Back in stock: All genres

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Italian singer Elena Ferretti also worked under the monikers Sophie and Helen. She was massively popular on the Italo and Eurobeat scene back at the start of the 80s and was produced by Giacomo Maiolini, Sergio Dall'Ora and Giancarlo Pasquini. She has got plenty of cult tunes to her name (or names) and 'I Love You' is one of them to now get reissued by ZYX. It has a classic synth bassline that sprays across the track like the Donna Summer classic 'I Feel Love', with analogue drum sounds below and magnificent melodies up top. Flemming Dalum remixes with big, bright, shimming retro-future synth chords and Victor Ark brings a more cold and stomping feel.

Notes: The cost effective way of replacing the cable of your HD25 heaphones. These replicas are perfect for extending the life of your precious Sennheiser heaphones without breaking the bank.

Notes: This earpad set is made of velour in wood colour and suitable for Sony MDR-V700 DJ headphones.

With these pads, you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Sony DJ headphones. The velour earpads are very comfortable to wear even if it's getting more hot and the normal earpads are full of sweat.

Notes: The Zomo VS-Box 7/100 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 7/100 is made of solid MDF (Medium Density Fibreboard) and laminated with tough water-repellent decor. This model is easy to install, multiple stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers.

The capacity can vary by the thickness of your vinyl.

Sheer genius and totally cool! It's ZOMO!

Notes: The Zomo earpad set is suitable for the headphones Technics RP-DH1200 and Pioneer HDJ-1000/-1500/-2000.

With this pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics DJ headphones.

Features
Material: PU (100% Polyurethane)
Colours: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DH1200
Pioneer HDJ-1000
Pioneer HDJ-1500
Pioneer HDJ-2000

The headphones in the picture are not included, they are for demonstration purposes only.

Notes: The Zomo carbon fiber brush VBC-01 is the perfect way to clean your vinyl without electrostatic charge. A gentle brush with the microniser prior to record playing enables a million tiny filaments to discharge the harmful deposits from the grooves and bring a new dimension to record care.

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo VS-Box 100/1 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo vinyl box is made of sturdy MDF wood and laminated with tough water-repellent dekor. This model is easy to assemble and can be combinated with other VS-Boxes. The box is also compatible with vinyls with protective covers.

The capacity can variate by the thickness of your vinyl.

Technical Data:

Dimensions: 360 (W) x 260 (H) x 335 (D) mm
Internal dimensions: 330 (W) x 260 (H) x 320 (D) mm
Weight: 2,5 kg
Format: LPs
Capacity: 100-150
Material: Wood

Notes: The Zomo VS-Box 100 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 100 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo Earpad set made of velour in many colours is suitable for the headphones Technics RP-DJ1200 and RP-DJ1210. With these pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds.

Also, you can save the stable value and the great look of your professional Technics DJ headphones. Velour Earpads are very comfortable to wear even if it's getting hotter and the normal earpads are full of sweat.

Features:

Perfect fit
Simple mounting
Comfortable velour material
Comfortable to wear for hours

Technical data

Material: Velour (100% Polyester)
Weight: 18 g
Suitable for
Technics RP-DJ1200
Technics RP-DJ1210

** The illustrated or mentioned headphones are not included in delivery.

Notes: Finally it's here! The new cable for the Sennheiser HD-25 headphones. This spiral cable in different colours is an absolute eye-catcher and enhances your HD-25 visually. It's not standard, but it makes your headphones special.

This will make your Sennheiser HD-25 unique and stand out from the crowd!

The cross-section of the spiral cable is also thicker than conventional cables, which brings technical and optical advantages.

Fits the following Sennheiser headphones
Sennheiser Sennheiser HD25
Sennheiser HD25-13
Sennheiser HD25 II
Sennheiser HD-25-13 II
Sennheiser HD25 C II
Sennheiser HD25-1 II

Details

Length 3,5m
3,5 mm stereo jack plug incl. 6,3mm adapter

Gold-plated connections
Connection of cable 1: 1x 3.5mm Jack
Connection of cable 2: special (Sennheiser HD 25)
Cable length: 3.5 m

Notes: This Zomo earpad set is suitable for the headphones Technics RP-DJ1200, RP-DJ1210 and Pioneer HDJ-500. The set includes 2x Earpads and can be mounted in a few seconds.

With this set you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics Dj headphones.

Features
Material: PU
Color: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DJ1200
Technics RP-DJ1210

Headphones in the picture not included- they are for demonstration purposes only.

Notes: The Zomo VS-Box 50 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 50 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Zomo LS-50 laptop stand is an useful and fortunate accessory for mobile DJs and musicians.

Most DJ-Desks are not offering much space to place own equipment, the LS-50 is the perfect solution to place a lot of equipment on minimal space. Laptops, controllers, mixer and CD-players can be placed easily and fast with the Zomo LS-50 laptop stand. All established laptops and other equipment can be used in combination with the LS-50.

The height and angle can be adjusted perfectly in just a few handles by opening four screw connections (without tool). This makes the Zomo LS-50 even more flexible and faster.

The Zomo LS-50 laptop stand can be fixed easily, like his predecessor on almost every flight cases, as a clip version on all desktops or set as an on-the-top version to the DJ booth, or slide under the mixer or turntable.

Sheer genius and totally cool. It's Zomo.

Review: Zodiak Commune reaches right back into the early days of the Dutch acid techno and electro scene, and it remains an essential outlet for tough and gnarly rave gear for darkened souls. This new record is a split between Umwelt and Serge Geyzel, continuing a series of split discs pitting serious underground operators against each other. Umwelt's side kicks off with the blistering acid electro of 'The Wake Of The Anthropocene' and follows up with heavy but melodic pearler 'Cosmic Dancer'. Geyzel's 'Off The Ground' is a nervy slice of acid with sad-hearted undertones, and 'Hostage' completes the set with a moody, percussive throwdown.

Review: If there's one label to trust with presenting a faithful and knowledgeable overview of the '90s garage house sound, it is surely Z Records. Joey Negro's evergreen stable has been a bastion of the music since its inception, and this second volume of gold standard tracks is as well-informed as the first. Serious cuts and mixes from the likes of Satoshi Tomiie, Kings Of Tomorrow, Kerri Chandler, Marshall Jefferson - the list of big hitters goes on. But it's not just marquee bookings - there are some seriously headsy jams in here that will even have connoisseurs learning a thing or two. Bursting with musicality, soul and grooves by the pound, this is exactly how a comp should be done.

Review: DJ, curator and producer Dave Lee (fka. Joey Negro) continues to celebrate his 30-odd year long career in music with his second curatorital comp release. The 'Produced With Love' series charts all of Lee's original productions in soulful house and disco, and this second edition includes choices songs by the likes of Destiny II, Leroy Burgess and Andreya Triana. Always collaborative and with effortless attention to funking detail, Lee brings it once again.

Review: The music that makes up Harmony of Difference, Kamasi Washington's first EP of note since the release of acclaimed 2015 album The Epic, was premiered live as a "six-track movement" earlier this year. The "suite" - here stretched across both sides of an essential 12" - sees Washington continue to explore the idea of what it means to be black in America in the 21st century. Musically, the EP contains some of his smoothest and most laidback compositions yet, with all his musical collaborators being on fine form. The headline attraction is undoubtedly 14-minute flipside "The Truth", an almost operatic jazz epic full of swelling choral contributions, fizzing drum solos, rising horns and, of course, plenty of Washington's distinctive saxophone.

Review: It's 1990 and Depeche Mode couldn't really be riding much higher in the global music stakes. Having just released Violator, the band had finally debuted an album inside the Billboard Top 10 for the first time in their almost-decade-long history, and pretty much anyone who came into contact with the record was very quickly captivated by its sound. While definitely not a curveball, it marked an expansion of the group's existing style. Some have described it as synth-pop, others alternative rock. In many ways, it's a dance floor album, one that embraces goth and coldwave at its very core. Captured during their tour at that time, Set In Stone features landmark singles from the LP - 'Personal Jesus', of course, and 'World In My Eyes' - it also proves beyond any doubt that a Depeche Mode show is about more than simply playing the hits.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Review: Peaktime zoneouts from Rodhad and company; Crimson Rubeus is the first compilation on WSNWG to be curated by the techno titan, and hears eight rising bubblers of the scene contribute to a well-rounded octagonal sonic prism in double LP form. All circulating for months in demo form and as fixtures of Rodhad's sets across Europe, every track here - from the snappy synaptics of Nastia Reigel's 'Limit Y' to the non-duped beffudlery of O (phase)'s 'Exiting The Delusion' - drips with an aural crimson rouge; truly a hematophage's dream. Rodhad does the almost impossible here; squeezes blood from the stony style that is hypnotic techno.

Review: For their latest must-check full length, Swiss ambient and jazz enthusiasts WRWTFWW have offered up a timely reissue of Satoshi Ashikawa's previously Japan-only 1982 album "Still Way". In some quarters it's considered a triumph of Japanese minimalism - an ambient set that was equally as inspired by Erik Satie as Brian Eno. The sounds are sparse, atmospheric and alluring, with simple harp, vibraphone, piano and flute motifs taking it in turns to rise and fall across the soundspace. It's intricate, soft-focus and hugely poignant, evoking memories of similarly lauded sets by Ashikawa's countrymen Hiroshi Yoshimura and Midori Takada. In other words, it's sublime.

Review: Wise Records has lined up another super outing here in the form of the Max Romeo Sings Classics EP. Featuring fresh renditions of timeless hits like 'Kingston Town,' 'Man Next Door,' and 'No Place Like Home,' these cuts were recorded with Max's touring band during a break between French tour dates. Renowned producer Dennis Bovell handled the mixing, promising a blend of Max Romeo's signature style with a touch of innovation from the legendary Bovell.

Review: When 2017's Weather Diaries marked the first full-length from Oxford shoegaze legends Ride in 21 years, many welcomed what was presumed to be a reshaping of legacy so as to not have bowed out with the negatively received Tarantula. This made 2019's This Is Not A Safe Place even more of a joyous sonic spectacle (before touching on the fact that the LP legitimately bore some of the band's finest work to date). Now that the dust has settled on a plethora of tour dates and festival appearances, we arrive at the third of their post-reunion albums with the highly anticipated Interplay. From the bubbling, ethereal synths of lead single 'Peace Sign' to the hazy, neo-psych dream-pop of 'Last Frontier', Ride appear more rejuvenated and hopeful than they've ever sounded, and it's a miracle in and of itself to be on the cusp of nearly having as many post as pre-break up records.

Review: Cyrille Aimee has forged a formidable reputation as a jazz singer across the world, developing a tone which draws on her Dominican heritage as well as her guidance from the gypsy tradition in France where she grew up. While she's normally know for her arresting interpretations of standards and traditional classics, on A Fleur De Peau she's developed an album of her own material alongside NYC multi-instrumentalist Jake Sherman. Written in large part in the jungle in Costa Rica where she built her own home, Aimee developed her songs with Sherman's instrumental input resulting in a brilliantly varied and unflinchingly honest, open-hearted album which will make you re-evaluate everything you thought you knew about the finest of contemporary jazz singers.

Review: Fred Frith is simultaneously a singular musical figure and a collection of musical lifetimes. He's the composer who wrote fragile avant-garde music in the tradition of John Cage and Earle Brown, the innovator who created new concepts of underground rock with his colleagues in the band Henry Cow, and the improviser who developed his very own language on the guitar. The many facets of Frith's musical oeuvre shimmer in vibrant and unique colors, but stand as one rainbow monolith of musical creation, never disintegrating into esoteric eclecticism. Always musically curious and unbiased, he develops his ideas in the moment, demonstrating in real time how his creative process, while free of old hat conventions and tricks, creates an immediate yet unrandom and committed music. At the core is his unique guitar playing, which is on full display across these two records. His debut, Guitar Solos (1974), opened up a space beyond rock and improvised music and now, 50 years later comes Fift (2024), a new solo guitar album that sounds completely different and yet familiar, adding to his monolith of musical creation with another new vibrant color.

Notes: The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crepon / David Neil Lee, Francois Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Toyryla, album & live reviews, plus more.