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Notes: Pair of high quality felt slipmat with axis "eye" design

Notes: Pair of high quality felt slipmats with "Lick The Groove" design print

Notes: Pair of high quality felt slipmats with small metallic Plastikman logo

Notes: Pair of high quality felt slipmats with Purposemaker design

Notes: Pair of high quality black felt slipmats with Soleil Records print in white & red

Review: Mr Bongo continues to take us deep into the recorded work of Lonnie Smith with the reissue of this 1975 LP from the legendary jazz organist. It's an expansive, daring soul-jazz excursion which embellishes the heavyweight grooves with experimental, discordant tones which reach extraterrestrial heights, not least on the eyes-closed escapism of 'Spirits Free'. While Smith may have turned his hand to smoother sounds at certain points in his career, this is testament to the impact free jazz had on his development through the 70s. Crucially though, the music never derails into pure chaos, and the soulful sentiment of the music shines through even in its wildest stretches.

Review: Recorded live in Laguna Hills, California whilst touring The Queen Is Dead; Absolute Panic! is a fairly appropriate title for this now iconic performance. Noted for its intense audience reception and the extensive efforts made to get to the stage which led to a more than overzealous reaction from security, both Morrissey and Johnny Marr can be heard lambasting the staff in between songs, with even a lyric of their touring title-track switched out to - "Life is very long, when you're a bouncer." Complete with minimal yet sardonic stage banter and a career-defining plethora of one essential cut after another, it's no shock that this live set has become a much sought after collector's piece for diehard devotees, who no doubt would have been there giving the security a run for their wages if given half a chance.

Review: Estonian-based label RR Gems is on a mission to present music that carries on a rich tradition of "free form, experimental and jazz" sounds. It does that here with dynamic Helsinki sextet, Soft Power, who have a style that ranges from jazz-rock to psychedelic jazz, always with exuberant musicianship and eclectic energy. Raw Bites is another exceptional outing that challenges conventions without ever losing sight of a compelling groove in amongst the cosmic sounds and noodling melodies. Walking bass brings bluesy qualities to some tunes and others are epic sonic adventures a la Sun Ra.

Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.

Review: We are always excited to see a new release by S.O.N., as you can be sure to expect some quality techno. This new release is jam-packed with beautiful late night ambient techno. 'Distance Problems' is the title track for the EP and definitely stands out. The deep ambient acid that gives way for a brisk dancefloor knockout is pure sublime producing. 'Fade To Green' is a stunning atmospheric jam that verges on a beautiful acid trance sunset. On Side-2, 'Vanessa' is a floaty ambient techno track that you we just can't get enough of listening here at HQ. Just when we thought we couldn't be any happier, Romanian producer adds his Midas touch to the remix. If you like spacey techno, then suit up.

Review: It would be fair to say that Henry Maldonado, known more widely as Son Of Sound, has been one of the few revelations to come out of New York City since the early 2000's. For a city which gave us so much in the 80's and 90's, there have been relatively few new names to carry on the dynasty, but Maldonado's sleek and thoughtful style for imprints like Disrtrict 30 and Speak Recordings has provided a bit of life and love to the American Dream. Moreover, the man appears on Delusions Of Grandeur, one of our all time favourite labels when it comes to house, and one that we wish was more present again. The deal here is simple; Son Of House provides us with three sultry, laid-back house groovers with plenty of soul and homebred sensibility, rolling and pushing its solid grooves over bouncy, seductive melodies and feel-good charms.

Review: Big Crown bring the beat heat once again with two raw funk / soul gems. The Sonics' rare-as-hens-teeth northern soul anthem "Find Myself Another Girl" gets liberated from its high ticket collector price with this much needed reissue while an old master tape prowls to life on the B as Texan troupe S.C.A.M's take on the well-covered Classics IV 1968 standard "Spooky" enjoys a release for the first time. Divine.

Review: Sonido Verde De Moyobamba feature on the second volume of Analog Africa's Sonic Expedition into the Peruvian Amazon, as well as being behind this brilliant new collection which drops on the same day from the same label. It is a coming together of eight super-rare cuts of guitar and organ inventiveness taken from the five albums the band recorded between 1981 and 1987 for Discos Universal. You would beard pushed to find any Cumbia from the Peruvian jungle that hits as hard as this with its incessant rhythms, mad acoustic guitars and bustling percussion.

Review: Multi-award winning composer and viola maestro Astrid Sonne is an artist you won't forget in a hurry. Freewheeling between the somewhat regimented, or at least highly intentional world of electronic music production and the looser, more open-ended possibilities of experimental contemporary classical, melding both together in a place which is deceptively close to pop, she runs on improvised sections and meticulously crafted arrangements alike, in ways that feel truly natural. Following her acclaimed 2021 long form, 'Outside of Your Lifetime', with another beauty on Escho, one of many standout alternative imprints active in her native Denmark, Great Doubt is perhaps her most radio-playable effort to date, and yet musically it also embraces some of the most varied influences. From loop-based hip-hop to surreal court music, patient string-focused ambient, to leftfield drum machine pop.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Sons of Kemet had already made themselves into stars before they released their debut album. They did so with electrifying live shows all around the UK with each member of the supergroup which is led by clarinetist, saxophonist and composer Shabaka Hutchings with Oren Marshall on tuba and Tom Skinner and Seb Rochford on drums, all coming together to create fresh jazz fusions. When Burn landed a decade ago it took things up a notch. It has addictive melodies that work for both heart and mind and now gets a special anniversary reissue.

Review: Four Flies are dab hands at digging out the finest curios from the hidden depths of Italian music culture, and this is surely one of their proudest proclamations. Guiliano Sorgini recorded the soundtrack to Riccardo Fellini's TV movie Zoo Folle in 1974, and the soundtrack came out the same year. Far more than a set of modest instrumentals or functional library music, this is raging, heavy psych funk of the highest order, with raunchy riffs, bugged-out flute, intense percussive beatdowns and so much more besides. Whichever plucky diggers originally unearthed this holy grail must have lost their tiny minds, because even framed with the significance it deserves, this is an out-of-this world record we're very fortunate to have back in our reach.

Review: Deep atmospheric jungle is definitely having a moment right now with labels such as Omni Music and Codename RCRDS and Deep Jungle incubating some outstanding art, Kid Drama and DJ Trace's Nine Windows project setting benchmarks and, way ahead at the forefront, Soul Intent doing what he's been doing for the best part of 20 years. Atmospherics is the perfect example. His deepest and most cosmic of albums, the full trip is an epic sci-fi odyssey that sucks you in on an iMax level. These four cuts are some of the most clubbier-minded cuts, especially for the vinyl heads. From the hurricane breaks of the title track to the jazzy rolling drums of 'Dying Star', this is an exceptional snapshot of an incredible album.

Review: Italian duo Souldynamic have been releasing a steady stream of work on respected labels from King Street and Tribe to BBE, with support from industry heavyweights like Louie Vega and Dennis Ferrer. Their latest release the 'West Side of Afrika' EP see's them land on Samosa Records, comprising of four tracks of Afro-centric house. From the spiritual life music of opening track "Guinee" to the uplifting sunshine vibe of "Faranah" with its uplifting group vocal harmonies, while closing cut "Beyla" is an evocative deep house number with the most killer bassline you will hear on a record this year. Terrific work by these Neapolitan scene veterans!

Review: Daje Funk Records invites us to their funky dance floor once again with a fourth volume of the Slam Dunk series. It's a various artist affair with the sort of sun kissed sounds we all want to hear as the days get longer and the rays beat down. Souldynamic opens up with 'Tales From QJ' with its florid strings and soul-train beats. Musta's 'Soup' has a fatter low end and wobbles along with dub swagger then Les Inferno build the heat with 'Hot Burn', a tropical and percussive shuffler before the purposeful funk of Groovemasta's closer bring loose limbed percussion and epic riffs to a disco house groove.

Review: LA indie rockers Sprain are the latest fixture of their state's post-rock/noise rock zeitgeist and to celebrate (following their debut), they've now released their second LP, The Lamb As Effigy Or Three Hundred & Fifty XOXOXOs For A Spark Union With My Darling Divine. Adding to the ever-burgeoning sophisti-post-rock landscape of late - which has heard an uptick in spoken word and noise elements - the trio unleash their screamiest, most abyssal vocal and instrumental anti-prayers here, lashing out at God and Man over the course of a gargantuan, eight-track sonic judgment day.

Review: Given the uniqueness of his madcap and mind-altering trademark sound, the release of any new album from Tom Jenkinson AKA Squarepusher is big news. Given that his last new full-length landed four years ago, the arrival of Dostrotime has got an awful lot of experimentalists in a bit of a lather. Like many albums that have surfaced in the last couple of years, it was apparently inspired by the "novel, eerie, sublime silence of lockdown", with the title being a reference to "how time passed differently". Quite how this plays out within the music itself is open to interpretation; for the most part, what's on offer is prime Squarepusher - all distorted, full-throttle acid lines, mutilated experimental D&B beats, analogue electronics and rasping, strobe-lit nods to raves,

Notes: ***B-STOCK: Box opened, product in perfect working order***


Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples

Review: ***B-STOCK: Record sleeve damaged, product in working order***


The enduring appeal of Steely Dan never fades with time, and why should it? Donald Fagen and Walter Becker's relentless pursuit of perfection and blue-eyed soul gifted us a whole heap of stunning albums, and their fiercely devoted fanbase would fight tooth and nail over which one gets the top spot. Our money would be on Aja though, given its enduring influence, its rich extended life through a whole host of sampling and the quite simply flawless run of songs, composition, production and beyond. It's one of the greatest albums out there, and you'd do well to grab a copy if you don't own it already.

Review: Novi Orbis is a label that has said before it is on a journey into outer space and that sonic mission continues here with a new EP from Elias Sternin. He is a fresh new school soundsmith with who impresses with this one from the off: 'Musica Interminable' is all bendy bass and driving, swampy synths with thudding kicks that sound like a future rave in the stars. 'Magnetismo Inexplicable' is another nice and elastic mix of drums and bass with bright progressive chords and 'Three O'clock' (rework) then gets loose and tripped out. 'Portamento' closes down with a gurgling baseline and snappy drums to get you marching.