MARTIN IVESON レコード& CD

Review: After All Is Well visited his friend Martin Iveson in his UK studio, the pair had lay down a few killer cuts, but the most standout of the lot was this one, which is sort of what it might sound like if Jean-Michel Jarre did Norwegian Cosmic disco. It's defined by the Korg Monopoly's weird paraphony and is rhythmically sustained by the Arp 2600 Bass line. Who else to remix but the legendary Prins Thomas, who layers in deep, funky bass, then Telephones explore the edges of the cosmos with a Subspace mix before a beatless version is also included.