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Moog Sub Phatty Analog Keyboard Synthesizer
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 1 in stock $799.31
Cat: 480252 Rel: 06 May 13
 
Powerful 25 key analog synthesizer with sub oscillator
Notes: Say hello to the Sub Phatty, the grittiest Moog Synth ever.

Moog Music's engineers have crafted the Sub Phatty's oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.

The Sub Phatty is the first analog synth to feature Moog's transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.

The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.

The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument's front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts i it's all there.

The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.

The Sub Phatty's filter includes the transformative new Multidrive circuit, a unique combination of OTA distortion and FET drive, which serves as the sparkplug in the instrument's powerful sound. At low settings, Multidrive adds warmth and width; when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level.

Users can access a total of 16 definable presets via the 4/4 preset matrix on the Sub Phatty's front panel. This matrix also doubles as a control panel for the instrument's subcutaneous nerve center, users can select filter poles, set pitch bend amounts, toggle between legato glide modes, and more. These functions can also be accessed via the included Sub Phatty standalone/plugin editor.

The configuration of the Sub Phatty's mixer section allows users to easily determine, at any given moment, which sources overdrive the filter and which simply pass through it. The mixer section further hosts controls for a square wave sub oscillator; those operating the Sub Phatty can utilize this tool as a third oscillator for added depth, or to craft their own customized incarnations of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver rich, punchy low-frequency content, designed for analog percussion and sound effects.

http://www.youtube.com/watch?feature=player_embedded&v=xwn33DIJ3r8
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Focusrite Clarett 8 Pre Rackmount Thunderbolt Audio Interface
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 1 in stock $745.95
Cat: 560990 Rel: 06 Jul 15
 
18 input, 20 output Thunderbolt audio/MIDI interface with extra-low round-trip latency
Notes: Designed for the project studio that needs plenty of I/O, Focusrite's 18-in, 20-out Clarett 8Pre combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency - enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster or easier way of getting audio into or out of a DAW.

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. Instrument inputs feature extra headroom to handle the loudest pickup.

Latency is the delay to a signal as it passes through your DAW system from interface input to interface output. Clarett Thunderbolt offers the world's shortest. Signals go round so fast that you can record and monitor through your DAW with your favourite plugins such as EQ, reverb or compression, giving artists a fuller sound to perform with.

Clarett features Focusrite's class-leading 24/192 conversion quality: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW

18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre..

Two mic/line/instrument inputs on the front panel give you instant, easy access to a pair of analogue inputs, even when rack mounted.

The monitor panel provides analogue and digital input levels, and main monitor outputs, via a 6-segment, multichannel hardware meter. Monitor features include a level control, plus dim and mute buttons, alongside dual high-power headphone outputs.
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Adam A77X Horizontal Studio Monitor (b-side, single) (B-STOCK)
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 1 in stock $724.61
Cat: 603130 Rel: 19 Oct 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring.

The special feature of the A77X is its 2 1/2-way system. Both 7" woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. Even though frequency transitions and potential distortions lie outside these areas, the human ear is particularly sensitive to midrange frequencies.

Especially noteworthy in the A77X is the extremely wide stereo foundation and brilliant stereo imaging. Treble and mids are reproduced with three-dimensional realism and the lows are, as expected from a double woofer design, massive without compromising on precision.
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Vermona DRM1 MkIII Drum Machine (standard trigger model)
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 3 in stock $673.37
Cat: 471426 Rel: 05 Nov 12
 
8-channel standard analogue drum synthesizer with triggle inputs
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers eight instruments, each with seven knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve, one knob, one function.

The instruments on the DRM1 MKII are as following:

Kick: mainly but not only for making big and fat kick drums
Drum1 and Drum2: very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU
Multi: 3 x oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping
Snare: what can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: that's analogue (heavy- or soft-) metal
Clap: classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.

This version comes with triggle inputs for each drum. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.

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Focusrite Clarett 4 Pre Audio Interface
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 1 in stock $649.90
Cat: 560989 Rel: 08 Feb 16
 
18-in, 8-out Clarett 4Pre Thunderbolt audio interface with 4 mic preamps
Notes: The compact desktop format of the Clarett 4Pre Thunderbolt interface belies its versatility as the best interface in its class. Its 18-in, 8-out format combines four newly-designed Clarett mic preamps with Focusrite's precision 24/192 digital conversion and extra-low round-trip latency of 1.38ms* - low enough to revolutionise your recording workflow, as well as enabling the use of DAW plugins in real time.
The newly-designed Clarett mic pre offers superbly low noise and distortion, plus the switchable "Air" effect - an analogue model of the classic transformer-based ISA preamps. Instrument inputs offer extended headroom to suit the loudest guitar pickup.

All four preamps are accessed from combination XLR/TRS sockets on the front panel handling mic (with optional phantom power), line and instrument inputs, and the adjacent gain controls feature Focusrite's signature encircling "gain halo" indicators that show green for good levels and red for overload. New optimised gain controls make gain changes smoother and more natural throughout.

Also on the front panel is a large-format monitor control and two independently-controlled headphone outputs with enough power to drive even high impedance headphones to deliver suitable monitoring levels.

Four more line inputs are provided on the rear panel, along with four line outs - both on TRS jacks - plus S/PDIF I/O and an ADAT digital optical format input allowing the addition of eight more inputs from, for example a digital mic pre.

A new software mixer, Focusrite Control, is included for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions.

Clarett 4Pre comes with a sweet sounding plug-in collection comprising Softube's Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay, Saturation Knob and Drawmer S73 Multi-band compressor. The Red 2 & Red 3 AAX, AU & VST Plug-in Suite complements this, accurately modelling Focusrite's classic Red range equalizer and compressor hardware.

The Clarett 4Pre, like the rest of the Clarett range, includes class-leading precision Focusrite 24/192 digital audio conversion with up to 119dB dynamic range, and combines it with astonishingly low round-trip latency - latency so low that it's possible to monitor recordings via effects plugins on the DAW such as reverberation, all within a single mix environment for the best possible recording workflow. There's never been a better, faster or easier way of getting audio into or out of a DAW.

*Measured using Pro Tools 10 @96kHz, 64-sample buffer on a Mac Book Pro.
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Intellijel/Cylonix Rainmaker 16 Tap Stereo Spectral Rhythm Delay & Comb Resonator Module
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 2 in stock $627.48
Cat: 620692 Rel: 15 Aug 16
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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Vermona DRM1 MkIII Drum Machine (standard model)
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MRP:$767.08 SAVE 23%
 3 in stock $590.13
Cat: 420718 Rel: 04 Apr 11
 
Analog drum synthesizer
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.

The instruments on the DRM1 MKII are as following:

KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
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Pittsburgh Modular Lifeforms SV1 Modular Organism Patchable Synthesizer Module (B-STOCK)
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 1 in stock $585.87
Cat: 623905 Rel: 14 Mar 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Heart and Soul of Modular Synthesis:
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset

*For audio demos, please visit - http://www.lifeformsmodular.com/sv-1/
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Malekko Varigate 8+ 8 Channel 16 Step Sequencer +2 CV Outs Module
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 1 in stock $536.78
Cat: 627828 Rel: 07 Nov 16
 
Compact sequencer and control station with 8 channels of gates, each with up to 16 steps
Notes: VARIGATE 8+ is designed to be the ultimate compact sequencer and control station over an entire Eurorack modular system. Create songs and live performance material with 8 channels of gate outputs with up to 16 steps per channel, 2 independent CV outputs for custom scale quantization, easy recall of 10 storage banks and 100 channel presets, random functions, mute functions and so much more!
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Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip
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 3 in stock $440.74
Cat: 638972 Rel: 08 May 17
 
Hardware & software mixer with integrated UAD control
Notes: Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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Novation Bass Station II Analog Synthesizer
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 1 in stock $425.80
Cat: 488023 Rel: 26 Aug 13
 
Analog mono synthesizer
Notes: The Bass Station II is an analogue mono synth based on the classic original Bass Station but re-worked for the 21st century. It has 2 filters, 2 oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

THe Bass Station II is an analogue mono synth with a talent for bass, but a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand new design with re-worked modulation, effects, filters and more; like the Bass Station, but a much much bigger sound.

The signal path is pure analogue, including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on the Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and you can store more on your computer.

The key-mech consists of 25 full sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a synth-action keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports, for connecting to other MIDI outboard, and with your computer over USB. You can even connect an external instrument and run it through the Bass Station II's analogue filter and effects.

*** NEW - Free Producer Series Vol 1 Sound Pack Download Here > http://uk.novationmusic.com/soundpacks ***
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Audio Technica LP1240 USB Professional DJ Turntable (B-STOCK)
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 1 in stock $399.12
Cat: 546089 Rel: 05 Nov 12
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

This superbly made, professional quality DJ turntable is designed primarily for DJ use in nightclubs, touring and mobile applications. It can also be used by music lovers to play their record collections at home. Its sleek, elegant gloss-black and silver design fits into any stereo music or home entertainment system, and its built-in switchable phono preamp enables it to be used with a wide variety of receivers, powered speakers and other A/V components. As an added benefit, the turntable offers a USB output that allows direct connection to a computer for easy LP-to-digital conversion.

Built to deliver exceptional music reproduction even under the most demanding conditions of professional use, the AT-LP1240-USB utilizes a powerful direct-drive 16-pole, 3-phase motor for unwavering speed stability along with easy back-cueing, forward and reverse play and quiet operation at 33-1/3, 45 or 78 RPM. The turntable features an S-shaped tone arm with adjustable tracking force (counter-weight) and anti-skate adjustment and a removable universal cartridge mount (cartridge available separately).

Additional DJ-friendly features including a damped cast-aluminum platter with stroboscopic speed markings and slip mat, an illuminated speed indicator and adjustable pitch control, a start/stop button, a removable stylus target light, a dedicated tone arm grounding lug, a hydraulically-damped lift lever and a locking tone arm rest that keeps the arm and cartridge in place during transport.

The turntable includes PC- and Mac-compatible Audacity software that converts the audio on a record to MP3, WAV or other format digital audio files.
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Tiptop Audio ZDSP Voltage Controlled Digital Signal Processor Module
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 2 in stock $396.98
Cat: 595775 Rel: 25 Jan 16
 
Open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer
Notes: The Z-DSP is an open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer. The Z-DSP has a stereo DSP processor with 24-bit sampling, 15Khz of bandwidth, smooth voltage controlled parameters, and has the ability to be programmed - all in a Eurorack format. While the Z-DSP cannot compete with the processing power found on personal computers, it does provide direct control of the DSP hardware and has a unique set of features aimed at the manipulation of digital effects. With the Z-DSP, digital audio can be bent, stretched, deformed, and distorted by interacting with your modules; something personal computers just can't do.

The Z-DSP interface includes VC digital parameters, VC Mix/Dry, manual and sequential program switching, and a pair of VC feedback loop paths with exposed patch points that let you insert the rest of your modular into the DSP process. The Z-DSP lets you go far beyond ordinary processing, breaking the rules and allowing you to patch right into the heart of the DSP chip through the clock input, allowing for some digital madness and creative sound design.

*For sound examples, please visit - http://www.tiptopaudio.com/zdsp.php?goto=music
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4ms Dual Looping Delay Module
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 4 in stock $382.04
Cat: 589504 Rel: 07 Nov 16
 
Advanced audio processor synthesizer module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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Jomox ModBrane 11 Percussion Module
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 2 in stock $377.77
Cat: 553422 Rel: 24 Nov 14
 
Percussion synth module
Notes: 19" Euro Rack Module with full CV/Gate capabilities, built-in Midi and full storeability.

Improved advanced analog Jomox dual membrane circuitry.

Looking at the drumskins of an acoustic drum, you can mostly find two vibrating membranes that modulate and interact with each other by the coupling through pressure waves of the content air.
That produces the typical sound of a drum. Non-linear waves on a two-dimensional membrane which is co-excited from the other. By resonance and counteractive interference new frequency bands and overtones are brought about. Mostly a noise-like signal is added (e.g. snare strainer) that either excites the membranes as adds an own envelope to the resulting sound.

In the Mod.Brane 11 there are two 2-pole filters (F-OSCs) arranged in a way that dampen is like a limited range of resonance. They can interact between each other by two coupling parameters 1_2 coupling and 2_1 coupling. Coupling is a combination of addition (mixing) and frequency modulation. 2_1 coupling acts inversely with negative values and even with positive values. So every possible feedback and interference mode can be produced.

A dual noise generator which provides either white noise or a multitone metallic noise or a mixing of both, combined with a decay envelope, can produce percussion-like and cymbal-like tones which are mixed to the rest of the membrane signal. A part of the signal excites the F-OSCs, and the other part is mixed as a noise envelope to the signal.

Two internal LFOs which control the tuning of both F-OSCs expand the sound spectrum once more.

All analog parameters are either storeable and controllable via Midi. The Midi notes control the pitch of the F-OSCs.

Too, the modules are controllable via CV/Gate and via trigger pads for live drummers. With the trigger input, the threshold and velocity dependend dynamics can be adjusted.

Four routable CV inputs let all internal sound parameters (incl. LFOs and metallic noise) be controlled by CV sequencers. Every CV input provides an own programmable amount which can be negative too (i.e. subtracting the CV value from the internal value). The range reaches from 0..5V.
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Audio Technica ATH E70 In Ear Monitor Headphones
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 1 in stock $370.31
Cat: 599863 Rel: 25 Apr 16
 
In-ear monitors with 3 balanced armature drivers & flexible memory cable loops over ears for a custom fit and long-wearing comfort
Notes: The ATH-E70 is the flagship in-ear monitor model in the E-Series. Its accuracy and detail allow precise balancing of the mix, making it the perfect choice for monitoring on stage or mixing in the studio. Offering extended frequency response and an accurate sound stage, this model is designed for sound professionals who demand the best.

The ATH-E70 features specially designed housings that provide incredible isolation. The isolation - and the comfort - are enhanced by the four sizes of silicone eartips (XS/S/M/L) and medium-size pair of Comply T500 foam eartips included with the headphones, which allow you to create a custom fit. The ATH-E70 also includes a detachable 1.6 m (5.2') cable, with newly developed A2DC (Audio Designed Detachable Coaxial) connectors at the headphones and a 3.5 mm (1/8") stereo mini-plug output, a 6.3 mm (1/4") adapter, and a carrying case.
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ART Pro MPA II Rackmount Mic Preamp
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 1 in stock $352.17
Cat: 459300 Rel: 25 Jun 12
 
2 channel microphone preamplifier with selectable phantom power
Notes: The ART Pro MPA II is an affordable high performance microphone preamp.

The ART Pro MPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

Each microphone input circuit, with selectable 48V phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.

The Pro MPA II can operate at either a low or high plate voltage on the 2 integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

Housed in a standard 2U space rack mountable steel chassis, with CNC routed black anodized aluminium face panel, the Pro MPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.
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Roland System 500 572 Phaser Delay LFO & Gated Delay Multi Effects Module
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 1 in stock $351.10
Cat: 581800 Rel: 11 Jul 16
 
Modular Phase Shifter/Delay/Low Frequency Oscillator (LFO) synth module - 16HP wide
Notes: Phase Shifter + Delay + LFO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

572 Phase Shifter + Delay + LFO:
The 572 Phase Shifter, Delay and LFO is a time-based, multi-effects module. The 572 includes a five-stage phase shifter, analog audio delay, a control voltage gate delay, and an LFO. The phase shifter has panel controls for shift frequency and resonance amount that can vary from subtle to a deep, lush analog effect. Similarly, the audio delay has independent knob control of delay time and resonance (or feedback) for short chorus-like modulation delays. Both the phase shifter and delay can be modulated by the 572's internal LFO or external CV signals and feature wet/dry effects mix controllable via the front panel or with CV.
The LFO section has a knob for controlling frequency and features both normal and inverted output jacks. The gate delay has knobs to control threshold, delay time, and gate time for modifying incoming gate signals from other modules.
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Audient iD22 10 In 14 Out USB Audio Interface & Monitoring System
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 4 in stock $347.90
Cat: 632730 Rel: 21 Nov 16
 
10-in/14-out desktop USB audio interface with high performance Burr Brown converters
Notes: iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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Novation Mininova Synthesizer & Vocoder
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 1 in stock $345.76
Cat: 467057 Rel: 05 Nov 12
 
Studio & live synthesizer
Notes: The MiniNova is a compact, super-cool studio and live synth with the same sound engine as its big brother; the UltraNova. It comes with 256 x incredible onboard sounds that you can tweak with five knobs, or totally warp with 8 x animate buttons. It has up to 18 x voices with as many as five synth effects on each sound.

The MiniNova also has an onboard VocalTune effect as well as a classic vocoder so you can recreate iconic vocal sounds from hip hop, urban and electronic music.

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Roland Boutique VP03 Vocoder (B-STOCK)
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 1 in stock $335.09
Cat: 633710 Rel: 31 Oct 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The VP-03 is a miniature version of the VP-330 Vocoder Plus, one of the most popular vocoders ever made. Part of the Roland Boutique series, the VP-03 brings together the worlds of synthesized sound and the human voice, using the latest ACB technology to accurately emulate the sound that made the original so influential. The VP-03 has the VP-330's vocoder, human voice, and strings sound sources on board, and comes with a gooseneck microphone. And when paired with the optional K-25m Keyboard Unit, you've got the authentic VP-330 vibe in a reliable, low-cost setup that's highly portable. There are new features too, including 16 Chord Memory setups and a Voice Step Sequencer for even more creative potential. Whether you want the classic, electro-infused 'talking robot' sound or the expressive power of shaping synth sounds with the human voice, the VP-03 puts it all at your fingertips.

New Voice Step Sequencer:
The VP-03 includes a new Voice Step Sequencer not included in the original VP-330, which allows you to input a single note, chord, or your voice into each of the 16 steps, with each step comprising up to six notes. The result is a distinctive rhythmic effect that brings dynamic motion to the VP-03. You can use a series of functions to change the order of steps within the sequence for unpredictable and inspiring results. Saving your best sequences to a computer via USB is easy using the backup/restore function.

New Chord Memory Function:
Another new function not found in the original VP-330 is Chord Memory, which lets you play back chords using just one finger. With 16 locations available, you can quickly store and recall your favourite chords using one of the 16 step buttons. You can also create your own chords and save them into these locations, and back them up to your computer using the backup/restore function.

Connect with External Gear:
In addition to line and headphone outputs (both in mini-jack format), the VP-03 is equipped with a full-size XLR mic input. Simply connect the supplied gooseneck mic to fully unlock the VP-03's creative potential, using your voice (or any other sound) to filter and shape the on-board synthesized sounds. You can also connect the VP-03 to other devices, either through the standard MIDI IN/OUT ports or via a Micro-B USB connection that handles both audio and MIDI data.

Optional K-25m Keyboard Unit:
The VP-03 works especially well with the K-25m, an optional 25-note keyboard that takes your music making to the next level. Once docked in the keyboard, the module's front panel adjusts to three positions for convenient access to the knobs and sliders. Just attach the included gooseneck mic and you're ready to go!

Battery or USB Bus Power:
Some of the best music is made away from the studio, so the Roland Boutique series runs on 4 x AA batteries, ready for when inspiration strikes. Alternatively, you can use the VP-03 with USB bus power. Incredibly portable, the VP-03 weighs just 940 g/33 oz. with the batteries installed.

USB Audio Interface for Direct Recording to Your DAW:
Via its USB port, the VP-03 also functions as a high-quality audio interface, providing a simple and reliable way of recording directly to your DAW application. You can keep your favourite settings and voice step sequencer patterns safe too via the USB data backup function.
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Focusrite Scarlett 18i8 USB Audio Interface With Pro Tools First Software (2nd Generation)
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 1 in stock $319.08
Cat: 613652 Rel: 01 Aug 16
 
18-in 8-out USB audio/MIDI interface with Pro Tools First Focusrite Creative Pack software bundle
Notes: Record whatever you want, whenever you want:
Our latest generation 18-in, 8-out USB interface is ideal for multi-instrumentalists, producers and small bands who want to record audio from a wide range of sources such as drums, guitars, keyboards and vocals. It's our most comprehensive desktop interface, giving you four mic preamps, round-trip latency as low as 2.74ms*, class-leading sound quality, and two separate headphone outputs, so you can give different monitoring settings to two artists, or an engineer and artist. It's also expandable over ADAT.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 18i8 comes with Pro Tools | First Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. Scarlett 18i8 works flawlessly with all major DAWs on Mac and PC, and we continue to work with Avid to ensure it is compatible with every update to Pro Tools.

Delimit Your Studio:
Don't be limited by your interface's connectivity. 18 separate inputs let you connect just about anything you want, and leave your instruments permanently set up and ready to record.

The four combination inputs on the front each have a natural-sounding Scarlett mic preamp, 48V phantom power and superior linear gain. Backed by 30 years of design experience, they guarantee low noise, minimal distortion and a dynamic range that is unrivalled in this class.

On the back are four more line inputs for connecting your synths, keyboards or mixers, and two additional S/PDIF inputs for recording digital sources. For even more inputs, connect an eight-channel mic pre like the Focusrite OctoPre Mk II, for a total of 16 analogue inputs with 12 preamps.

Separate Headphones:
As well as two balanced analogue line outputs for connecting professional speakers, Scarlett 18i8 gives you two independent stereo headphone outputs, so you can give two artists (or an engineer and artist) their own cans and monitoring settings.

Revolutionise Your Workflow:
An unrivalled round-trip latency as low as 2.74ms* completely revolutionises your workflow. You can work entirely inside your DAW for both overdubbing and playback, and use your favourite plugins while recording - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage. You'll also get the best out of vocal performances, by applying real-time comfort reverb to headphones.

Unrivalled Sound Quality:
We've been perfecting audio conversion for over 20 years. Our class-leading digital conversion operates at up to 24-bit and up to 192kHz, so you capture every nuance of every performance in crystal clear audio without any unwanted noise or hum, even when you're playing softly.

Designed For Guitarists:
We've redesigned Scarlett 18i8's instrument inputs and given them plenty of extra headroom, so you can handle extreme levels without any unwanted clipping or distortion. If you're recording extra loud instruments, you can also engage the 10dB pad in Focusrite Control software.

New Generation - Better In Every Way:
The latest generation Scarlett 18i8 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Intuitive Control Software
Scarlett 18i8 works with all major DAWs on Mac and PC, and comes with Focusrite Control: our brand new software mixer designed for easily configuring your monitoring and routing setups. Simple and intuitive to use, it gives you a traditional mixer workflow, separate headphone mixes and immediate access to internal hardware functions.

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.

You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, 2GB of Loopmasters samples and more.

Scarlett 18i8 works flawlessly with all major DAWs on Mac and PC.
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Novation Circuit Grid Based Groovebox With Ableton Live Lite 9 Software
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 1 in stock $319.08
Cat: 589564 Rel: 19 Oct 15
 
2-part Nova-heritage analogue-modelled synthesiser/4-part drum machine
Notes: Make new electronic music quickly and easily with a standalone groove box that combines Nova-heritage synths with expertly sculpted drums. Or your samples.

Circuit is designed to inspire. Two Novation polysynths and a four-part drum machine, combined with an intuitive grid-based sequencer in a standalone box that will have you making electronic music in minutes. Hit some pads, tweak the knobs and your track will start to emerge, all locked in time and key. Customise the two Nova-heritage synths and add your samples to make it your own unique instrument. Then play around with effects, patterns and sounds in real time, to produce your track.

Compact and battery powered with a convenient built-in speaker, Circuit can be used to make music entirely on its own. In the studio it will work alongside your standalone synth gear and run in sync with your music software too. In short, it's all you need to inspire, create and play new tunes.

Ideas in Seconds. Tracks in Minutes
Circuit inspires, straight out the box. It combines a 2-part synthesiser and a 4-part drum machine with a 4x8 RGB velocity-sensitive grid sequencer, which will have you finding new musical directions and creating electronic grooves in no time.

Stand Alone
Compact and battery-powered, Circuit truly stands alone. You can create entire tunes from scratch without a laptop, then save them and play them back live. You don't even need speakers, because it has a one built in. Of course, Circuit will plug in to your sound system and work with your computer and other synth gear too, via its Line outputs, USB and MIDI ports.

Cutting Edge Sound
Building on our true Nova heritage, Circuit delivers cutting-edge sound with production-ready monophonic and polyphonic patches and tons of character for easily creating deep bass lines, epic leads and warm pads.

Build Ideas Quickly
Embrace a new way to make music. Circuit's split grid shows your steps and notes at the same time, so you can sequence and play while seeing exactly what's going on. Build up your parts quickly and easily, either by programming each step or capturing your performance in real-time.

Combine Simplicity and Experimentation
Use simple streamlined modes to keep your harmonies, rhythms and melodies locked in time and key while you make riffs, hooks and chords. Or start experimenting for some serious sequencing exploration.

Circuit Components
A suite of tools that expands Circuit, and gives you all you need to design and customise your instrument. Simply drag and drop samples onto Circuit with Sample Import, using the streamlined browser-based Web MIDI workflow, and create your own palette of sounds.

Looking for the Perfect Beat?
Velocity sensitive RGB pads let you quickly build expressive drum beats, by step sequencing or playing the wide range of drum sounds. Define your sound with total control over pitch, decay, distortion and EQ.

Easily Tweak Your Sound
Sculpt your sound using eight macro knobs allowing you to subtly tweak or completely transform each patch. Then add movement and rhythm by recording or sequencing your performance.

Build Whole Tunes with Effects
Create an entire tune by combining up to 128 steps of synth and drum patterns, then adding space, depth and energy to your music with built-in effects. Sidechain your synths to the kick drum to get them to pump. When you're done, save your tune to one of 32 slots.
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Korg Monologue Monophonic Analogue Synthesizer (red)
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 More than 10 in stock $318.02
Cat: 631793 Rel: 23 Jan 17
 
Analog synthesizer with all-new synthesis structure optimized for monophonic sounds & sequences - red
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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Electro Harmonix POG2 Polyphonic Octave Generator Pedal
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 2 in stock $318.02
Cat: 560442 Rel: 09 Feb 15
 
Polyphonic octave generator effects pedal with programmable 8 preset memory & instant recall
Notes: Back in 2005, Electro-Harmonix unveiled the original POG, a polyphonic octave generator that enabled guitarists to conjure everything from the surreal jangle of an 18-string guitar, to rich, thick walls of symphonic sound.

The POG2 will take you even higher. Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.

The POG2 delivers unrivaled tonal variations - and now you can save your favorite settings, and recall them with a click. The POG2 just plain sounds better, thanks to an enhanced algorithm that delivers a more focused and in-the-pocket harmonic performance. And all this is now packed into our rugged and pedalboard-friendly diecast chassis.

*UK 230V power adapter included*
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Abstract Data ADE32 Octocontroller Eight Output Modular Control Panel Module
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 More than 10 in stock $318.01
Cat: 601493 Rel: 25 Apr 16
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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Tiptop Audio QuantiZer Melody Composing Module
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 3 in stock $307.33
Cat: 634778 Rel: 13 Feb 17
 
Digital processor with high precision analog CV circuitry
Notes: QuantiZer is a creative melody composing module that uses cutting edge analog electronics and DSP to tune analog VCOs precisely into Western musical scales. The front panel is packed with functions that makes it very playable and intuitive to use, with a layout that moves forward from the typical quantizer design. At its centre is a slider that can be set to play notes, add Portamento to an incoming sequence, transpose a sequence with in an octave range or transpose a sequence within 5 octave range. The 12 note keyboard can be set to play notes manually, add and subtract notes from scales, transpose a sequence as well as setup a variety of settings that define the quantizer behaviour and sync with other modules.

Major and Minor keys are both built in to let you switch scales in a very playable way, making it pretty easy to explore musical progression. There are also 24 user scales ready to be filled up with your own custom scales. A built in sketch pad records and plays back keys entered manually on the keyboard and slider in sync with external clock and reset signal, or Tiptop's SyncBus which chains the QuantiZer recording function to the Circadian Rhythms time line for precise recording and playback. Scale CV in can be set to switch between changing scales or transposing pitches using CV from sequencers. Quantization can be set for free run or Trigger mode for even more interesting ways to interact with external sequencers.

Quantizer sets a new performance standard for Eurorack that offers incredibly stable CV quantization minimizing glitches on input, utilizes high precision temperature compensated 1V/Oct CV generation on output and features stunning conversion latency of less than half a millisecond. QuantiZer can be set to process a wide variety of CV voltage input ranges, +/-5V CV from LFOs, bi-polar envelopes and such, or 0-10V / 0-5V standard CV from sequencers. Continuing the tradition of advanced Tiptop digital modules, the QuantiZer Firmware running the digital brain is upgradeable via a USB thumb drive interface at its back allowing for continuous improvement and fine tuning of function and stability over time.
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Sputnik West Coast Random Source Module
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 2 in stock $294.53
Cat: 627850 Rel: 17 Oct 16
 
Synth module with two sections for creating fluctuating & quantized random voltages
Notes: Sputnik west coast random source does exactly what its name suggests and is a random source of unpredictability, packed with functionality. West Coast Random Source features:

Fluctuating Random Voltages:
- Two sections for creating a fluctuating voltage
- CV input and control over a bandwidth of .05hz to 50khz

Quantized Random Voltages:
- Pulse input for generating 1v/oct quantized random voltage
- CV input and knob for controlling distribution of random voltages
- Two different algorithmic outputs:
- "N+1 states" and "2N states". N is an integer number in the range 1...6 that can be adjusted with the manual control (Man N) and an external control voltage CVN with attenuator. Whenever the rising edge of the input clock signal (Clk In) appears a new random voltage is generated at the N+1 resp. 2N output. The N+1 output is capable to generate N+1 different voltage levels (or states), the 2N output up to 2Ndifferent states. If for example N is set to 4 the N+1 output generates up to 5, the 2N output 16 different states. The voltage steps of the 2N output are adjusted to 1/12 V in the factory.

Stored Random Voltages:
- Pulse input generates random voltage
- 1st output covers 0-5V range
- 2nd output is voltage controlled and knob alters the distribution of voltages

Noise Source:
- Three dedicated outputs for pink, white and blue noise

Sample & Hold:
- CV input, pulse input and CV output
- Odd/even pulse output (for deciding incoming pulses)
- Odd/even CV output (for sampled voltages)

Integrator:
- Portamento/slew/glide with voltage control over slew time

The West Coast Random Source is a clone of the reverend mother of random, the Buchla 266 Source Of Uncertainty. It generates noise in three timbres, sample & hold, then fluctuating, quantized and stored random voltages and finally a slew limiter. It might be a large module but you won't get more random of all shades from one single module.
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ART SLA1 100W Studio Linear Rackmount Amplifier
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 1 in stock $287.07
Cat: 516421 Rel: 23 Dec 13
 
100 watt power amplifier with 10Hz to 40KHz frequency response
Notes: The SLA-1 Studio Linear Amplifier is a robust yet compact power amplifier designed for studio or even select live applications. It has been designed and engineered to provide clean, quiet power and excellent sound with ultra-low noise and distortion.

Rated at 100 watts rms/channel @ 8 ohms (130 watts rms/channel @ 4ohms), with a frequency response from 10 Hz to 40 kHz the SLA-1 is perfect for professional, project and home studios. Capable of delivering 260 Watts when bridged mono into an 8 ohm load, the SLA-1 can easily move out of the studio and into any live rig or installation as an ideal monitor amplifier or zone amp solution.

The SLA-1 has been designed to deliver in the most demanding audio applications. Housed in an aluminum and steel single space 19-inch rackmount chassis, the SLA-1 uses a proven toroidal transformer design for unmatched long-term reliability.

The SLA-1 features SmartFan, an advanced, thermal dependent fan assisted convection cooled system. The SmartFan system is dependent upon the internal ambient temperature of the unit, and runs at high or low levels depending on the amplifier's cooling needs.

XLR and 1/4-inch TRS balanced inputs as well as multi-way output binding posts are ensure the SLA-1 can be quickly and easily tied in to any system without modification. A simple to install tamper proof cover is included.
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Boss Katana KTN100 Guitar Amplifier
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 1 in stock $287.07
Cat: 626286 Rel: 17 Apr 17
 
Stage-ready 100-watt combo amp with a custom 12-inch speaker
Notes: Katana - the traditional sword carried by the historic samurai of Japan - is a symbol of honour, precision, and artistry in Japanese culture. Adopting the majestic sword's name with pride, the Katana series presents guitar amplifiers with smooth, cutting tones honed by generations of dedication and expertise. Born of the development process behind the acclaimed Waza amplifier, these innovative amps embody BOSS's determined pursuit of the ultimate rock sound. Featuring proprietary circuit designs and meticulous tuning, the Katana series combines traditional craftsmanship and breakthrough functions to produce true next-generation rock amplifiers.

With 100 watts of power and a custom 12-inch speaker, the Katana-100 delivers a commanding range of gig-worthy tones that gracefully slice through any band scenario. The amp also excels for home playing, with a uniquely efficient design and innovative Power Control that provides inspiring sound and response at low volumes. In addition, the Katana-100 includes integrated access to 55 BOSS effects, which are customizable using the free BOSS Tone Studio editor software. Up to 15 different effects can be configured in the amp at one time, enabling you to bring fully prepared tones to the stage in one amp.

A Refined Amp with Inspiring Tone:
Designed for guitarists who are serious about their sound, the Katana-100 offers exceptional tone and touch response for stage playing, recording, and simply practicing at home. The custom 12-inch speaker is driven by a special method developed for the flagship Waza amp that optimizes the speaker and cabinet character. This gives you authoritative punch and cutting presence previously attainable only with high-end amp designs. In combination with the five selectable amp characters, the Katana-100 produces class-defying power and expressiveness to meet any playing situation.

Five Original Amp Characters, Honed for Rock Playing:
Sharpened to perfection by the BOSS engineering team, the Katana-100's five amp characters offer everything from organic vintage tones to modern high-gain sounds. Clean is natural and transparent, while Crunch offers satisfying grit and response. Lead has a wide gain range to suit many styles, from fat, stinging blues solos to fluid legato shredding. With DNA inherited from the Waza amp, Brown delivers refined high-gain tone sought after by the world's greatest rock players. The Acoustic character further enhances the Katana's versatility, providing optimized tone that makes acoustic-electric guitars sound stunningly natural.

Leave Your Pedalboard at Home:
With its built-in BOSS effects and recallable Tone Settings, the Katana-100 lets you perform anywhere with just a guitar and amp. Connecting to BOSS Tone Studio via USB provides access to 55 effects that are fully customizable for your needs. Going beyond standard distortion, delay, and reverb, the selection also includes powerful tone-shapers like pitch shifting, ring mod, slicer, and more. You can load 15 different effects in the amp at one time and use up to three simultaneously. Four Tone Settings let you store custom amp and effects setups for instant recall, and you can always jump to the current panel settings at the touch of a button. It's also possible to connect optional footswitches and expression pedals for hands-free control on the gig.

Grab-and-Go Operation:
While the Katana-100 includes many advanced features, it's amazingly simple to operate. Dedicated knobs for multiple gain stages, three-band EQ, and presence allow you to quickly dial in your tone by ear, just as you would with a standard tube amp. Essential effects parameters are adjusted with a simple knob twist, and memories can be stored with a brief button hold. The Power Control is great for throttling back the volume for small stages and home playing, and also includes a Standby setting that mutes the sound for switching guitars or taking breaks. And by flipping out the integrated tilt stand, you can easily angle the amp back for better sound projection.

BOSS Tone Central:
At the BOSS TONE CENTRAL website, you'll find numerous free amp and effects setups for the Katana series. Created by pro guitarists, these setups provide ready-to-play sounds for various music styles, and also make great starting points for building your own sounds. They load into the memories in a Katana amp via the BOSS Tone Studio editor software, which is also available at the site. In addition to Katana effects selection and customization, BOSS Tone Studio gives you a convenient way to organize all your Katana setups for different gigs, recordings, and practice sessions.
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AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (black)
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 2 in stock $277.46
Cat: 625079 Rel: 26 Sep 16
 
Ring SM Ring Mod Sub Bass Mixer Module
AJH Synth Mini Mod Vintage Transistor Core VCO Module (black)
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 3 in stock $277.46
Cat: 625058 Rel: 26 Sep 16
 
Mini Mod Vintage Transistor Core VCO Module
AJH Synth Mini Mod Vintage Transistor Core VCO Module (silver)
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 1 in stock $267.85
Cat: 625054 Rel: 26 Sep 16
 
Mini Mod Vintage Transistor Core VCO Module
AJH Synth Sonic XV Diode Ladder Wave Filter Module (silver)
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 2 in stock $261.46
Cat: 625081 Rel: 26 Sep 16
 
Sonic XV Diode Ladder Wave Filter Module
Rainger FX DrFF3 Dr Freakenstein Fuzz Distortion Pedal With Igor
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 1 in stock $253.98
Cat: 583513 Rel: 10 Aug 15
 
Monster distortion effects pedal with built-in noise gate & unique "Igor" foot controller pad
Notes: This is a full-on fuzz distortion, the same circuit as that used in the original Dr Freakenstein Fuzz, housed in Rainger's own original design steel desk-type enclosure and has true bypass footswitching.

There are volume and tone (sort of) knobs, the latter labelled 'OSC' which controls the harmonic overtones in the sound. This 'OSC' knob sounds great at any setting, but also is really exciting as you adjust it - like a cross between a wah wah and a phaser. So an LFO option is incorporated to modulate this control (giving a triangle wave-shape, speed adjustable from a slow sweep to a fast wobble). There's a switch ('MOD') on the front panel to turn this on or off, the status and speed of the oscillator shown by the red and white throbbing meter backlight.

HI/LO BUTTON:

The DrFF-3 has a hi/lo intensity pushbutton on the back panel, switching the overtone from a lower 'inside the sound' to a higher-pitched in-your-face zip. On the low setting it's possible to get a strong - perfectly tracking - low octave introduced, especially when the guitar's neck pickup is selected. Add an LFO fast wobble, and great thick organ-y tones are possible.

As part of how the distortion circuit works, the Dr Freakenstein has an impressive fixed-setting noise gate built in, creating dead silence between notes (which is very strange for a distortion).

IGOR:

Also, being the Dr Freakenstein Fuzz, of course it has an assistant called Igor - which is a small dual-sensitivity pressure pad that you tread on or work by hand. This plugs in via mini-jack to either tweak the OSC according to how hard you press, or to adjust the bias of the modulation range; on a fast modulation setting, this can give an effect reminiscent of a bubbling synth, sweeping down from high cutoff to low. Igor is like 'aftertouch' on a synth - but for guitarists. It's a new thing - tiny and light, and with practically no moving parts. One Igor comes with each Dr Freakenstein.

There's also a meter for monitoring your input signal, plus - for a full gothic 'laboratory' vibe, it's mounted in a miniature steel desk console, complete with knife switch that you throw to turn it on.

KNIFESWITCH:

The knifeswitch turns the power on - like plugging a lead into the input sockets of most other pedals. On throwing it, the orange control-illumination LEDs come on. When you step on the 'On/Off' footswitch the input meter backlight comes on steadily, showing the fuzz is in circuit.

*For audio demo, please visit - http://www.raingerfx.com/dr-freak-3.html

*Power adapter NOT included (battery included)
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Tiptop Audio Numberz Digital Audio Lab USB Programmer
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 1 in stock $253.98
Cat: 641112 Rel: 06 Mar 17
 
Z-DSP VC-Digital signal processor
Notes: Tiptop Audio - Numberz Digital Audio Lab USB Programmer is a USB device that communicates with a software front-end (for PC) and can be used to download DSP programs and display text to blank, non-volatile cards for use with the Z-DSP. Numberz can also feed directly into the Z-DSP's card slot for real-time programming.

With Numberz you can:

- Download free Z-DSP programs from the web and "burn" them into cartridges
- Modify programs for new and interesting effects
- Write and debug Z-DSP programs in a real-time environment

- Share your programs online with other Numberz users
- Share your programs on Z-DSP cartridges with other Z-DSP users
- Create your own text for the Z-DSP LCD display
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Ultimate Support MS90/36R Column Studio Monitor Stands With Decoupling Pads (red, pair)
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 1 in stock $252.92
Cat: 526962 Rel: 09 Feb 15
 
Second generation column studio monitor stand with non-marring decoupling pads and three internal channels
Notes: The new MS Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!

From top to bottom, all three MS Series stands feature sonic isolation and decoupling components. The MS-90 delivers four non-marring sound decoupling pads that stabilize monitors of varying sizes. The MS-100 and MS-90 feature two rubber couplers between the column and the top/bottom plates and spike decoupling designs under the top and bottom base plates. Add the MS-90 to your studio and discover what you've been missing in your mix!

The MS-100 and MS-90 offer three internal channels that run the length of the column. So your studio remains clear of untidy cables, two channels are designed for audio and power respectively. For additional stability, the larger third channel can be filled with shot or sand.

The MS Series studio monitor stands are made from the highest quality materials, such as Series 6000 aluminum, and backed by award-winning design that marries both form and fashion. The modern studio owner will love the contemporary look while the veteran engineer will appreciate the solid build and versatility.

Depending on the needs of your studio, the MS-90 is available in two studio standard heights: 45" and 36". Both are identical in construction and features except for height. Choose the height that's best for your studio design!
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Novation Impulse 49 Key USB MIDI Keyboard Controller + Ableton Live Lite Software
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 1 in stock $249.72
Cat: 434765 Rel: 03 Oct 11
 
Keyboard with full DAW/plug-in control & automap software
Notes: ** Special low price until end of April 2014 **

The Novation Impulse range sets a new standard in keyboard controllers, bringing full DAW/plug-in controls and automap technology to a new, affordable price point. They offer precision keyboards along with a DAW/plug-in control surface, powered by Automap 4, the brand new revision of Novation's Automap control software.

The 49 key model is USB powered. The Impulse has 8 encoders, 9 faders, 9 assignable buttons and full transport control. In addition to the large LCD screen, the Impulse also has 8 drum pads which are back-lit with 3 colour LEDs enabling arpeggio warping, beat roll and clip launch in Ableton Live.

The Novation Impulse range offers the best mix of feel, functionality, build quality and price of any keyboard in its class and, as such, Novation expect their Impulse range to dominate the sector with sales at a level that reflect this.

Product video:
www.youtube.com/watch?v=LTuOMQr-jWw
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Tannoy Mercury 7.2 6" Driver Bookshelf Speakers (pair, walnut)
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 1 in stock $244.38
Cat: 592508 Rel: 16 Nov 15
 
Pair of bookshelf hifi speakers with 6" drivers - walnut finish
Notes: The Tannoy Mercury series has been satisfying the audio demands of hi-fi and home theatre enthusiasts for nearly two decades. Over the years, Mercury has consistently received international praise for exceptional performance combined with outstanding value for money.

Following in the multi-award-winning footsteps of its predecessors, the new Mercury 7 series offers, yet again, improved performance, enhanced styling and a wider choice of finishes to coordinate with a broad range of interior decor.
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Audio Technica LP120 USB Turntable With AT95E Cartridge & Audacity Audio Production Software (high gloss black) (B-STOCK)
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 1 in stock $240.11
Cat: 604975 Rel: 24 Nov 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


This professional stereo turntable features a high-torque direct-drive motor for quick start-ups and a USB output that connects directly to your computer.

Other features include: forward and reverse play capability; cast aluminum platter with slip mat and a start/stop button; three speeds 33/45/78; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-10% or +/-20% adjustment ranges; and removable hinged dust cover.

A selectable internal stereo phono pre-amplifier allows the turntable to plug directly to components with no dedicated turntable input. A USB cable and adapter cables are included along with Mac- and PC-compatible Audacity software to digitize your LPs.

The AT-LP120USBC BK comes complete with the Audio-Technica AT95E cartridge and is also compatible with all Audio-Technica cartridges and any 1/2 inch mount cartridge from other manufacturers.
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Antimatter Audio Brain Seed Step Sequencing Recorder Module
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 1 in stock $236.90
Cat: 617930 Rel: 11 Jul 16
 
Eurorack step sequencing record synth module - 4HP wide
Notes: Antimatter Audio's Brain Seed Eurorack module is a step motion recorder. With each trigger impulse the module will record a voltage applied to the "Seed In", up to 1000 steps. It's possible to record whole sequences, to transpose the recording or to use the module as a sample-and-hold, a rhythm generator or an arpeggiator. A simple quantizer function is included as well. Without any CV at the input In the BrainSeed will produce random signals that can be recorded of course.

In variable mode you can record up to 1000 steps. Record until you are done and and the BrainSeed will play them back. With a new recording the buffer clears and the recording starts at step 1.
In fixed length mode you can record 8, 16 or 32 steps which is great for jamming as you can punch in where ever you like and overwrite values.

ReSeed is the recording function that can be enabled manually or automated with a gate signal. A simple quantizer with four options (on, off, major and minor) is oeratedwith one button. A transpose input (Shift) allows for modulating the recordings and is being quantized when the quantizer is activated.
The BrainFreeze parameter freezes the module holding its current value and producing no new triggers, great for breaking up a sequence and producing new rhythms. The cycle input accepts CVs and clocks and makes it possible to playback the sequence forward, in bounce mode, pendulum style, randomly or addressed by CV. When progressing to the next step the BrainSeed will produce a trigger, available at an output.
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Novation Launchkey 61 MK2 Keyboard Controller With Ableton Live Lite Software
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 1 in stock $233.71
Cat: 570605 Rel: 29 Jun 15
 
61 key USB keyboard controller with 16 full colour RGB backlit velocity sensitive drum pads
Notes: Launchkey is the easy-to-use MIDI keyboard controller. It's pretty much the quickest and easiest way to produce and perform electronic music, especially in Ableton Live - because it's been designed specifically for the purpose. You just plug in via USB and the keys, faders, knobs and pads immediately spring into life, giving you hands-on control of your grid, instruments, effects and mixer.

Of course, if you don't use Ableton, it'll automatically map to other major music software too. You can even connect it to your iPad with a Camera Connect Kit and use it with your Novation Apps.

The heart of any MIDI keyboard controller is the keyboard itself. The Launchkey synth-style keyboard is lightweight, fast and very easy to play, but also velocity-sensitive so you can create truly expressive performances. You can choose between 25, 49 and 61-note versions, depending on whether you want portability or practicality.

The less time you spend messing with your mouse, the more time you have for making music. If you want immediate hands-on control of your session grid, instruments and effects, you should use a MIDI keyboard controller that integrates immediately and automatically with Ableton Live. Like this one! That's what it's designed for.

Sixteen RGB pads provide clip colour-matched feedback to enhance your workflow, letting you create and launch clips, trigger samples, control FX and loads more; all whilst playing your keys. They're also velocity-sensitive, so you can really put some feeling into your beats.

Launchkey is designed to let you shape your sound however you like. The eight rotary knobs are rock solid, designed to give you confidence when tweaking your instruments and effects. The 49 and 61-note versions give you hands-on control of your mixer too, with nine dedicated faders. However many controls you opt for, they will all integrate seamlessly and immediately with Ableton Live, and can be reassigned to anything.

Your choice of music software is crucial to your creativity. Although Launchkey was designed for Ableton Live, its pads, buttons, faders and knobs control of all other major music software too using InControl.

Launchkey is fully USB bus-powered and class compliant, so it works straight away without power supplies or drivers. You can also connect it to your iPad via Camera Connection Kit and it'll work automatically with your Novation Launchkey and Launchpad Apps.
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AJH Synth Mini Mod Dual Contour Generators Module (black)
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 2 in stock $233.71
Cat: 625067 Rel: 26 Sep 16
 
Mini Mod Dual Contour Generators Module
Focusrite Scarlett 6i6 USB Audio Interface (2nd Generation)
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 1 in stock $233.71
Cat: 613651 Rel: 04 Jul 16
 
New generation 6 in 6 out USB audio interface with Pro Tools First & Ableton Live Lite software
Notes: Ideal for multi-instrumentalists, producers and small bands:
Our latest generation 6-in, 6-out USB audio interface is perfect for anybody who wants more than two analogue inputs: multi-instrumentalists, producers, recording artists, and small bands who want to record vocals, guitar and keyboards simultaneously. It gives you four analogue inputs with two Scarlett mic preamps, four analogue outputs and two separate headphone outputs, so you can give different headphone mixes to different artists, or an engineer and an artist.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 6i6 comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. As you'd expect, it works with all major DAWs on Mac and PC.

Sound Like You:
Backed by 30 years of design experience, these two Scarlett preamps offer a pristine and natural sound, with 48V phantom power, superior linear gain, low noise, low distortion and dynamic range that is unrivalled in this class.

Be Ready For Anything:
Need to record vocals, guitars and bass together? You need Scarlett 18i8. It gives you twice as many preamps as Scarlett 6i6 and 18 separate inputs, so you can be ready for anything.

Separate Headphones
Two separate headphone outputs let you give two artists (or an engineer and artist) their own headphones and monitoring settings.

You also get four balanced outputs so you can connect two sets of monitors, or send audio to an effects processor.

Effects In Real Time:
An unrivalled round-trip latency as low as 2.74ms* lets you do things that are simply impossible with most other USB interfaces (subject to your software, settings and computer). You can work entirely inside your DAW for both overdubbing and playback, and use your favourite plugins while recording - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage. You'll also get the best out of vocal performances, by applying real-time comfort reverb to headphones.

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.

You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.

Scarlett 6i6 works flawlessly with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Live?
At just over 1kg and protected by a solid metal case, Scarlett 6i6 is lightweight and compact, yet tough enough to take to your live shows for onstage recording or playback.

Designed for the Guitarist:
We've redesigned the instrument inputs and given them plenty of extra headroom, so you can handle extreme levels without any unwanted clipping or distortion. If you're recording extra loud instruments, you can also engage the 10dB pad in Focusrite Control software.

New Generation - Better In Every Way:
The latest generation Scarlett 6i6 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Intuitive Control Software:
Scarlett 6i6 works with all major DAWs on Mac and PC, and comes with Focusrite Control: our brand new software mixer designed for easily configuring your monitoring and routing setups. Simple and intuitive to use, it gives you a traditional mixer workflow and immediate access to internal hardware functions

Used By the Best:
What do Sam Smith, Foo Fighters and Massive Attack have in common? Not a lot, admittedly, but they all use Focusrite equipment because they agree with us that sound is everything.

Find the Perfect Level:
Setting the perfect level couldn't be easier, thanks to haloes around the gain knobs that glow a reassuring shade of green when you're recording at the perfect volume. If they turn red, it's time to back off.
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Focusrite Scarlett 2i2 Studio USB Audio Interface Pack (2nd Generation)
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 1 in stock $233.71
Cat: 613648 Rel: 06 Jun 16
 
USB audio interface bundle pack with headphones and studio condenser microphone included - also includes Pro Tools First recording software
Notes: Stop Wasting Time:
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

Headphones - HP60 closed-back studio headphones for blocking out background noise.

Scarlett 2i2 - The top selling USB interface in the world, for recording studio-quality audio.

Microphone and Cable - CM25 large diaphragm condenser mic for capturing crystal clear sound, plus a three metre XLR mic cable and stand clip.

The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.

Perfect Partners:
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.

Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.

Hear Everything:
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.

Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
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Moffenzeef Modular GMO Genetically Mødified Øscillatør Drum Module
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 1 in stock $232.63
Cat: 624302 Rel: 26 Sep 16
 
GMO Genetically Mødified Øscillatør Drum Module
4ms Quad Clock Distributor Module (Rev 2)
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 2 in stock $232.63
Cat: 589490 Rel: 14 Dec 15
 
4 channel voltage controlled clock divider/multiplier synthesizer module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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Jomox MBrane 11 Analog Percussion Synthesizer
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 2 in stock $226.23
Cat: 458820 Rel: 30 Jul 12
 
Full MIDI controlled analog percussion module
Notes: The M.Brane 11 is a great sounding, dedicated percussion module with a real analog sound production. Actually it is a single voice analog synthesizer which is optimized for producing membrane-like snare/percussion drum sounds.

The M.Brane 11 is fully controllable by MIDI. Furthermore, there is an audio input provided to trigger the sound by a drum pad piezo pick up or an external audio signal. The usage of this unique drum module is simple and self-explaining at most points.

2 analog T-bridge oscillators become electronic membranes. Why? Because they can be coupled, and their dampening can be controlled. Then add a little noise, add a little envelope, and the brand new electronic percussion synthesizer of Jomox is ready.

But because this would have just been too simple, everything is storable again and controllable by MIDI. You can use this small box either in a live setup driven by a hardware sequencer or in a production as very versatile synth in order to create incredible analog electronic percussions.

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AJH Synth Mini Mod VCF Transistor Ladder Filter Module (black)
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 2 in stock $224.11
Cat: 625060 Rel: 26 Sep 16
 
Mini Mod VCF Transistor Ladder Filter Module
AJH Synth Mini Mod DH ADSR Envelope Module (black)
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 1 in stock $224.11
Cat: 637047 Rel: 27 Mar 17
 
Model D-based complex envelope generator - dark edition
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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