Back in stock: All genres

Notes: ***B-STOCK: Light marks on the screen***


A serious trigger sequencer for generating complex, multi-layered rhythms. Eight channels of Euclidean pattern generation meet probability, modulation and CV control for real depth and power.

Supplier's Notes:
Constellation is all about rhythm. It is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms. Constellation takes a "parametric" approach to rhythm - there is no explicit step sequencing on the module, rather the rhythms are defined by euclidean (and more) parameters that build the rhythm mathematically.

Constellation aims to evolve the concept of euclidean rhythms far beyond the useful but repetitive patterns we often think of when we hear the term "euclidean rhythm". This is accomplished by by combining up to 8 individual euclidean patterns of different lengths and density. Each pattern may provide only a small component of the final output, but together create immensely musical and varied rhythmic material over a very long time frame - up to 999 steps! If each of those steps are 1/16 note in length at 120 bpm, that's a full 2 minutes of explicitly defined, yet non repeating rhythmic material.

In addition, Constellation's parametric approach allows any of these parameters to be modulated with CV through one of 8 freely assignable CV inputs. CV modulation introduces further ability for Constellation's rhythmic output to vary over time. Paired with a Maestro or Navigators, hours of interesting morphing rhythms are possible without the need for tons of step programming or the uncontrollable chaos of a purely generative approach.

When writing music, rhythmic interest is often built through the combination of repeating and non repeating elements that work together to anchor the overall feel but also keep the ear free from boredom over the duration of the piece. Constellation provides a unique set of tools to accomplish this goal and achieve rhythms that are intentional, unexpected and exciting to use as the foundation of your compositions.

28hp, 25mm deep
75mA +12, 18mA -12

Notes: ***B-STOCK: Box opened, product in perfect working order***


Module A-149-1 is the first module of the A-149-x range. In this group we present by popular request several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Many functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules. For details please refer to A-100 patch examples.

Module A-149-1 has available four different analogue random control voltages that are generated in different ways.

The "Quantized Random Voltages" section has available 2 CV outputs: "N+1 states" and "2N states". N is an integer number in the range 1...6 that can be adjusted with the manual control (Man N) and an external control voltage CVN with attenuator. Whenever the rising edge of the input clock signal (Clk In) appears a new random voltage is generated at the N+1 resp. 2N output. The N+1 output is capable to generate N+1 different voltage levels (or states), the 2N output up to 2N different states. If for example N is set to 4 the N+1 output generates up to 5, the 2N output 16 different states. The voltage steps of the 2N output are adjusted to 1/12 V in the factory. Consequently, exact semitones can be obtained in combination with a VCO. The voltage steps of the n+1 output are adjusted to 1.0 V in the factory corresponding to octave intervals in combination with a VCO. For each output a trimming potentiometer is available on the pc board that enables the user to select other voltage steps for the output in question.

Even the "Stored Random Voltages" section has 2 stepped CV outputs available: one with even voltage distribution of the max. 256 output states and second one with adjustable voltage distribution probability. The distribution probability is adjusted by a manual control (Man D) and an external control voltage CVD with attenuator. With the control set fully counter-clockwise most of the random voltages will be low magnitude but even medium and high magnitude voltages may appear but with smaller probability. As the control is turned to the right (or a positive control voltage appears at the CVD input) the distribution moves through medium to high magnitude voltage probability. The symbol at the lower jack socket shows this coherence graphically. The voltage range is 0...+5V for both outputs of the "Stored Random Voltages" section. For each output a trimming potentiometer is available on the pc board that enables the user to select another voltage range for the output in question.

The A-149-1 can be extended by 8 random digital voltages with the A-149-2 Digital Random Voltages module.

Dimensions
12 HP
60 mm deep

Current draw
40 mA +12V
10 mA -12V

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Rosie Gaines will also be synonymous with her smash hit single 'Closer Than Close' (also the name of her fifth album) which now gets reissued by the Demon Record Singles Club. Gaines actually started her career back in 1985 when she perfumed and recorded with The Curtis Ohlson Band but it was when she was a member of Prince & The New Power Generation that she really got noticed. Her Closer Than Close album came in 1995 and soon after she was dropped by Motown, but a remix of the title track a year so so later arrived in club land on bootleg and sold over eight million copies around the world.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Microphone absorber system for studio and live applications

Portable absorber/diffusor for studio and live applications
Reduces unwanted room reflections, echoes and ambient noise during vocal and instrument recordings to a minimum
Extendable table tripod
3 folding segments
Sturdy steel frame with high-density acoustic foam

Technical specifications:

Attachment system: 5/8 inch thread
Type (general stands): Microphone stand (desk)

Dimensions
Width: 21 cm
Depth: 20 cm
Height: 38 cm
Weight: 800 g

Notes: ***B-STOCK: Without original box, product in perfect working order***


Introducing the Decksaver cover designed specifically for the Pioneer DDJ-XP1 and DDJ-XP2 performance controllers. Engineered with precision and crafted to perfection, this cover is the ultimate companion for DJs who want to protect and preserve their valuable gear.

Custom-molded in the UK, the Decksaver cover is expertly crafted to perfectly fit the contours of your DDJ-XP1 or DDJ-XP2. Made from super-strong polycarbonate, it forms an impenetrable barrier, shielding your controller from dust, spills, and accidental impacts, ensuring its longevity and pristine condition.

With the Decksaver cover securely in place, you can have peace of mind knowing that your DDJ-XP1 or DDJ-XP2 is always protected, whether you're in the DJ booth, studio, or on the road. No more worrying about scratches, liquid spills, or dust accumulation that can affect the performance and lifespan of your equipment.

Designed with functionality in mind, the Decksaver cover allows easy access to all the key features and controls of your DDJ-XP1 or DDJ-XP2. The precision molding ensures that buttons, pads, and faders remain fully accessible, allowing you to navigate your performance effortlessly and without any compromise.

Transportation is a breeze with the Decksaver cover. Its rugged construction and form-fitting design provide a secure fit, allowing you to pack your DDJ-XP1 or DDJ-XP2 into your gear bag without worry. Whether you're heading to a gig, a studio session, or a jam with fellow DJs, your controller will be protected throughout the journey.

Join the ranks of professional DJs worldwide who trust Decksaver for superior gear protection. The Decksaver cover for the Pioneer DDJ-XP1 and DDJ-XP2 is a testament to the brand's commitment to quality and innovation. Rely on its robust build, sleek design, and reliable durability to keep your gear safe and sound.

Elevate your DJ performance and keep your DDJ-XP1 or DDJ-XP2 in pristine condition with the Decksaver cover. Experience the peace of mind that comes with knowing your valuable equipment is shielded from potential hazards. Trust in the industry-leading protection provided by Decksaver and focus on delivering outstanding performances every time.

Fits: DDJ-XP1, DDJ-XP2

Dimensions

Weight 0.62 kg
Length 33.5 cm
Width 23.8 cm
Height 4 cm

Material: Smoked clear polycarbonate.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Conductive Labs have turned complex music theory into a killer synthesizer-jamming MIDI controller with The NDLR.

With four parts that can play up to 8 synths, it's possible to make fantastic electronic music with this device.

These tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good unit down over the years - this is where Decksaver steps in.

Designed exclusively for perfect fit, whilst still accommodating cables, your NDLR arpeggiator can sit ready for operation.

Slides straight into a flight or soft case, or rucksack for maximum protection during transportation.

Shields delicate controls, ports and internal components from damage at home, on the road and on stage.

Dimensions

Weight: 0.399kg
Length: 23.2cm
Width: 15.9cm
Height: 3.4cm

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


As part of a new looking back on German art rocker Nico's esteemed career by the indie label Domino, Desertshore chronologically follows The Marble Index, and is her third album, following the prior project's establishing her as an avant-garde artist with one foot in the mainstream, in stark defiance of the the prejudiced poo-poohs that followed her first (baroque pop) album, Chelsea Girl. Desertshore is more of a reconciliation of her prior two projects, bringing back the initial western pop sensibility while now firmly basking in a newfound weirdness-and-she-knows-it. From the opening dark waves of 'Janitor Of Lunacy' to the piano-balladic injection of sadness that is 'Afraid', this is another avant-garde masterpiece by the musician, never justifiably passed over.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Songs in The Key of E is a new offering the legendary soul man Everis, arriving in limited edition vinyl form just in time for Christmas. It features a number of superb new hair raising soul songs with some top guests too including a pair of award-winning singers, two international rappers, and a cult UK MC and sound system legend. There is an old school r&b tinge to the production and songwriting, with lavish keys and nice fresh beats all topped with emotive vocals that all swell the heart.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Italian singer Elena Ferretti also worked under the monikers Sophie and Helen. She was massively popular on the Italo and Eurobeat scene back at the start of the 80s and was produced by Giacomo Maiolini, Sergio Dall'Ora and Giancarlo Pasquini. She has got plenty of cult tunes to her name (or names) and 'I Love You' is one of them to now get reissued by ZYX. It has a classic synth bassline that sprays across the track like the Donna Summer classic 'I Feel Love', with analogue drum sounds below and magnificent melodies up top. Flemming Dalum remixes with big, bright, shimming retro-future synth chords and Victor Ark brings a more cold and stomping feel.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Pico BBD is surprisingly great sounding (we were surprised ourselves), full analogue 4092 stage bucket brigade delay module; the smallest BBD in Eurorack. Besides nice and clean flanger and delay effects, at full CW settings of TIME and feedback knobs it can produce extreme sonic artefacts. Tweak knobs and enjoy!

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Before George Michael went solo, he was of course one half of the mega popular duo Wham! Their debut album 'Fantastic' vaulted them to instant stardom and boy band of the generation status. The album featured four top ten songs in the UK alone and set the stage for George to become the household name and performer we came to enjoy. The singles included are Wham 'Rap! (Enjoy What You Do)', 'Young Guns (Go for It)', 'Bad Boys' and 'Club Tropicana'. This reissue comes on red vinyl.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Decades after he died, pioneering rapper Christopher Wallace aka Biggie aka B.I.G remains a hip hop giant, not least for us here at Juno HQ. He had the flow, the character, the lyrics, and showed all of it on his masterclass album The Notorious BIG. It is now getting a well deserved reissue on double vinyl, with all the original tunes included. There are uber-hits like the ubiquitous 'Juicy', tracks that make astute social commentaries about the black experience such as 'Everyday Struggle' and then some darn right killer grooves like 'One More Chance' and 'Big Poppa.' RIP to the greatest to ever do it.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Rail Band are one of the most legendary bands in Malian musical history, and like all great legends their greatest moment was fleeting. This incredibly heavy, soulful and hard-grooving record was released in 1973, when the official orchestra of the Malian State Railway decided to enter the studio and lay down their potent blend of Western funk and surf, Mande tradition and Afro-Cuban percussion. The band was led by trumpet and sax player Tidiani Kone and Djelimady Tounkara on guitar, but in the iteration captured on this album they also featured future stars Salif Keita and Mory Kante on vocals. Shortly after, Keita and Kante eloped to embark on hugely successful solo careers, but for a brief moment in 1973 one of the greatest African guitar bands of all time created a perfect storm of West African storytelling and smoking hot grooves.

Review: ***B-STOCK: Missing original outer sleeve but otherwise in perfect working condition***


Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Review: ***B-STOCK: Scratch on back of outer sleeve, record in perfect working order***


Geoff Hibbert may be the only rave-era dance music producer of note to hail from Oadby, a small town just outside Leicester. He first burst through with a couple of bleep-influenced anthems as Cyclone, but his biggest club smash was actually 'Break of Dawn' as Rhythm On The Loose - a killer, piano-sporting, saucer-eyed breakbeat house number that made great use of vocal samples from First Choice disco classic 'Let No Man Put Asunder'. This timely reissue packages the 1991 original mix with a trio of later 1995 rubs. There's Hibbert's own remake, which turns it into a MK-influenced house jam, a gloriously up-beat, synth bass-powered Strike remix full of fizzing riffs and bouncy beats, and a throbbing, raw and trance-inducing Stonebridge revision.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


This official reissue of Bela Lugosi's Dead: The Bela Session comes on black and red splattered vinyl this time around and includes previously unreleased tracks that have been mastered from the original demo tapes of their first ever recording session together. The post-punk outfit's debut single was released initially in 1979. Bela Lugosi's Dead is not only their first single, but also often gets mentioned as the first goth record. It has since been covered by Nine Inch Nails, Massive Attack and Nouvelle Vague. The rest of the tunes from the demo session remain hugely innovative, reflecting their post-punk and dark-glam style with dub reggae influences that would further evolve in their output that followed and explain why the band went on to such cult status.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


If the aim of most albums is to take you on a sonic journey of boundless exploration, then this new record Exploring Together from Saphileaum on Mule Musiq is about as good as it gets. It's a work pop escapist beauty with ethereal synths invoking a sense of wonder and discovery over pulsating rhythms which build layers of intrigue. Ambient textures are melted into hypnotic beats, lush soundscapes invite introspection and movement alike and exotic percussion, sound effects and sun kissed sounds all bring each track to life as you get lost in this most beautiful odyssey into uncharted downtempo and Balearic waters.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


You'll have to go a long, long way to find a more important record in the back catalogue of The Damned. Strawberries marked album number five for the New Wave-Goth-punks, arriving in 1982, initially through the now-defunct UK indie label Bronze, established by Gary Bron who - incidentally - also played a pivotal role in helping Uriah Heap realise their sound. Digressions aside, this LP at once marks one of the finest moments in The Damned's history, and one of their most turbulent times.

The band's creative confidence - Captain Sensible especially was enjoying a fair share of the limelight at this time as a solo artist - helped them expand and mutate in both subtle and crystal clear ways, introducing instruments like the sitar and cello to the mix. Fans got their beloved dark room masters, and much more besides. Behind the scenes, though, this was a point in time pockmarked by fallouts and disagreements. Still, who said greatness doesn't come at a price?