there's even USB audio and MIDI capabilities to seamlessly integrate with computer-based setups.
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FORTHCOMING
Omnitronic TRM202MK3 Rotary DJ Mixer
e-mail me when released
coming soon $535.30
Cat: 652255 Rel: 02 Aug 17
 
2-channel rotary mixer with 3-band frequency isolator for DJs
Notes: The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
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FORTHCOMING
KRK V6S4 Active Studio Monitor (single, white noise)
e-mail me when released
coming soon $535.30
KRK
Cat: 654465 Rel: 27 Jun 17
 
Active studio monitor with KRK custom designed 6.5" Kevlar woofer & 1" Kevlar tweeter - white edition
Notes: KRK Systems V Series 6 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 4 as the go to monitor of choice.

V-Series 6 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.
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FORTHCOMING
Rossum Electro-Music Control Forge Programmable Universal CV Generator Module
e-mail me when released
coming soon $528.86
Cat: 658750 Rel: 07 Aug 17
 
Function generator module with 8 segments, each offering variable time constants, target voltage levels & curves
Notes: CONTROL FORGE's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.

- At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment.
- Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt.
- Each segment's level may have a user defined range of randomness of either linear or gaussian distribution.
- A new 'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM.
- The time scale may be modulated under CV control or manually via the encoder during runtime.
There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments.
- Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.
- Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. E.g., a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.
- Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall.
- Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.
- 500 presets can be saved and recalled
- A preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity.
- All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.
- Like all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.
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FORTHCOMING
Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module
e-mail me when released
coming soon $528.86
Cat: 658753 Rel: 07 Aug 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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FORTHCOMING
Industrial Music Electronics Model 5537 Argos Bleak Quad Oscillator Controller & Integrated Modulation Generator Module
e-mail me when released
coming soon $489.16
Cat: 655468 Rel: 01 Aug 17
 
4 channel oscillator controller with integrated quantizer & chord generator - 15HP
Notes: Argos Bleak is a control voltage processor and oscillator driver with two inputs and four (count 'em, four) outputs. Its per-channel octave, detune, vibrato, and slew controls facilitate full performance control of four oscillators at once, with minimum patch cords required. It excels at bringing multiple oscillators from different manufacturers into full cooperation, with the flexibility to quickly switch between multiple performance setups. Processed control voltages are quantized to the scale of your choice, with the slew limiting able to be routed pre- or post-quantizer. A common vibrato control distributes the internal modulation signal to any of the outputs. A set of performance gate inputs allow instant modification of the fundamental channel settings (input selection/mixing, slew enable, quantizer track-and-hold), and a quantizer trigger output automatically fires when channel 1 quantizes a new note. Each channel may receive its data from either (or a sum or difference) of the CV inputs, so you may run two completely independent CV processing streams, or combine the input data and switch it around using the external gate input.

Each output may be offset (positive or negative) by up to 12 semitones. These semitone shifts occur pre-quantizer, effectively enabling chord construction from a single monophonic CV input. 2 banks of 16 chord presets may be stored, and instantly switched or sequenced by an external cv signal. A bonus CV mode rotates the output semitone shift data among all 4 outputs.

Argos Bleak satisfies many common performance situations that require a series of oscillators to respond to tuned control voltages. CV sequences are easily and precisely transposed. FM carrier/modulator ratios are quickly and effortlessly defined, and changed with the dedicated octave knobs and chord selection. Dedicate an output to managing oscillator sync frequency, apply vibrato, and your modular system is suddenly playing pinch harmonics. The calibration routine is simple, and your attached oscillators can be easily calibrated to each other by ear using the channel controls.
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FORTHCOMING
4ms Wav Recorder Module
e-mail me when released
coming soon $454.84
Cat: 648950 Rel: 01 Jun 17
FORTHCOMING
4ms Stereo Triggered Sampler Recorder & Playback Module
e-mail me when released
coming soon $454.84
Cat: 655465 Rel: 01 Aug 17
 
High fidelity, two-channel stereo sample recorder & playback module
Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!
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FORTHCOMING
Roland SP404A Linear Wave Sampler
e-mail me when released
coming soon $449.48
Cat: 659966 Rel: 02 Oct 17
 
Innovative performance sampler based on the Roland SP-404SX
Notes: A Legendary Sampler Meets an Iconic Sequencer:

Designed for live use, the SP-404A Linear Wave Sampler expands the sounds of the Roland AIRA TR-8 Rhythm Performer for a powerful combination of sample and percussive synthesis. The fast, hands-on approach of the acclaimed SP-series performance samplers is a perfect fit for the impressive rhythmic effects and iconic step-sequencer of the Roland AIRA TR-8.

All of the functions and features of the popular SP-404SX are contained in the SP-404A, including its distinctive 16-bit linear sampling, 29 onboard DSP effects, smooth FX switching, and 12 professional performance pads. Plus, a new library of sounds curated by sample-industry leader Loopmasters are provided via the included SD card.

Whether used standalone or controlled by the TR-8, the SP-404A makes for an intuitive and inspiring addition to the AIRA range of performance instruments for DJs, musicians, and producers.

TR Sequencer Meets SP-Style Sampling:

The SP-404A can be triggered from the TR-8 Rhythm Performer for powerful, integrated beat and sample production. Simply connecting a MIDI cable between the two gives you the ability to incorporate samples from the SP-404A and use them in conjunction with your drum patterns. Each of the TR-8's 11 tracks can trigger a sample on the SP-404A, play a TR-8 sound, or both, enabling you to create interesting layers and accents. The TR-8 can trigger any sample from any of the multiple banks in the SP-404A, making it easy to access new sounds with a turn of the dial.

Sample Scatter and Side Chain:

By connecting the stereo output of the SP-404A to the TR-8's external audio input, you can use the TR-8 as a sub-mixer and processor for the sampler. In this configuration, all samples played on the SP-404A can be effected using the powerful TR-8 Scatter feature to reverse, glitch, gate, truncate, stutter, and perform all manner of rhythmic variations from subtle to extreme, and all in perfect sync. The use of the external input also allows samples to be effected by the TR-8's per-step Side Chain function-simply program a pattern with Side Chain in TR-REC Mode and access eight rhythmic ducking and gating effects.

Sounds by Loopmasters:

The SP-404A comes with nine banks of premium samples to get you started with sample looping. The sound library on the included SD card was created by Loopmasters, one of the world's leading sample developers. The samples in the library have been designed specifically to complement the TR-8, but will work great in standalone applications.

Instant Sampling:

Sampling is not limited to the studio with the SP-404A. The built-in microphone allows for simple recording anytime and anywhere inspiration may strike, powered by AC or six AA batteries. Line inputs enable direct sampling from a mixer or external device, and a mic input is also available for sampling with an external microphone. And your sampled material always sounds great, thanks to the SP-404A's high-quality, uncompressed WAV audio-capture format.

Hands-On Performance:

With its interactive loop and pattern sequencer controls, the SP-404A is made to be played. Take command with three non-slip control knobs and 12 rubber trigger pads, plus a Sub Pad for rapid-repeat triggering in real time. On dark stages or DJ booths, the SP-404A is an ideal live machine, as the clearly illuminated pads and bright LED screen ensure clear visibility as soon as you power on.

Extreme Effects:

Your signature sounds can be sculpted at any time via the SP-404A's 29 onboard DSP effects. Essentials include spacious reverbs and choruses plus lush filters and delays, and all provide seamless switching for smooth transitions while performing. There are also striking, performance-based effects on hand, including a voice transformer and a looper. The filter and isolator provide the ability to radically alter your sounds and transform them into all-new elements for reuse.

Combined with a DJ mixer, the SP-404A can be used as a standalone effects processor. A unique "limiter" mode is used in 17 effects types to prevent overloading, ensuring stable sound with no unwanted sonic artefacts. This mode is especially effective for live DJ performances, safeguarding your sounds at critical moments.

Track Builder:

The number of loops that the SP-404A can handle is practically endless, but this feature is only part of its immense power. Songs, jams, and tracks can be built in seconds thanks to the onboard Pattern Sequencer, which is specifically designed for real-time track creation. Optimized for live engagement, it features a powerful Quantize mode which includes shuffle feels for groove, swing, and movement. You can create patterns on the fly via the 99 available measures, and with continuous looping, the ability to layer, structure, and shape a track is available at your fingertips.
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FORTHCOMING
KRK V4S4 Active Studio Monitor (single, white noise)
e-mail me when released
coming soon $406.57
KRK
Cat: 654464 Rel: 27 Jun 17
 
Active studio monitor with KRK custom designed 4" Kevlar woofer & 1" Kevlar tweeter - white edition
Notes: KRK Systems V Series 4 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 4 as the go to monitor of choice.

V-Series 4 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.
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FORTHCOMING
Synthesis Technology E580 Resampling Mini Delay Module
e-mail me when released
coming soon $401.20
Cat: 660472 Rel: 04 Sep 17
 
Audio-range digital delay with normal mode, plus tape & BBD emulation - 14HP
Notes: The E580 emulates the classic sounds of digital, BBD (bucket brigade), and tape-based delays with four parameters under voltage control. This 14hp wide Eurorack module accepts either +/-12V standard power or +/-15V MOTM/power. Using a 40MHz DSP and 24-bit codec, the E580 recreates the pitch-shift modulation of BBDs, including the variable bandwidth and noise floor, without costly and scarce BBD ICs. In Tape Mode, wow & flutter, tape saturation and non-linear distortions emulate classic tape units without the bulk and maintenance. There are two simultaneous audio outputs: a straight delay and a variable tapped delay. The tap position is a percentage of the main delay time. This allows very short delays (<350µs) as well as long delays (750ms). Both tap position offset and main delay time are voltage-controlled over a -5v to +5v range.

Feedback is jumper-selectable from either the tapped position or the main delay. This flexibility can generate standard rhythmic delays (feedback from main delay) or a series of pre-delay reflections (tapped delay) which sound very different from each other.
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FORTHCOMING
Synthesis Technology E560 Deflector Shield Module
e-mail me when released
coming soon $401.20
Cat: 660467 Rel: 04 Sep 17
 
Frequency Shifter/Ring Modulator/Phase Shifter with wavetable modulation - 14HP
Notes: The E560 is a triple-mode effects module: a thru-zero frequency shifter, a phaser, and a ring modulator. What sets the E560 apart from other DSP effect modules is the unique carrier wave morphing feature. Traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the E560 has eight different carrier waves that can be continuously cross-faded to create never-before heard soundscapes. The eight carrier waves are specifically selected to give the widest sonic palette, from simple frequency shifts, to 64-note "pattern sequences," to extreme harmonic content.

There are three operating modes available: Shift, RM, and Phase.

SHIFT is a frequency shifter that can shift thru-zero with two simultaneous outputs (down and up). Like traditional frequency shifters, a sine carrier will generate a smooth shift but the E560's seven other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.

RM is a standard ring modulator (4-quadrant multiplying VCA) with a twist: the two outputs are always forced into quadrature (90 degree phase shift). The eight carriers can produce everything from tremolo effects to gating to high degrees of distortion.

PHASE is an E560 exclusive mode. The audio input is applied to an eight-stage all-pass network. The two audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. Not only that, the "vector" the phase shift follows is the data in the carrier wavetable. The phase shifting can be linear (saw wave), traditional (triangle), or bouncing all over the place (64-random phase waveform).

Not only do you have full control over the chosen effect, but also the Wet/Dry mix, and applying either positive or phase-inverted (negative) feedback, this introduces peaking at certain harmonics or cancellation of those harmonics. Applying a slow LFO to the feedback CV can produce a wide range of constantly changing spectral content.

There are four CVs available to control the E560 in real-time. All four of the panel controls have a corresponding CV input, so that you can "turn" all 4 knobs at once by applying 4 CVs.

The E560 is another unique DSP-based module that has no equal in the modular world, in any format. If you're stuck in a musical rut and looking for a new module with a wide range of sounds, the E560 might be exactly what you're looking for.
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FORTHCOMING
Rossum Electro-Music Evolution Variable Character Ladder Filter Module
e-mail me when released
coming soon $391.54
Cat: 658749 Rel: 07 Aug 17
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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FORTHCOMING
Synthesis Technology E102 Quad Temporal Shifter Module
e-mail me when released
coming soon $377.60
Cat: 660460 Rel: 04 Sep 17
 
4-stage Analog Shift Register (ASR) module with built-in quantizer & digital noise generator - 14HP
Notes: The E102 is a 4-tap delay for control voltages (a digital implementation of the Serge ASR - Analog Shift Register). There is also a digital noise generator with 8 different types of noise spectra. With no CV patched into the INPUT jack, the digital noise is sampled. Each clock pulse (internally set by RATE or patched into CLOCK IN) samples the INPUT and stores it as a 14-bit value. Successive clocks then shift the sampled voltage to the next output. The sampled voltage is shifted in the delay line as OUT1 > OUT2 > OUT3 > OUT4. A quad 14-bit DAC drives the outputs with an accuracy of <1mv.

A unique addition to the traditional ASR is the voltage-controlled DELAY. Selectable in 3 ranges, this adds delay stages in-between each output. For example, if DELAY was 2, then it would take 6 additional clocks for the OUT1 to "travel" down the delay line to appear at OUT4. The INPUT is sampled once for each clock, no matter what the DELAY is. The outputs can be quantized to whole-note steps.

The most common use of the E102 is having each OUT drive a VCO. If you have a step sequencer, then use the sequencer's clock into CLOCK IN and the sequencer's CV out to INPUT. The 4 OUTs will then generate a musical canon (like "Row Row Row Your Boat") when driving 4 VCOs. Each VCO will play the same note as the prior clocked output. This is of course assuming DELAY = 1. DELAY is not the same as a 'clock divider': when DELAY is not 1 (say it is 12), then every sample clock, the INPUT is fed into the delay. In this case there are 12 clock-delay stages between each out. If 0.25V was sampled and appears at OUT1, then 12 clocks later that same 0.25V appears at OUT2. There is no delay from INPUT to OUT1. The delays are OUT1 to OUT2, OUT2 to OUT3, and OUT3 to OUT4. OUT1 is a 'traditional' sample/hold.
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FORTHCOMING
Synthesis Technology E440 Discrete OTA VCF Module
e-mail me when released
coming soon $377.60
Cat: 660465 Rel: 04 Sep 17
 
Analog discrete low pass filter with three simultaneous filter types, plus overdrive & voltage controlled resonance - 14HP
Notes: The E440 is based on the 5U MOTM-440 filter with additional features such as separate outputs for each filter slope and an input Drive control.

You have probably heard of the SSM2040 filter chip, used in the Prophet-5 Rev 2, Voyetra 8, and others. Although short-lived, the SSM2040 filter had a unique sound different from a Moog, ARP, or other 4-pole lowpass filters. Why? The design used a clever discrete OTA gain cell that responds beautifully as additional gain is added to the input signal.

The E440 provides three simultaneous filter slopes: 2 Pole (12dB), 3 Pole (18dB), and 4 Pole (24dB) for selective timbral shaping. Voltage control of filter resonance (rarely found on other filters) is also available.
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FORTHCOMING
Humanz
e-mail me when released
coming soon $377.60
Humanz (super deluxe 14xLP box set)
Cat: 019029 5842932. Rel: 25 Aug 17
 
Pop
FORTHCOMING
Roland Boutique TR08 Rhythm Composer 808 Drum Machine
e-mail me when released
coming soon $363.66
Cat: 659961 Rel: 02 Oct 17
 
Authentic recreation of the Roland TR-808 drum machine with added modern features
Notes: The Legendary Boom and Sizzle of the Most Famous Drum Machine Ever Made-Now in an Affordable and Modern Format.

The TR-08 is an obsessively detailed and faithful replica of the legendary TR-808-easily the most famous and influential drum machine ever made. After creating a monumental shift in the sound of music, the "808" has continued to shape and define entire genres. Beloved by musicians and producers the world over, it's one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808-with stunning accuracy-to the Roland Boutique format. It blends attention to detail and respect for legacy with modern convenience and reliability.

The Boom in the Room:

The TR-808 arrived in 1980 to an unsuspecting and somewhat bewildered public. To many at the time, its purely analog sound and range of tweakable parameters didn't exactly deliver "traditional" drum sounds. It wasn't until adventurous musicians and producers got their hands on the TR-808 and started tweaking those knobs that the world would fully realize the sonic impact it would leave on music forever. For the next three decades, the sizzling hi-hats and snappy snare, the robotic, clicky rim shot, the unmistakable cowbell, and yes, that booming bass drum, would be heard on many thousands of tracks. Worldwide hits, underground classic, and entire genres were spawned. Its influence is so deep that it's been name-dropped in famous tracks, had albums dedicated to it and bands named after it, and even been the subject of a feature-length documentary film.

A New Generation of 808:

Time has not diminished the TR-808's influence. New genres continue to make use of the 808, with some utilizing it as the main instrument and defining sound of the style. Sure, you can use samples of a TR-808, but there's nothing quite like the real thing. The 808's user interface with its buttons, knobs, and switches, and the odd quirks of how the sounds interact with each other-they're all vitally important to conjuring up that real 808 mojo. And you know it when you hear it.

The new TR-08 adds some thoughtful and modern touches to the classic formula. The sequencer has 16 sub-steps per step, so you can create detailed snare fills and intricate, rolling hi-hats. It also has a track-selectable trigger out for working with other instruments like the TB-03, SH-01A, or modular gear. An unobtrusive LED display provides finer control of tempo and shuffle. You can step-program or tap in your parts in real-time without stopping to change modes. Everything sends and receives MIDI control messages and it even supports audio and MIDI over USB.

Portable. Affordable. Authentic:

Original TR-808s are big and heavy, and their rarity makes them extremely expensive and sought-after on the used market. Because of this, many have resorted to 808 sample packs or hardware knockoffs. But there's something about the colours and controls and, of course, the sound of a genuine TR-808 that brings home the sound of so many classic tracks. The TR-08 accurately recreates the ingredients that make an 808 so special. The interface, while miniaturized, is 100% authentic. The sound is vibrant and alive thanks to our proprietary Analog Circuit Behaviour (ACB) technology. We use ACB to carefully recreate all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level.

Not only does the TR-08 look and sound the part, but it also has some modern features and conveniences. With all this beat-making power, it would be a shame to keep it shackled to the studio. After all, inspiration can strike anywhere, and drum machines are fun to play live. The TR-08 is literally small enough to take just about anywhere. It's ruggedly built with sturdy knobs, buttons, and switches. It has several tilt options for easy viewing in various live and studio scenarios. It can be a low-latency, portable audio interface. It has a built-in speaker, and even runs on batteries for when the beat absolutely must go on. With all this power and flexibility, you may be most surprised by the TR-08's affordable price, which puts the legendary 808 vibe within reach of just about anyone who's ever dreamed of owning the iconic original.
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FORTHCOMING
Roland Boutique SH01A Synthesizer (grey)
e-mail me when released
coming soon $363.66
Cat: 659963 Rel: 02 Oct 17
 
Synthesizer based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - grey edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
Read more
FORTHCOMING
Roland Boutique SH01A Synthesizer (red)
e-mail me when released
coming soon $363.66
Cat: 659964 Rel: 02 Oct 17
 
Synthesizer based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - red edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
Read more
FORTHCOMING
Roland Boutique SH01A Synthesizer (blue)
e-mail me when released
coming soon $363.66
Cat: 659965 Rel: 02 Oct 17
 
Synthesizer based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - blue edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
Read more
FORTHCOMING
IK Multimedia Syntronik Virtual Synthesizer (USB stick)
e-mail me when released
coming soon $354.00
Cat: 660806 Rel: 02 Oct 17
 
Synthesizer software instrument with 17 synth models & 38 effects - Mac/PC
Notes: Syntronik is a cutting-edge virtual synthesizer that raises the bar in sound quality and flexibility thanks to the most advanced sampling techniques combined with a new hybrid sample and modelling synthesis engine. Syntronik includes 17 amazing instruments, available as a collection or separately, with over 2,000 preset sounds covering a wide selection from 38 of the most iconic to ultra-rare and painstakingly multi-sampled vintage synthesizers. Syntronik's synthesis engine goes well beyond traditional sampling thanks to a brand new analog modelled filter section created with the utmost expertise from IK, the pioneer in virtual circuit modelling. This is coupled with exclusive DRIFT technology to accurately reproduce the behaviour of oscillators from real hardware synths. All of this combined with an effects section that is unrivalled in the world of virtual instruments along with advanced features like 4-part layers, splits and arpeggiators make Syntronik the ultimate source of inspiration with the widest palette of synthesizer sounds ranging from exact reproductions of the originals to sounds never heard before that will stand out from the crowd in productions covering any genre and style.

Capturing Synthesizer DNA:
When it comes to accurately reproducing the sound of timeless machines like Moog, Oberheim, Sequential Circuits, ARP, Roland and Yamaha vintage synthesizers, sampling their sound-generating oscillators is the only way to ensure truly authentic sounds. IK selected some of the most sought-after synthesizers, sourced only the best instruments from private collections, and painstakingly sampled them. Sound designers worked hand in hand with software developers to take full advantage of this 'synthesizer DNA', with the goal of offering a highly flexible instrument that would maintain the exact sonic character of the originals while extending their creative potential even further. IK have captured multiple round robins of single oscillators, oscillator combinations (including sync and FM sweeps) and after more than 70,000 samples and 50GB later, Syntronik is ready to set a new standard in the world of virtual instruments.

Hybrid Synthesis Architecture:
In order to achieve highly flexible sound manipulation while maintaining the same exact sound of the original hardware, IK evolved their synth engine to include circuit-level filter models of 4 of the best sounding machines of all time: Moog transistor ladder, (found in the Minimoog and Modular Moog), Roland's IR3109 chip (found in the Jupiter-8 and Juno-60), the famous Curtis CEM3320 chip (found in the Prophet-5 and Oberheim OB-Xa) and the Oberheim SEM state variable filter.

This hybrid architecture allows for a pristine reproduction of the most critical section of every synthesizer. Plus, every filter is selectable within each included synthesizer, enabling users to create their own combinations by mixing or matching at will, like using a Moog filter on an Oberheim oscillator to produce entirely new original sounds that stand out from the crowd! Syntronik also provides powerful digital filters like Formant and Phase filters that can take the analog source oscillators into new sonic dimensions.

DRIFT Technology:
Syntronik also includes all new DRIFT technology that breathes more life into the sampled oscillators themselves. Typically sample-based synthesizers have the limitation of having always the same exact sample attack, something that does not happen in their true hardware counterparts. IK's DRIFT technology varies the phase, colour and pitch of the sampled oscillators to keep them moving just like the real analog oscillators do. Much more than simple detuning or even multiple-source modulation, DRIFT emulates the way real analog circuits behave over time. The result is the unmistakable sound of analog that is the origin of any classic synthesizer sound.

Instant inspiration:
In order to get the most out of Syntronik, you don't need to be an expert in synth programming. In fact, all models share consistent easy-to-use controls that will make custom sound tailoring and editing a breeze, even for 'non-geeks'. IK have also designed 17 dedicated interfaces which look and feel like the original panels to make your sound tweaking experience even more inspirational.

When it comes to high-quality effects, IK's expertise is simply indisputable. Syntronik comes with 38 mind-blowing effects which are derived from our best-selling T-RackS mix and mastering suite and AmpliTube guitar workstation. They have also designed some new ones like the famous Ensemble Chorus, for a total number of effects that you won't find in any other vintage synth collection of its kind. 5 effects can be simultaneously inserted on every instrument via a new attractive 'lunchbox-style' interface that allows for an immediate visualization and editing of every parameter from within a single, convenient interface.
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FORTHCOMING
Steady State Fate Entity Percussion Synthesizer Module
e-mail me when released
coming soon $346.49
FORTHCOMING
ZVEX Modular Fuzz Factory Module
e-mail me when released
coming soon $344.34
Cat: 660454 Rel: 04 Sep 17
 
14HP Eurorack fuzz & overdrive synth module
Notes: You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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FORTHCOMING
ZVEX Modular Instant LoFi Junky Module
e-mail me when released
coming soon $344.34
Cat: 660457 Rel: 04 Sep 17
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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FORTHCOMING
Rossum Electro-Music Satellite Universal CV Generator Module
e-mail me when released
coming soon $316.45
Cat: 658754 Rel: 07 Aug 17
 
Compact programmable universal CV generator - 12HP
Notes: Satellite is a compact 12HP module that can be loaded with all (or a subset) of the presets and preset sequences from a Rossum Electro-Music Control Forge or other Satellite and then function as a completely stand-alone CV generator. Once the presets and preset sequences are transferred from the other module (via a patch cord connection), Satellite no longer requires any connection to the module.

With one or more Satellites, you can take advantage of all of your Control Forge presets and sequences in multiple cabinets or even different systems.

Multiple Satellites can be programmed from the same Control Forge and synced together via their Gate inputs to create complex polyphonic sequences and modulation contours.

In addition to direct connection with a Control Forge or other Satellite, presets and preset sequences can also be loaded via audio file archives that have been saved from a Control Forge or Satellite. And since those files can be posted online and downloaded, it’s a great way to share and exchange presets.
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FORTHCOMING
iCon Platform M+ USB DAW MIDI Controller
e-mail me when released
coming soon $308.94
Cat: 660962 Rel: 04 Sep 17
FORTHCOMING
ROLI Seaboard Block Multi Dimensional MIDI Controller Keyboard
e-mail me when released
coming soon $300.32
Cat: 654035 Rel: 30 Jun 17
 
Compact expressive keyboard controller designed for the Roli Block series with Tracktion Waveform software
Notes: Create astonishingly expressive music on a portable, super-powered keyboard. Touch and shape your sound on Seaboard Block's soft, pressure-responsive musical surface. Play a powerful standalone instrument - and extend its power by connecting to other Blocks.

Every movement is musical:

Searing solos, cinematic soundscapes, and simple sketches start with one moment of touch. Then the musical possibilities grow. Make music with Five Dimensions of Touch (5D Touch) on a uniquely responsive surface. Expression is at your fingertips, so you can bring any musical idea to life.

Explore 100+ sounds from strings to synths:

Seaboard Block comes with a huge library of sounds from string sections to glitched-out synths. Access your sounds on either mobile or desktop through included software, and add to your collection by purchasing soundpacks from renowned artists like Steve Aoki, RZA, and WondaGurl.

From stage to studio to everywhere in between:

Perform with it on stage. Produce with it in your studio. Throw it in your bag and take it to the cafe - it's as lightweight as a magazine. Seaboard Block is an incredibly versatile controller that suits any musical set-up, anywhere.

Expand your instrument:

Connect two Seaboard Blocks together through ROLI's magnetic BLOCKS DNA connectors. Or connect Seaboard Block to Lightpad Blocks, Live Blocks, Loop Blocks, or Touch Blocks - the other musical building blocks in the modular BLOCKS system. Seaboard Block is one piece of an instrument that grows with you.

Advanced music technology is more accessible than ever:

Seaboard Block is the newest, smallest, most portable Seaboard, an award-winning family of instruments hailed as "the future of the keyboard." Seaboard Block features ROLI's signature SEA interface technology, which integrates sensors and a silicone surface and makes every moment of touch musical.

***Now comes with powerful, approachable new Tracktion Waveform software, providing excellent integration with multidimensional polyphonic instruments:

Waveform offers a plug-and-play experience for ROLI's Seaboard and BLOCKS instruments. Setting it apart from other DAWs, it seamlessly receives complex MPE data and has a user interface that helps musicians visualize and edit all of the expression parameters of MPE on multiple tracks all at once. Waveform builds on the legacy of previous Tracktion DAWs in providing production tools that are approachable to untrained musicians but also valuable to the workflows of professionals.
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FORTHCOMING
Synthesis Technology E355 Morphing Dual LFO Module
e-mail me when released
coming soon $290.70
Cat: 660462 Rel: 04 Sep 17
 
Dual wavetable LFO with unique Morphing Terrarium technology - 14HP
Notes: The E355 is a 14hp Eurorack module with two LFOs that use our unique morphing algorithm to create over 10,000 different waveforms. the two outputs can vary from one cycle in 12 minutes to 1000Hz, with high and low ranges available. The use of a 24 MHz 32-bit ARM processor means virtually no frequency drift.

The E355 has features to make it useful in both live and in the studio. The two LFOs are "locked" to each other in one of three ways, chosen by a panel switch:

- LFO1 and LFO2 have independent rates and the same waveshape and phase
- LFO2 has independent waveshape but the same rate and phase as LFO1
- LFO1 and LFO2 have the same rate/waveshape but variable phase from 0-360-

LFO1 can be thought of as the "master" LFO as it always has independent rate, FM, and morphing. Each LFO tracks 1v/Oct and all parameters are under voltage control. There are two LEDs that vary in brightness based on output amplitude in 128 levels.

The E355 uses the same morphing engine as the E350 Morphing Terrarium. The transition from one stored wavetable to another is broken down into 4096 calculated waves. There are 3 banks of waves to select from:

- Bank A: basic waves in order of harmonic complexity (sine, triangle, saw up, saw down, 25/50/75% pulses and noise)
- Bank B: the waves in Bank A are repeated in frequency as 1x, 2x, 3x, 4x, etc up to 8x. This allows the LFOs to have a very wide range between them if necessary or to use this as a basic audio oscillator (limited to 1khz).
- Bank C: the 64 waves taken from Bank C of the E350 Morphing Terrarium (created by Robert Rich) to go way beyond the ordinary. Sequences of notes, arpeggiated effects, pings, swoops, and lattice phase modulation are just a few of the options contained within. In the audio range these can be harsh, noisy, and crunchy.

There are also two external inputs to either sync the LFOs or to hold ("freeze") the outputs at the current stage of the waveform.
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FORTHCOMING
Moffenzeef Modular Mito 6 Channel Trigger Sequencer Module
e-mail me when released
coming soon $288.56
Cat: 659995 Rel: 11 Sep 17
 
6 channel trigger sequencer/clock divider with bipolar CV - 18HP
Notes: MITO (derived from "mitosis") is a 6 channel trigger sequencer that specializes in swingin', divide'n, n' polyrhythm'n. With the turn of a knob, the user can select which division of the incoming clock (BANG!) is output from the corresponding jack (all the way left: divide by 16, all the way right: divide by 1). Each channel is equipped with its own mute switch, allowing the user to turn each individual sequence on and off while other channels keep chuggin' and clockin' along. Global swing can be controlled with the amoeba knob in the top right hand corner of the module. Beneath the amoeba, a global pulse width feature allows the user to lengthen and shorten pulse length of all 6 channels at the same time. This feature is particularly useful when paired with the Muskrat & Kriket, or any other module that reacts proportionally to incoming pulse length. Last but not least, the RESET input will set all division counts back to zero to square up your groove. Each channel will be held HIGH, as long as the incoming voltage is HIGH. This RESET capability allows you to get even more odd metered grooves as it is not dependent on the internal clock of MITO.

All features on MITO can be controlled with bipolar CV, allowing for a wide range of modularity and flexibility. When paired with the Deviant, each knob on the module becomes the anchor point of the groove. As the random voltages from Deviant shift around, creating rhythmic variations by adding and subtracting CV, the position of the knob will dictate how busy or relaxed the groove is. For playability sake, this patching approach is what led to the decision to have the pots as offsets rather than attenuators on MITO. Everything from simple poly-rhythmic structures to nonsensical spewing and sputtering are now at your finger tips with this lovely duo.

Something considered when coding the module was avoiding the use of averaging to determine master clock tempo. In a performance setting when averaging is used, it often translates to the module taking a few pulses to calculate the overall clock speed. With MITO, the divisions are calculated in an "analog" fashion, step by step with each individual clock pulse.
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FORTHCOMING
TC Helicon Talkbox Synth Pedal
e-mail me when released
coming soon $286.41
Cat: 652506 Rel: 09 Jun 17
 
Intuitive vocal effects pedal with new & classic sounds
Notes: TALKBOX SYNTH offers classic and new sounds to the guitarist's arsenal. From instantly recognizable talkbox "hose-in-the-mouth" sounds to wonderfully electronic "talking robot" effects, imagine yourself commanding attention at jams and gigs. Even when the effect is off, TALKBOX SYNTH can vastly improve your core vocal sound with Adaptive Tone, reverb and pitch correction.

The Right Connections:
Classic talkbox effects have always come through a PA, not a guitar amp, so TALKBOX SYNTH is the ideal way to bridge that gap. The XLR output of TALKBOX SYNTH sends your polished vocal mic output to the PA while also outputting the on-board effects when you hit the foot switch. The guitar input and output circuitry is designed to preserve your precious guitar tone as it passes to your pedals and amplifier.

Guitar to Synth Transformed:
The on-board synthesizer is triggered by your single note guitar playing and can translate your solos and licks into something even a skilled keyboardist would marvel at. The nuances of finger vibrato combined with your vocal expression take your guitar solos and licks from earthbound to mile high in an instant.

Your Personal Sound Tech:
Adaptive EQ (equalization), compression, de-ess, and gate automatically control the timbre and shape of your vocal, ensuring that every note you sing is clean and clear. Because when the crowd can hear what you're singing, they can sing along and there is nothing is better than that!

A Helping Hand:
We're all human and nobody hits every note perfectly. Nobody. With transparent auto-chromatic pitch correction, we nudge your pitch to the nearest semitone. It won't turn a potato into a spaceship, but it can give you a little support when you need it most.

Studio Grade Reverb:
Reverb simulates a physical space, allowing your voice to fit into the music perfectly. Whether it's the ambiance of a small room, or the massive reverberation of a concert hall, TalkBox Synth's vocally tuned reverb always brings out the best in your voice.

Roam Around:
Sometimes it's just not feasible to find a power outlet when you're performing. That doesn't mean you should be without your TalkBox Synth! It can be powered by 4 AA batteries (not included) in addition to the optional 9V adapter.
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FORTHCOMING
Analogue Solutions My Hyde SynthBlock Analogue Filter Effects Box
e-mail me when released
coming soon $273.55
Cat: 659982 Rel: 22 Aug 17
 
Multimode analogue filter featuring low pass, high pass, band pass & notch filters
Notes: Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

Designed, engineered, and hand built in England.
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FORTHCOMING
IK Multimedia Syntronik Virtual Synthesizer Crossgrade (USB stick)
e-mail me when released
coming soon $246.72
Cat: 660807 Rel: 02 Oct 17
 
Synthesizer software instrument with 17 synth models & 38 effects - Mac/PC
Notes: ***CROSSGRADE from any previously purchased IK product of a value of €99.99+VAT or more***

Syntronik is a cutting-edge virtual synthesizer that raises the bar in sound quality and flexibility thanks to the most advanced sampling techniques combined with a new hybrid sample and modelling synthesis engine. Syntronik includes 17 amazing instruments, available as a collection or separately, with over 2,000 preset sounds covering a wide selection from 38 of the most iconic to ultra-rare and painstakingly multi-sampled vintage synthesizers. Syntronik's synthesis engine goes well beyond traditional sampling thanks to a brand new analog modelled filter section created with the utmost expertise from IK, the pioneer in virtual circuit modelling. This is coupled with exclusive DRIFT technology to accurately reproduce the behaviour of oscillators from real hardware synths. All of this combined with an effects section that is unrivalled in the world of virtual instruments along with advanced features like 4-part layers, splits and arpeggiators make Syntronik the ultimate source of inspiration with the widest palette of synthesizer sounds ranging from exact reproductions of the originals to sounds never heard before that will stand out from the crowd in productions covering any genre and style.

Capturing Synthesizer DNA:
When it comes to accurately reproducing the sound of timeless machines like Moog, Oberheim, Sequential Circuits, ARP, Roland and Yamaha vintage synthesizers, sampling their sound-generating oscillators is the only way to ensure truly authentic sounds. IK selected some of the most sought-after synthesizers, sourced only the best instruments from private collections, and painstakingly sampled them. Sound designers worked hand in hand with software developers to take full advantage of this 'synthesizer DNA', with the goal of offering a highly flexible instrument that would maintain the exact sonic character of the originals while extending their creative potential even further. IK have captured multiple round robins of single oscillators, oscillator combinations (including sync and FM sweeps) and after more than 70,000 samples and 50GB later, Syntronik is ready to set a new standard in the world of virtual instruments.

Hybrid Synthesis Architecture:
In order to achieve highly flexible sound manipulation while maintaining the same exact sound of the original hardware, IK evolved their synth engine to include circuit-level filter models of 4 of the best sounding machines of all time: Moog transistor ladder, (found in the Minimoog and Modular Moog), Roland's IR3109 chip (found in the Jupiter-8 and Juno-60), the famous Curtis CEM3320 chip (found in the Prophet-5 and Oberheim OB-Xa) and the Oberheim SEM state variable filter.

This hybrid architecture allows for a pristine reproduction of the most critical section of every synthesizer. Plus, every filter is selectable within each included synthesizer, enabling users to create their own combinations by mixing or matching at will, like using a Moog filter on an Oberheim oscillator to produce entirely new original sounds that stand out from the crowd! Syntronik also provides powerful digital filters like Formant and Phase filters that can take the analog source oscillators into new sonic dimensions.

DRIFT Technology:
Syntronik also includes all new DRIFT technology that breathes more life into the sampled oscillators themselves. Typically sample-based synthesizers have the limitation of having always the same exact sample attack, something that does not happen in their true hardware counterparts. IK's DRIFT technology varies the phase, colour and pitch of the sampled oscillators to keep them moving just like the real analog oscillators do. Much more than simple detuning or even multiple-source modulation, DRIFT emulates the way real analog circuits behave over time. The result is the unmistakable sound of analog that is the origin of any classic synthesizer sound.

Instant inspiration:
In order to get the most out of Syntronik, you don't need to be an expert in synth programming. In fact, all models share consistent easy-to-use controls that will make custom sound tailoring and editing a breeze, even for 'non-geeks'. IK have also designed 17 dedicated interfaces which look and feel like the original panels to make your sound tweaking experience even more inspirational.
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FORTHCOMING
Gemini CDX2250i Rack Mount Dual CD Player With USB
e-mail me when released
coming soon $245.66
Cat: 657237 Rel: 01 Aug 17
 
CD, CD-R & MP3-CD compatible media player with dual USB inputs
Notes: Occupying just two units of rackspace, the CDX-2250i offers playback capabilities for audio CDs, CD-Rs, and MP3-CDs across two decks as well as USB input for USB storage devices. Complete with a range of professional DJ features, this unit is designed to provide excellent control in a wide range of applications.

Ideal for mobile and wedding DJs, as well as bars, club and restaurant installations, the CDX -2250i features two independent jog wheels that allow you to search through a track, adjust a cue point and even pitch bend like a pro. Plus, a Pitch Control slider offers maximum control when beat matching, while a Loop Section with Reloop enables you to take song-shaping creativity to the next level.

Handy playback features like Single and Continuous play modes, along with Instant-start, enhance the CDX-2250i's flexibility. The unit also has a Program feature that supports playlist creation, so restaurant and bar owners can provide music for their customers without having to worry about controlling the unit. And for seamless performance night after night, the CDX-2250i features anti-shock using RAM buffer memory, ensuring external bumps and vibrations won't disrupt your performance.

The ability to create cue points quickly and easily, and preview those cues, enhances the unit's convenience, allowing you to craft an expert mix with ease and confidence. And for simple, swift navigation of songs, the CDX-2250i features a large, blue-backlit screen that displays a variety of track information, including time, pitch value and track number.

Perfect as a professional, user-friendly solution for your DJ rack, the CDX-2250i offers impressive functionality and supremely reliable performance in a compact 2U design.
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FORTHCOMING
A New Career In A New Town 1977-1982
e-mail me when released
coming soon $235.99
A New Career In A New Town 1977-1982 (180 gram vinyl 13xLP box)
Cat: 019029 5842987. Rel: 29 Sep 17
 
Rock
FORTHCOMING
Synthesis Technology E951 Looping Expander Module For The E950 Bent VCO
e-mail me when released
coming soon $235.99
Cat: 660477 Rel: 04 Sep 17
 
Looping expansion for the E950 Bent VCO - 10HP
Notes: The Synthesis Technology E951 Looping Expander is an optional, add-on module that expands the functions of the E950 Circuit Bent VCO. The E951 requires an E950 to operate and is not designed to operate stand-alone.

Featuring a high-contrast OLED display, the E951 provides real-time information on the current operating mode of the attached E950 VCO. The display has a very wide viewing angle, making it ideal for both studio and stage performance.

The E951 adds the following enhancements to the E950 VCO:

- Displays the morphed VCO output wave
- Contains a full list of all the words and phrases in the 9 speech banks
- Allows Short or Long vocal snippets to be looped and played
- Provides manual pushbuttons and external Gate/CV interface to Speak and start/stop looping
- External CV with dedicated attenuator to change the Speech Bank on the E950
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FORTHCOMING
Synthesis Technology E330 Multimode VCO Module
e-mail me when released
coming soon $226.34
Cat: 660474 Rel: 04 Sep 17
 
14HP digital oscillator with three different synthesis methods & two voltage controllable 'effect inputs'
Notes: The Synthesis Technology E330 Multimode VCO is a low-cost digital oscillator with 3 unique operating modes: 2-operator FM, Morphing Wavetable or a 4-oscillator Cloud Generator (similar to the E340 module).

The module provides 2 simultaneous outputs (OUT 1 and OUT 2), that change based on the MODE selected. Each output has an independent, corresponding modulation CV input and initial panel setting. The function of these 2 CVs varies based on the MODE.

2-OP FM is a 2 "operator" (to use Yamaha's terminology) FM (frequency modulation) where a sine VCO that is the 'pitch' (called the carrier) is FM'd by another sine VCO (the modulator). These sine VCOs are internally generated by the E330. OUT 1 has the pitched, FM'd result, and OUT 2 has the modulation sine wave. The MODULATION A panel/CV is the FM 'depth' or 'index' and varies from 0% (OUT A is a pure sine) to over 400% (4th harmonic overtones). The MODULATION B panel/CV is a 64-entry look-up table that sets the ratio of the modulation VCO to the audio VCO. The modulator can be lower in frequency, the same frequency, or higher in frequency. The steps begin at 0 (no modulation) to 7.375 in steps of 0.125 For example a ratio of 2.000:1 means the modulator is exactly 2X the frequency of the audio VCO.

The MORPH mode is a selection of 32 wavetables from the E350, which are continuously morphed (blended) in the 'Z Axis' (end-to-end), The wavetables vary from sines/harmonics, vocal effects, traditional shapes to noise. The 2 outputs have the same pitch (they share the 1V/OCT input and the FM CV) but have independent wavetables. MODULATION A/MOD A set the waveshape for OUT 1 and MODULATION B/MOD B set OUT 2.

CLOUD mode is a variant of the E340 Cloud Generator, when set to the '4 Oscillator' setting. The E330 generates 4 VCOs, with OUT 1 being Sine and OUT 2 being Saw. The 4 VCOs are 'spread apart' (detuned) by MODULATION A/MOD A. This spreading is exponential, from slight beating (the 'Super-Saw effect') to a noise 'cluster'. In addition, filtered noise can be added to the spreading by MODULATION B/MOD B, which will add 'chaos' to the overall sound.

The E330 Multimode VCO raises the bar for low-cost Euro VCOs, with dual outputs and 3 operating modes, all in a compact panel size.
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FORTHCOMING
Synthesis Technology E950 Circuit Bent VCO Module
e-mail me when released
coming soon $226.34
Cat: 660476 Rel: 04 Sep 17
 
10HP DSP-based VCO module
Notes: The E950 Circuit Bent VCO is the latest unique VCO module from Synthesis Technology. Using licensed technology from the original Texas Instruments LPC speech synthesizers (such as the Speak and Spell), the E950 contains original voice ROMs and algorithms from two generations of speech DSPs. Additionally, 2 banks of 16 wavetables each from the E350 Morphing Terrarium are included for a low-cost morphing VCO.

The E950 can speak in both "normal" and "circuit bent" modes, all under voltage control. Unlike traditional circuit bent toys and keyboards, the E950 is very repeatable and controllable, adding deep new timbres to your modular synth.
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FORTHCOMING
Arturia Keylab Essential 61 Controller Keyboard With Analog Lab 2 Software
e-mail me when released
coming soon $224.20
Cat: 646987 Rel: 03 Jul 17
 
Professional-grade 61 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

KeyLab Essential helps you keep your eye on the target. Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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FORTHCOMING
IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone
e-mail me when released
coming soon $214.54
Cat: 655445 Rel: 07 Jul 17
 
DAW-based acoustic room correction plug-in with measurement microphone & software
Notes: Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
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FORTHCOMING
TC Electronic Pipeline Tap Tremolo Pedal
e-mail me when released
coming soon $209.18
Cat: 654451 Rel: 27 Jun 17
 
Innovative tremolo effects pedal with customizable shapes & sequences
Notes: The Pipeline Tap Tremolo takes the vintage warmth that made the tremolo effect so iconic and pairs it with a modern edge for more radical situations.

Pipeline has both soft Vintage sine waves and solid Square blocks available at the flick of a switch and with up to 6 dBs of boost you'll never sound thin or deflated.

The footswitch is tap tempo-enabled for fast tempo adjustments and the Subdivision knob lets you splice the tempo into seven inspiring rhythmic accents.

And last but not least - it's TonePrint-enabled, giving you an endless array of possibilities in a little box that won't put a ding in your board.

Custom Carved Barrels:

The Custom mode lets you program your own subdivision pattern.

Using the free TonePrint Editor, you can sequence up to 4 bars of different subdivisions for a copacetic quilt of tremolo chunks.

It could be two bars of 8th notes, third bar is 16th notes, and the fourth bar is 32nd notes. Or the other way around!

Release your inner dubstep demon or practice your robo-vocabulary for the technological singularity!

Tap Tempo and Drop In:

With tap tempo and a versatile subdivision knob, you have all of your rhythmic proclivities on board and easy to get. We loaded the tap function into the standard footswitch so it won't eat too much pedalboard space.

Just hold down the footswitch for two seconds, light turns green, and you can tap the tempo you want.

After that, use the Subdivision knob to give your tremolo the right rhythmic stutter, befitting the situation.

Trim the Surf with TonePrint:

Using the mini toggle switch you can unlock a wealth of chilled-out TonePrints from our local tribe of tone surfers.

Using TonePrint Editor will fold out the Pipeline like a toolbox of tremolo.

For example, you can mix two different tremolo pulses for super gnarly and eccentric curve shapes.
Each pulse can have its own individual shape, speed and phase.

This makes it possible to emulate the classic light bulb based opto-tremolos, like the Shin Ei Univibe, with its "double dip"-shaped waves.
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FORTHCOMING
Omnitronic ISO23 DJ Isolator With Kill Cut & Bypass
e-mail me when released
coming soon $202.74
Cat: 653028 Rel: 07 Jun 17
 
3-band frequency isolator with dedicated boost & kill cut for DJs
Notes: 3-band frequency isolator EQ with kill cut and FX loop. Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing. High-grade components ensure long life and excellent sound quality.

- Vintage ALPS potentiometers (Blue Velvet RK27)
- 1-channel stereo version
- Control range: kill to +6 dB
- Lows: 20 Hz - 300 Hz
- Mids: 300 Hz - 4 kHz
- Highs: 4 kHz - 20 kHz
- Bypass switch
- Stereo RCA connectors
- Rack installation, 1 U
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FORTHCOMING
Omnitronic XMT1400 Tabletop CD USB & SD Card Media Player
e-mail me when released
coming soon $200.59
Cat: 652291 Rel: 07 Jun 17
 
DJ workstation for CD, USB & SD
Notes: Tabletop media player with scratch function for DJs. Flexible, easy to use - and faultless components let you work without unpleasant incidents. The clear structure feels nice to the touch and makes handling easy.
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